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Archives for November 2023

Pete Blohme-Digging Deep and Doing Good Things

November 30, 2023 by Nicky Mondellini

 

Episode Notes

In this delicious episode we will be exploring the creative mind of Chef Pete Blohme, who shares wonderful advice on life, as well as creating a business: Don’t just work to make a living, work to make a difference. 

Panini Pete, as many people know him, has headlined with Guy Fieri on his Live Road Show performing in 25-plus Road Shows and he has also been featured on several Food Network shows such as Diners, Drive-Ins, Guy’s Grocery Games and The Great Food Truck Race with Tyler Florence, as well as CMT’s Sweet Home Alabama.

Pete has been in the restaurant business for a long time and in 2006 he opened Panini Pete’s Café & Bakeshoppe in Fairhope, AL. Since then he has been building a restaurant company and hospitality brand that today operates four award-winning establishments on the Gulf Coast.

Pete is also the host of the Raw Ingredients podcast, as well as the author of Spatula Success. He is a founding member of The Messlords, a group of passionate chefs that travel the world cooking and entertaining American troops, and also co-founder of the PR Foundation that works to help veterans, adults with developmental disabilities, and no-kill animal shelters.

You can find him on Facebook and Instagram as @ChefPaniniPete.

Visit him at www.chefpaninipete.com where you can get a signed copy of his book Spatula Success within many other exclusive products.

**Visit www.nickymondellini.com/podcast and download the ebook “Learn to handle the NOs of the industry” for free, and subscribe to receive La Pizarra’s monthly newsletter with news about new episodes and various resources for the best development of your artistic career

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 Try it free for seven days at: https://squadcast.fm/?ref=lapizarra 

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Subscribe to La Pizarra so you never have to miss an episode. Feel free to download and share them on social media, your comments are well received too!

** Visit https://www.nickymondellini.com to learn about the work of actress, host and voiceover artist Nicky Mondellini.

Nicky Mondellini is an internationally known artist with more than thirty years of artistic career. Her voice is heard in commercials on television, radio and digital platforms worldwide. She has been the host and producer of La Pizarra since 2020.

Her work as an actress includes more than a dozen telenovelas,  and drama shows, classical and contemporary Spanish plays, shorts and feature films, and the hosting of morning shows in Mexico and the United States, as well as on camera commercials, and promotional and corporate videos.

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Transcript

Announcer: This is La Pizarra, a place where we explore creative minds in the entertainment industry on both sides of the mic and the camera. Here’s your host, Nicky Mondellini.

Nicky Mondellini: Hi there. Welcome to another episode of La Pizarra. My name is Nicky Mondellini. I’m very happy you’re joining me today because I have a very special treat. It’s a treat indeed when I talk about his beignets or his signature paninis. We’re going to be exploring the creative mind of Chef Pete Blohme, or Panini Pete as many people know him. Pete has headlined with Guy Fieri on his live road show performing in 25 plus road shows. He has also been featured on several Food Network shows such as Diners, Drive-Ins, and Dives or Triple D, like many people know it.

Also on the Guy’s Grocery Games, Guys Big Bite, and the Great Food Truck Race with Tyler Florence, as well as CMT’s Sweet Home Alabama. Pete has been in the restaurant business for a long time and in 2006, he opened Panini Pete’s Cafe & Bakeshoppe in Fairhope, Alabama. Since then, he has been building a restaurant company and hospitality brand that today operates four award-winning establishments on the Gulf Coast. Pete’s first book is called Spatula Success, which we will talk about in a moment.

He is a founding member of the Messlords, a group of passionate chefs that travel around the world cooking and entertaining American troops, as well as the co-founder of PR Foundation that works to help veterans, adults with developmental disabilities, and no-kill animal shelters. Pete is also the host of the Raw Materials podcast, which delves into the culinary world, and all of its wonders. Before we go on with the interview, I want to remind you that all of the episodes of La Pizarra are available on nickymondellini.com/podcast, where you can also sign up for our monthly newsletter, and you will find the transcripts for most of our shows.

Don’t forget to give us a five-star rating, if you please, so that other people can find us and benefit from the great advice and all the tips that are given here by our experts in different fields of the entertainment industry. Hey, Pete. How are you doing? Welcome to La Pizarra.

Pete Blohme: Nicky, so glad to be here. Thanks for inviting me and having me on your show.

Nicky: Well, this is wonderful, because I’ve been wanting to interview you for a while, we have so much to talk about. You’ve built a wonderful, successful business. You started as a teenager, and well, we have your book, so I gave a little bit of that preamble in the presentation but I want you to tell us a little bit about how you got started because you weren’t really thinking about the food industry as a real job. For you, at first, it was a summer job when you were a teenager.

Pete: Yes, very well read there, you know your stuff. It was something I did, starting at 14 working in the business for job, for money. If I wanted to wear Levi’s and Nikes and not Walmart or Kmart, then I had to have money because my parents had a budget and then I had to enhance that. It was great to work and have some money. I love that aspect of the business. It was hard work but it was intense and it was social and a lot of people working together but it was just what I did.

I played sports and I worked on a golf course in the summer in the grounds crew mowing and cutting and raking and shoveling. When I got ready to get out of high school, I was like, “What am I going to do now?” I didn’t have anything that I was just driven to. I wanted to be a marine biologist and train dolphins when I was a kid from watching Flipper episodes but that didn’t really stay.

Nicky: Oh, I loved Flipper. My God, love that show.

Pete: I was contemplating joining the service, the military. My dad was weird because he was against that, “Don’t call the recruiter.” My dad served in the Marine Corps for three years. I thought he would be pro but he’s the one that first talked to me about the business as a career. Unfortunately, still to this day, not enough young people think about our industry as a career, because between restaurants, hotels, travel tourism, I’ve worked on cruise ships, I’ve worked in so many– it’s so diverse and there’s so much opportunity, and you can work anywhere in the world you want.

You can also grow. You come in entry-level, people give you a hard knocks, “Ah, it’s hard work and low wages.” In entry-level, it’s not the greatest compared to some trades if you’re going to work in assembly line or welder around here, things like that but the sky’s the limit. I know people that have started off as a bellboy and housekeeping. There’s a couple in Gulf Shores and they have a multi-million dollar hotel company now. For me, when it was presented to me as a career I said, “Wow, I never thought about that but I do like it.”

That was the taste, that was the start. Went to a community college to study hospitality management. Ended up going to the CIA, got my degree, and went to a culinary school and got a little more specific because I love the back of the house. My original degree, I did great in the restaurant and the accounting classes, but then when it got to English and speech and your regular core college class, I was like, baah,  I’m out.” Just went from there.

Nicky: Let’s specify the CIA, not the one people think about.

Pete: I’m from the other CIA, the Culinary Institute of America, which was the first CIA?

Nicky: It was the first CIA. Wow.

Pete: Yes, right after World War II, they opened in New Haven, Connecticut. I think in the early ’70s, they moved to where they are now in Hyde Park, New York. Amazing facility, amazing school. We have a campus in San Antonio, and one in Napa Valley, and one in Singapore.

Nicky: That’s where you fell in love with just the art of cooking and–

Pete: You walk through those doors and your life changes forever. To learn that high level, that foundation of real, real cooking, how to build flavor. Then also the business aspect of it. We were exposed to culinary law, we were exposed to culinary French, restaurant business, hospitality, supervisory development, a lot of aspects of our industry, as well as table service and formal service. In the mid ’80s, when I went there, it was very rooted in classic, there were a lot of old European chefs and everything was yes, chef, yes, chef, yes. pretty military yes.

Nicky: Has some of that changed nowadays? Do you think it’s more relaxed, or where has it moved to?

Pete: It is extremely more relaxed. There were aspects of our industry that were tough. In the entertainment business, drugs and alcohol and things and depression can be really rampant when you go through these ups and downs. Our industry had a dark side because it was not only permissive and tolerant, almost encouraging some of that in certain environments where it was just work hard and party hard, and that’s got a lot better.

The way people run kitchens now has gotten a lot better, it wasn’t just fear and intimidation and go, but the standards have also lowered too. It’s so much harder today to get young adults, adults even in their 30s, to come in and just be there on time and look sharp, and be ready to go and have high standards, and a sense of urgency and understand teamwork. Everything wants to be faster, quicker. Just throw in a pot and heat it up.

At the school, I’m on the board there so I still see– I go up there at least once a year. We have different meetings so I see a lot of what they’re doing and they’re really providing a high-quality education. The facilities are amazing. The industry is really expanding. Now they’re doing a lot of– you get four-year degrees there now, wine studies, other things. In some ways, it’s gotten better. In some ways, I think everybody– I think we all agree the world is a little more casual than it used to be.

Nicky: Definitely, yes. Then when you get social media and everything else in the mix, I guess you have to be quick and fun and quirky to call attention and to promote the restaurants and have everyone go down there.

Pete: That’s a big challenge these days that you didn’t think about when you’re young and coming up is, because of social media and you have to have a brand, you have to have some brand awareness. If you don’t exist on social media, then it’s hard to exist in business.

Nicky: Yes, for sure.

Pete: The good thing is you don’t have to be tech-oriented. You don’t have to be good at social media, even though some people are great at it, sometimes just being there and being present and being yourself is enough to at least keep you in the minds where they think about your restaurant when it’s time to go eat or whatever.

Nicky: Exactly. Then also you get a lot of people sharing their experience at your restaurant. It’s like, “Oh, my god, I just had the best beignets ever,” like I did when I was there a few months ago because they are so good. That’s word of mouth. You put it out there and people from a lot of different states they’ll know about it and that’s just amazing.

Pete: Well, I think that’s important too to be aware of in our business. When you’re doing things you gotta have that, well, I completely– when we opened Squid Ink, one of our properties, so we have five right now. I have Panini Pete’s, the original, in Fairhope, Sunset Pointe right up the road, more high-end, more seafood. We have a new place called the Waterfront in Daphne, which is another big bayfront property with some cool coastal cuisine. We have Ed’s Seafood Shed in Spanish Fort, classic Southern fried seafood, predominantly.

Then I have this gastro pub in Mobile called Squid Ink that’s really funky. We just won the most innovative menu in town for the fourth year in a row. When I went in there, we designed the menu. This was the first restaurant that I went overboard on my budget in plating and plateware because you have all these cool, funky shapes and sizes and earthenware. Not only are they fragile and they break, but they’re expensive, but your food is more Instagram-worthy.

You have to think about the looks of the drinks and the garnishes. For years at Panini Pete’s, Nicky, as you know, I’m back there doing everything from scratch and homemade mozzarella, fresh-cut fries, and house-roasted meat. I’m putting all this quality on these paninis, but I’m putting them in a plastic basket with paper, and it gets want-want. There’s a restaurant down the street that’s doing so-so food with China and glass and forks and everybody’s like, “Way.” I’m like, “Man, you need to present your stuff well as well.”

Nicky: Well, yes, but I’m also a big believer of you can be won over by that first bite, right?

Pete: Yes.

Nicky: People start talking about it and no matter, it can be on newspaper, but if it’s really good, people don’t care.

Pete: Absolutely, the flavor has to be there, the quality has to be there. You see Philly Cheesesteaks that couldn’t get any less casual, and there are people wrapped around the building to get this cheesesteak, like you said, wrapped in newspaper or little tacareas, little trucks. You’re absolutely right there. You got to back it up with quality.

Nicky: Oh, no, you definitely have to back it up. Tell me now about how you had this wonderful experience of being from the first time on Triple D, Drive-ins, Diners, and Dives, and before the restaurant. Tell us that. I think that’s a wonderful story about how Guy Fieri discovered your first restaurant and then how you started expanding from there. I think that’s wonderful. That’s a lot of good things that coincided, but also a big opportunity that you went with and you knew how to make more of it because not everybody would have the vision to make that grow. Tell us about that.

Pete: Yes, I think that’s so important for people to realize how many opportunities hit us every day that we just miss, we’re just not paying attention to. I don’t mean big, massive things. It could be just a small thing, helping somebody out, answering that phone or that e-mail or cleaning something up, doing sometimes little things that don’t seem really valuable, but they are and they lead to additional things. That door that gets you through to get that big part is the 10th door down the way.

It was one little thing, picking up something from the post office for somebody and dropping it in an office where you met somebody that led to this, that led to that. At least that’s my philosophy in my book, Spatula Success. When I got that call, first I thought it was a prank call. I thought it was one of my friends kidding me I’m getting a call from the Food Network. It was like an audition process that I’m sure you’re familiar with. It started off with a long interview, and then it was basically, “We’ll call you back in four or six weeks, or we won’t.”

Are you going to get a callback or are you not going to get a callback? I relate because both of my kids-

Nicky: Exactly.

Pete: -study musical theater and they’re aspiring actors, so I can relate to that. I tell them all the time, your job is just to be ready, and your job is to audition, audition, audition, and maybe once in a while you get a gig. For me, it went from a November call till March till I knew I was going to be on the show. There were four calls about six weeks apart. Then it was like, “Oh, my God, it’s a go.”

I was so excited. I likened it to– for me, I said, “You look what Guy did. He won a show, Next Food Network Star, and now he’s got this show.” You watch American Idol, The Voice, all these things, and you see people get a little opportunity, and some do amazing with it and some don’t, and somebody maybe didn’t win it, but they were third or fourth. Then how do they take it to the top?

Talent is certainly involved, but it’s more than just that because there’s more talented people sitting on the couch watching them, sometimes, that aren’t out there doing it. I knew right away, I’m like, “How do I bring value to what I’m doing and how do I try to get this small bit of exposure to expand?” Till now it’s been like 15 years. I just actually got a call yesterday from the Food Network. I’m going next in about a week to go shoot a show up in Tulsa, a new show that Guy is producing. This is hot. This is hot off the press. A new show they’re producing, and I got invited to go be a judge on the show. This is another level up from not just being a competitor or a featured chef, now I’m going to be one of the judges on the show.

Nicky: Oh, my goodness, that’s amazing.

Pete: It’s about that. It’s delivering the goods, it’s bringing value, and doing whatever it takes, obviously within reason, to bring value to what you’re doing. You know you have talent, but there’s a lot of other people talent. What can I do to hustle to bring value? When I do events with Guy and show up, and it’s a lot of these celebrity chefs or even worse, guys like myself that are celebrity chefs regionally and been on a lot of national exposure, but I don’t have my own show or anything.

Nicky: Well, no, but you are. [crosstalk].

Pete: I see myself as a clearly–

Nicky: You went on the road with him. You did a lot of things.

Pete: I’ve done a lot. I’ve done a lot. I’ve traveled the world cooking for the troops, but I still stay very modest and humble, and I get in there and roll my sleeves up and work because our business is making people happy, putting out good food, helping out. It’s washing dishes, it’s doing whatever it takes. I think that’s important that you look for those opportunities to go, “I’ll be there, I’ll help, let’s go.” I’ve tried to teach my kids that. Bring value. It’s writing little notes.

I know whenever he does a production, whether he’s a PA or he’s doing a gig, he’s just finished some theater work, I guarantee he’s going to have 10 handwritten notes that he’s going to give to the producers and the directors and different people and say thank you for the opportunity and let me know if anything I could do. Those little difference makers have gone. How do you make the most of your opportunity? How do you be somebody they want to work with in the future?

Nicky: Before we go on with the interview, I want to tell you about SquadCast, the platform that I’m using to record most of the episodes of La Pizarra. Besides having excellent sound quality, your guests can join the session from a computer or their mobile device from anywhere in the world. All they need is a stable connection. SquadCast has now joined forces with Descript, the editing platform that generates a transcript while you are editing.

Now you can open Descript directly from SquadCast and start editing video and audio right away. Check out all the details at squadcast.fm.com/?ref=lapizarra. This super-long link is in the show notes. Once you click on it, you can try SquadCast for free for seven days, and you can decide which plan best fits your needs. SquadCast has other advantages like the possibility of having up to nine people in a recording session or in a virtual meeting. You can download your mixed and mastered audio files with Dolby sound quality. Try it out with a link in the show notes.

I think that’s so important, definitely. It’s something that you mentioned here. Let me read it directly from your book. Okay, hold on, because I have it. I have it here. This is your book, by the way. People who are watching this on YouTube, they can see it, and if not, you can go and watch this on YouTube or go to Pete’s website. I’m going to link to everything in the show notes, of course.

Pete: Thank you.

Nicky: It says, “The little things matter. While many of us spend our lives waiting and hoping for the next big break to propel us into the future we’re dreaming of, the secret to living a life of abundance is found in the everyday grind. It’s the seemingly small decisions and actions that multiplied over time lay a solid foundation for building a successful and fulfilling life.”

Pete: There it is, right there. That could have been a lot shorter, but if I just condensed it.

Nicky: Well, no, because it’s a book. It’s okay in a book. It has to be long.

Pete: That’s so true. It’s happened to me so many times. I think I referenced that in the book, standing on the deck of an aircraft carrier in the middle of the Arabian Sea watching jets launch, and I’m on this massive ship for three days with some of my chef buddies, and we’re doing tens of thousands of meals and just having a blast and going, “How the hell did I get here?”

Getting that call yesterday from the Food Network to do another show and you’re like, it’s this massive foundation that’s from taking massive action on little things. For me, it’s just all these thousand little decisions and these little good deeds and these little times when you went over and you worked hard and you tried to be prepared and you went in early or you stayed late or you volunteered over here. Eventually, you get old and you got so many of those things that it builds up a foundation, so good stuff.

Nicky: Yes, and you’ve done enough good things to go around. I like your motto is dig deep, work hard, do good things, right?

Pete: Absolutely.

Nicky: Not everybody follows that. It’s like you reach success and you’re good and you just think, “Okay, I’ll keep working hard to maintain that success.” If you also turn around and look at all the people that have helped you and you try to give back, just help out or whatever. Just keep an open mind and an open heart, I would say, to keep things growing, and that brings success for everybody not just for yourself.

Pete: Yes. As you grow you realize– I have another quote that I think it’s my quote I wasn’t able to find it anywhere, so I think I’m the first one to do it. I’m trying to tag it, but I say now don’t just work to make a living, work to make a difference.

Nicky: That is the point.

Pete: I think if you do that it’s proven to me– it gives you so much more opportunities and you feel better, obviously you’re doing good things, and it’s harder as we grow. I started with this grinding and working in all these restaurants and working for other people and eventually getting my own shop and really working hard and going all in and going broke before we made money, and now it’s this multimillion-dollar company and real estate and other things that I’m doing and the Food Network stuff. It’s crazy to think about it, but I’m still the same guy. I have a different role I play now, but I still love to get out there and just have fun and do things and get in there and working with the crew, working with the customers.

Nicky: Yes. You are the face of your company. If you’re out there greeting people and you’re present and you’re helping and all that it just goes to show the quality of the business that you have been building. You’re not someone that is unreachable and said a few things and then brought in a bunch of people to keep doing your work and you’re standing in the background. No, you actually are there and you keep creating and reinventing things. Right now you opened the Waterfront. You said that’s your fifth restaurant around there, right?

Pete: Yes, or sixth. Is it fifth or sixth? 1, 2, 3, 4, 5. Yes. Then we have a food hall we’re working on right now in Mobile that’ll be six, that’ll be open in the fall.

Nicky: Oh my gosh. Wow, because I was going to ask you, what’s [crosstalk]–

Pete: Three new brands?

Nicky: What’s your next thing, but you just keep bringing up all these things. It’s amazing to see you, you keep growing and getting all these ideas. That is the next one. How has the Waterfront been going? That’s the one that you recently opened.

Pete: Waterfront’s been phenomenal. It’s 7,000 square foot right on the bay. Amazing view. You look across the bay, you see the skyline of Mobile, big deck. We covered it with a nice roof covering and fence and misters. We took some cues from the name, the Waterfront, so I wanted to feature some cool iconic dishes that we have that people expect, but also to be able to bring in other dishes from maybe a northeastern spin on a lobster roll or a play on Peruvian ceviche or a play with Argentinian shrimp, and be able to bring in other ingredients and other techniques from iconic waterfronts where here sometimes people tend to go, “Oh, you’re selling salmon or you’re selling this and that’s not a Gulf fish.” They want you to be a purist, and you’re just missing out.

I rolled that into the concept and say, “This is iconic waterfront inspiration from all over the globe.” We have some Caribbean stuff and just little hints and little playing around with that stuff, but it’s been very good, very well received. We’re doing a lot of parties there now. We had a huge bash. Guy was in town filming some Triple D [unintelligible 00:23:23]. Just co-hosted an episode with him and did some cameos on another, so those will be airing later this year. That was a blast. We ended up hosting a big party at the Waterfront with this band from New Orleans called Cowboy Mouth and it was just crazy. We had about 350 people in there just going bananas and–

Nicky: My goodness.

Pete: It’s gotten a great sendoff and everybody’s excited about it. I think it has the potential within a couple of years to probably be our highest volume restaurant.

Nicky: Wow. Oh my goodness.

Pete: That’s hard because Sunset Pointe is pretty lethal. Sunset Pointe is a busy, busy place.

Nicky: Yes. I still have to go to that one. Been to Panini Pete’s just have delicious beignets and paninis there, but I have to, and I’ve had the smoothie because you also have that smoothie and juice placed right next to Paninis.

Pete: What I ended up doing, I was fighting with myself. There’s a little area we call the Fairhope French Quarter where Panini Pete’s is. We’ve been there 18 years, 19 years, and a shop went out and this place came available, and I kind of was, “All right, we’ll get it.” We opened up this juice bar and tried to do a little fruteria as well. Everybody didn’t really get that in Alabama, but it’s been fun, but I was fighting with myself there too because I didn’t want people coming in, getting tables in the patio to just have smoothies, because that’s the restaurant turf. I’m like, “Well, maybe they can order one, but how are we going to do that? It’s a different register, a different business.”

I fought with myself for a few months on that. What we ended up doing recently was basically I absorbed that brand into Panini Pete’s, so it’s Panini Pete’s featuring Fairhope Squeeze, and so now it’s on our menu. It’s part of our product lineup. What I did was I gave up that spot and I just incorporated it into our bar to make that a coffee bar and smoothie bar so we could bring in another merchant in there. I was like, “No brainer.” It’s just expanding our offerings instead of fight with myself. Now I love to see smoothies and juices out on the tables and coffee drinks. It’s really cool. That’s the thing with business and your career is, you got to be smart enough to keep your ego out of the way and do what’s right for the business.

The place I was just talking about, Squid Ink, is in a former location of a Panini Pete’s. Panini Pete’s was my OG, that’s what I started with. Six years into it I opened up my second one in Mobile, and that was a great business launch to market. It was one of those downtowns that had gone south that was coming back. We had 20,000 people every day that would come down and work and then leave at five o’clock, so breakfast and lunch made sense. The weekends were really mediocre. You had kids coming down there drinking Thursday, Friday, Saturday.

That market started to evolve. People started moving in and a couple restaurants popped up, a better clientele. I was like, “Huh, I need to do something about this.” We converted Pete’s to Squid Ink. I own the property there, so it was an easy decision to go, I want to keep this, and I could figure out a way to do Panini Pete’s later. For a lot of people they’re like, “What happened to Panini Pete’s? I thought it was busy.” “Oh, he’s closing a restaurant.” Not only is it the name of the restaurant, it became my identity. Hey, there’s Panini Pete. I had to completely not worry about the ego of it and go, “This is a business decision. I want to do a fun, funky gastro pub with lunch, dinner cocktails.” We’re literally doing five times the business in this Squid Ink that we were at Panini Pete. It was a great decision.

Nicky: Wow.

Pete: The accolades with the food and what we’re doing there is great, but the food hall around the corner we’re getting ready to do is going to be the return of Panini Pete’s to Mobile as well, so Panini Pete will anchor the food hall.

Nicky: Oh, okay, so it will be there anyway?

Pete: Yes.

Nicky: Yes. Well, that’s great because you already started all of that, and people will remember it. You’ve got a great thing going on that it won’t be as hard to start because you already had all that. That people were talking about.

Pete: Yes. We’ve got a good following there. Play on your successes, go deep on what you’re good at, but always look to expand and keep yourself in check and understand what the market– A lot of young chefs that I’ll consult with and talk to, and one of the first things I talk to them about is cooking for your customer’s ego. You got to have an identity and you got to have your standards. You don’t just want to sell out, but you can’t just say, you don’t get me, you don’t understand my food, or you don’t understand my art, or whatever it is. Well, they don’t understand it. You’re not going to make a living, so you got to be able to play to the audience as well.

Nicky: Hey, let’s talk about your podcast, The Raw Materials. When did that come about?

Pete: Yes. We do this, it’s the Raw Ingredients, actually. [crosstalk]

Nicky: Oh, sorry. The Raw Ingredients not the raw materials, sorry. [laughs]

Pete: Raw ingredients of a recipe. It’s so funny, because literally it started, God, eight years ago. My business partner, Nick, was pushing me to do a radio show locally, and I really didn’t want to. One of my buddies, Keith, who now has a publishing and a production company, was talking to me about a podcast, and I’m like, “What is a podcast?” He’s like, “Well, you can do it anywhere you want.” He goes, “You’re going to do a radio show, really? Every Tuesday night at 7:00 or whatever, you’re going to be there in Mobile?” He is like, “You know better than that. That’s not going to happen.” He was the first one that talked to me about it, and he says, “You own it.”

I really didn’t understand it. I bought some gear and I said, I’m deep with the Messlords, I’m doing all this fun stuff. I’m traveling the world, I’m cooking with these chefs. I’m in these exotic places. I’m building a business. I could just do these recording things and you just put it out there” That’s what I did, and some of them were fun and funny and we were drinking and kind of goofy. Then at some point I went, “If I’m going to keep doing this I want to bring value, because I’m not the level of celebrity that people just can’t wait to tune in and hear me and other chucklehead chefs doing crazy things around the world.” It’s interesting, but it’s not that interesting, not for an hour or more.

I decided to evolve it. Originally I just called it Hot Off the Press podcast, which I thought was brilliant. Panini Press and I press sandwiches and everybody’s going to get it, but I was like, “Eh, I’m changing the name.” I rebranded it to The Raw Ingredients. I talk about what are your raw ingredients or what’s your recipe for success? I mostly interview restaurateurs and chefs, but I’ve also done some athletes and some business people, and I love it because like you who’s doing a podcast, being the interviewer and listening, it’s amazing how much you learn. Not just about business and opportunity success, but about the people that you think you know. You’re like going, “Oh my God, you know what? I can’t believe I didn’t even know they did this or they did that.” Just hearing their story, hearing their origin story, it’s just really, really cool. I love it.

I’m getting ready to start recording a new season. It’s just been great. It’s been a lot of fun and it’s branding. It’s a lot of things that people out there need to realize that, “Man, if you’re going to do it, go for it.” Now, do you think you’re going to make a bunch of money on it? You can maybe. I don’t do it for that initially because of the brand that we have, it helps to fuel that and it helps with exposure. For me, I just love it. I consume podcasts and when I’m interviewing somebody, I’m drinking all that in as well.

Nicky: That is on your website mainly, or you are on all major platforms?

Pete: Yes, it’s on all the major platforms as well. I have a link on my website, chefpanipete.com, and I typically share that and direct people there because that’s got more of my story and branding and all that other stuff. It’s on Spotify, it’s on Apple podcast, it’s on all those little platforms as well.

Nicky: Perfect, perfect. What would you say has been one of your toughest obstacles to overcome since you started with all of your business?

Pete: I’ll tell you, there’s a lot. Funding is huge. A lot of people get into it and one, they don’t realize that it takes money to be successful. I talk to chefs and they go, “I’m going to open this place and it’s going to be great, and I’m going to do five within the next three years.” They haven’t even opened the first one yet. I mentioned earlier, it was six years after I opened my first one until I did my second one. Don’t think right away back into it and go, “What do I want to make? What’s the minimum I want to make if you’re going to go open your own business?” Then back into it and go, “What are all my expenses?” Because your fixed expenses are crazy.

You don’t realize rent and insurance and linen and music rights and all these different things that you’re paying for. Then all the people you pay for, the whole pyramid gets inverted and everybody gets paid till you get to this, the very, very bottom. If there’s anything left, you get it. That’s one of the toughest things. I continued to go all in to grow my business. It was a long time before I started making what I felt like was really good money because when I opened my second one– okay, now I have these key employees that I have to raise up to and a manager and a sous chef. I’ve got to pay them salaries.

I’m making a little money now, boom, I got to step back and I got to be willing to sacrifice some of that to grow. Money’s a big thing and realizing that you’re probably going to have to make a lot of sacrifices. Then obviously depending on the career, there’s challenges with us is we’re a very labor-intensive industry. When you look at tech and how many people, and each individual can generate 350,000, 600,000 in revenue, whatever. You get into our business and it’s like $30,000 worth of revenue per person. It’s just crazy labor-intensive. You have to have a lot of people involved. You’re constantly training. It’s a stepping stone career. It’s not a career for everybody.

It’s a job. You do have turnover. If you get somebody, we do really good, but still, if you have somebody for a year or two, then you’re doing great. There’s a lot of places that constantly are understaffed. Location is important. The food supply chain has been crazy for us in our industry because everything’s gone up and things have been harder to get. Then keeping yourself, your priorities right. You hit these breakpoints in your career when you get to a certain level and it’s hard to break through, and you’re going, “Oh, I’m just struggling.” You have to look around and go, “Okay, what do I need to do to get past this speed bump?”

Whether it’s training you need, whether it’s somebody else, you need to bring on the team, whether it’s a level of technology, whether it’s a discipline in your careers. In entertainment, it could be everything, like I talk to my son, “Your job every day is play the keyboard, play the ukulele, sing, do accents, work out?” I don’t know. To me, I think like, you need to be prepared. What is it that you’re doing? You’re one of these phenomenal voiceover artists right now. How many years ago was it that that was not even on your radar?

Nicky: Yes, exactly. Not before 2006.

Pete: Yes. You got to adapt, and I think that’s important is keeping your finger on the pulse, adapting, getting mentors so that people can help you through that because whether it’s money, whether it’s opportunity, learning what you can learn to grow your business. For me, it was transitioning also into going, “Oh, if I could be the landlord and I can acquire the real estate as well, I have something for my retirement.” The Squid Ink building, I bought that on a wing and a prayer. It was funny because there was a lady that owned a restaurant there, and she was getting ready to retire and so now she gets this payoff.

I buy the building, she gets the money, and she didn’t own or finance, and she’s like, “This is my retirement.” I’m like, “Great. I hope it does the same thing for me that it did for you.” Well, in the meantime, now I’ve learned the business of real estate. Not just as a chef in a restaurateur that goes, “When I’m ready to hang up my hat, maybe I can sell the business and still be the landlord, or maybe I can sell the building and get a chunk of money. That’s my retirement.” Where now I’ve learned that the power of using real estate as a business too.

Now it’s already an income-generating property, and I’m learning how to manage that and how to leverage that to go deeper and to go, “Man, we’re going to open new restaurants, but I’m also diversified into these other businesses that come up.” Whether it’s writing a book, doing a podcast, things happen, man, when you’re paying attention.

Nicky: Yes, exactly. Wow. Well, it’s just wonderful to hear how you have been building your business and paying attention and just making it grow and taking advantage of the opportunities. I think that’s one of the biggest things that people can take away from this interview, as well as all the other jewels and bits of golden nugget advice that you’ve given. I’m going to put a link, of course, to your website where they can get your book and everything. This is going to be a bit tricky because of course you do many, many delicious things, but if you should say, or if you had to pick one of your favorite cuisines and then your favorite dish, I’m going to ask both. I know it’s hard, but put it up there.

Pete: That’s an easy one and a hard one. Cuisine, I love Italian food the best. I don’t even have to think twice about it. Italian is my favorite, it’s all about ingredients. There’s a lot of technique involved in any kind of business you have or especially whether it’s sports, whether it’s music, whether it’s cooking, whether it’s acting, those technique. Then there’s some cuisines that it’s so heavy laden with technique like in some French dishes and whatnot, or Japanese and Asian. With Italian, it’s great ingredients and don’t screw them up. Some of the best Italian food I’ve ever eaten, maybe three or four ingredients.

Now there is high-level cooking, especially go to Italy, but just when you have the [unintelligible 00:37:35] and the [unintelligible 00:37:36] and all these amazing dishes. As you know, with your heritage I love it. That’s my favorite. Now, as far as my favorite dish, that’s one is impossible. It’s like, today, what’s my favorite dish next week, what’s my favorite dish? There’s so many great meals that you have that not only are they delicious, but they take you somewhere. It’s like a song that reminds you of that place and that time. It just transitions. Food’s so powerful. We have it for birthdays and weddings and funerals and any kind of anniversaries. Food is a big part of it.

Nicky: Then food brings people together.

Pete: 100%. It’s very social.

Nicky: Is just such an important part of a family tradition, of a country. You have your typical dishes and all that. I’ll modify the question and let you off the hook a little bit.

Pete: Peanut butter and jelly sandwich. That’s what I eat more than anything. It’s still my favorite. I got the tattoo, the PB & J right here.

Nicky: Really? Oh my God. Look at that. You have to tell a story about all of your tattoos sometime because you have plenty of them. Now, so what is the first dish that you created, maybe when you were at the CIA, when you realized, “Oh, I have a talent for this. This is delicious.” Something that was a eureka moment for you.

Pete: I don’t know if I could pinpoint the exact dish, but there were certain times when it wasn’t like, “I have a knack for it,” but you just felt like suddenly some of the windows were opening and some of the mystery was being unlocked when you were starting to learn to develop flavor. You did it accidentally. You heard these chefs when I was in school– prior to going to school, I was working in restaurants and shucking oysters and frying chicken and having fun and doing good things and putting out what I felt was good food.

I worked in a great restaurant in South Florida called 15th Street Fisheries when I was in high school, and I still– I was there last time I was in Fort Lauderdale, a couple weeks ago. I went by the Fisheries to eat. The owner who has since passed away was the president of the Restaurant Association. He was a professor in hospitality, big mentor in my career. There’s a lot of things, these windows open up and I remember we were doing this sirloin steak that was herb roasted and seared with this ale and onion sauce. It was really a close to graduation at the CIA and I was just like, “Man, this is really so good.” It just came out so right. We spent a week in that restaurant working out front and a week in the back. Then we moved on to the next class. I was making this dish every day going, “Man, this is one of my new favorites.” Just the contrast of the sauce with the sear, the meat, and learning how to develop flavor, that was a big one for me that stands out that I remember because It was so much stuff we cooked.

Making a simple omelet. I could remember doing a French omelet and getting in trouble because when you had pantry cooking, you were cooking breakfast for the school so you’re learning pantry and you’re learning breakfast cooking, and all this stuff. It was a self-sustained school. You had all these different classes doing all this different stuff, and you always fed yourself. Then a lot of times if somebody was in a service class, they may have been assigned to eat in there, or if they were in a tech class.

Pantry cooking was all about– we cooked breakfast for the whole school. We’re in there doing our stuff and the chef didn’t like me too much. I was a little bit of a wise guy but I worked hard and I showed up and I remember every omelet going through there. I was like, “Man, this is beautiful. Oh my God, look at that one. Make sure you show the chef. He’s over there on the chef table.” I’m talking loud enough where he can hear me. I’m telling these kids and I’m doing these beautiful omelets. He was pissed off. He was like, “You need to just shut up, man. You don’t even know how to cook, man. Stop.” I make a pretty good omelet.

Nicky: Well, yes, you do, and pretty good beignets and paninis and other things. You just have evolved into so many different things. Well, if this episode is not making people hungry, I don’t know what will.

Pete: Go eat. Don’t cook, go eat.

Nicky: Go eat to a good restaurant and thank the chef and your servers and right–

Pete: 100%. Absolutely.

Nicky: Yes, absolutely. Pete, this has been such a hoot. I’ve enjoyed talking to you so much. Thank you for coming on the show and just sharing your experiences, your growth, and all your wealth of advice because I think several things that he have said here can be applied, definitely, to any career, creative careers, or anything. The most important thing is to do that, work hard, but also giving back and watch things multiply. I think that’s the best type of advice. What else would you like people to learn from this and maybe also people who have been thinking about going into the restaurant business? What would be your advice?

Pete: Okay. First of all, thank you for having me, Nicky. It was great. People look me up on Instagram, Chef Panini Pete, and Facebook, and chefpaninipete.com because scratch on the surface if you want to go deeper and order the book, learn more about that, or see more about my philosophy or what we do with the PR Foundation and the Messlords.

There’s so many things that I’m into and dig deeper because it’s all been done before, but sometimes you hear something that just resonates. Sometimes somebody says it in a way that just makes sense and it helps to inspire or trigger you to either get over that barrier you had, which may be just getting up out of bed on time and going. The barriers are either financial, they could be physical, they could be mental so dig deep into that stuff. Find out more that you can.

If you’re thinking about getting in the restaurant business, you better go work in a restaurant first and make sure, because it’s not glamorous. To me it is. I love it. I couldn’t do anything else but it’s not TV. Food Network is a blessing and a curse. I’ve been on a bunch of Food Network, I love it. It’s been crazy for our industry, but it’s also a lot of people watch that and go, “Oh, I want to have a cupcake shop.” They show up and they go, “Yes, I’m a chef.” I go, “Okay, great. Where have you cooked at?” “Well, I grew up watching the Food Network.” They’re 18 years old and they’re calling themselves a chef, and they really don’t know what they’re doing and they don’t know the industry.

It’s not doing little composed dishes for your family. It’s going, “Okay, we are going to cook this, like beignets. This is great and you’re going to make this dough and you’re going to learn this, but now, we’re going to make 800 of those today in the next two hours or whatever.” You’re like, “Whoa, man.” Production, the intensity. You either love it or you hate it.

Get out and work in a restaurant, and if you’ve been working in a restaurant and you’re thinking you’re ready to make the transition, find a mentor, find people that are doing a good job, or go work with people that you know, are doing a good job, that run good operations, that have standards, that have systems in place. You can’t just go fly off the seat of your pants. As you grow and scale, one of the things that you’re going to run up against is inconsistencies.

If you don’t develop systems– when I walk in a restaurant, I can see if the lighting is right, the sounds right, the shades are all at the same level. The bathroom’s cleaned. Everybody’s looking sharp in uniform and tucked up, and there’s all these little things your brain’s just taken into them. To create that, take standards, you have to have systems in place to develop these young managers and these young leaders into rock stars.

Nicky: Yes, absolutely. It’s all those details.

Pete: Beware.

Nicky: Beware and just really think hard and do it the right way. Don’t be afraid to start at the entry level and take your time, because it all takes time to develop.

Pete: Be patient. I think that’s a great point there because a lot of people look at what I’m doing now and don’t realize I didn’t open my first business till I was 42 years old. A lot of people get patient, they’re not a millionaire, and they’re 28 and they’re going, “Oh my God, I’m going to be a waitress or cook my whole life.” I’m like, “No, but you have to evolve, but it takes time.”

Nicky: Yes, absolutely.

Pete: Thank you so much for having me, girl.

Nicky: Well, thank you. Thanks again. As I said, I’m going to put all the links in the show notes. Well, I wish you much success with the Waterfront, continued success with the other one that you’re thinking about opening the sixth one, just everything that’s going on. Do keep us informed about that new show that you’re talking about, because that way I can follow up on our newsletter. Of course, people when they’re following you on Instagram, they’ll get the scoop and be able to watch that new show.

Pete: Yes. There’ll be some updates. I’m filming on the 10th. I don’t even want to say the name, the working title. We’re probably just shooting a pilot. They might be shooting typically, as you know, maybe a sixth episode and see what happens from there. I’m excited because it’s the next level for me. I’ve done a bunch of grocery– I’ve done over 20 shows on the Food Network, but now I’m like, “one of the experts.” That’s really cool.

Nicky: That is really cool. My God, congratulations for that. They couldn’t have gotten a better judge, as far as I’m concerned.

Pete: Oh, I can be judgmental.

Nicky: Yes, but you know your stuff. You know the ingredients, you know everything that goes into it, you know the right point, and when things really are good, you have that criteria so yes. You-

Pete: 100%.

Nicky: -can be a very good judge. Pete, thanks again. As I said, congratulations on all the new ventures. Thank you.

Pete: Say hey to everybody. Thanks, Nicky.

Nicky: I will.

Pete: Appreciate you.

Announcer: Thanks for joining us on La Pizarra. Want to listen to more episodes? Visit lapizarrapodcast.com or nickymondellini.com/lapizarra where you can sign up for our newsletter and get exclusive previews of future episodes as well as resources for your creative business. Tune in next week for another interesting interview.

 

Filed Under: Episodes

Marc Scott- Overcoming the Fear of VO Marketing

November 23, 2023 by Nicky Mondellini

 

Episode Notes

When it comes to marketing for voice over, Marc Scott is one of the best.

We were lucky to have him as our guest in this new episode, where he shared valuable information on how to become a real VOpreneur.

Marc is a Canadian powerhouse with a successful coaching business, and an equally successful voice over business, which includes commercials, e-learnings, more than twenty years of live radio experience, and being the creator and host of The Everyday VOpreneur podcast where you can always find exceptional advice on how to run a successful voice over business. 

Some of the topics in this episode include how to get along with social media without getting overwhelmed, the importance of understanding good ways to communicate with our clients, and the importance of having a business mindset as a creative entrepreneur.

One of the many eye-openers is to remind ourselves that we have a valuable service that is going to make somebody’s life easier and we should offer it with power.

Follow Marc on Instagram @marcscott and visit www.vopreneur.com for more information on how to transform your VO job into a successful business, with private coaching and a list of valuable courses and master classes, as well as Free Advice Friday.

**Visit www.nickymondellini.com/podcast and download the ebook “Learn to handle the NOs of the industry” for free, and subscribe to receive La Pizarra’s monthly newsletter with news about new episodes and various resources for the best development of your artistic career

*

Squadcast is the best platform to record your podcast or virtual meetings with up to nine guests with professional sound quality. You can download your audio files already mastered with Dolby sound, and edit the video version on Descript directly from your dashboard.

 Try it free for seven days at: https://squadcast.fm/?ref=lapizarra 

*

Don’t forget to subscribe to La Pizarra so you never have to miss an episode. Feel free to download and share them on social media, your comments are well received too!

** Visit https://www.nickymondellini.com to learn about the work of actress, host and voiceover artist Nicky Mondellini.

Nicky Mondellini is an internationally known artist with more than thirty years of artistic career. Her voice is heard in commercials on television, radio and digital platforms worldwide. She has been the host and producer of La Pizarra since 2020.

Her work as an actress includes more than a dozen telenovelas,  and drama shows, classical and contemporary Spanish plays, shorts and feature films, and the hosting of morning shows in Mexico and the United States, as well as on camera commercials, and promotional and corporate videos.

Follow Nicky on:

Instagram @nickymondellini 

X @nicky3ch_nicky  

Facebook https://www.facebook.com/nickymondellinivoiceover          

LinkedIn https://linkedin.com/nickymondellinivoiceover     

TikTok @nicky_mondellini

Transcript

Speaker 1: This is La Pizarra, a place where we explore creative minds in the entertainment industry on both sides of the mic and the camera. Here is your host Nicky Mondellini.

Nicky Mondellini: Welcome to another episode of La Pizarra. I’m your host, Nicky Mondellini. As far as voiceover marketing coaches go, Marc Scott is right at the top. He’s a Canadian powerhouse with a successful coaching business and an equally successful voiceover business. Marc is also the host of the Everyday VOpreneur Podcast where he shares some of the best advice that I’ve ever heard on how to run a successful voiceover business, and many of the things that he talks about can actually be applied to any creative business as you will hear. He will share some of those golden nuggets today so you won’t want to miss this episode.

If you’re enjoying La Pizarra, don’t forget to subscribe on whichever platform you’re listening to us now, and I would be very grateful if you could give us a five star rating on Apple Podcast so that other people can find us. If you’re interested in listening to our previous interviews, you will find them all on nickymondellini.com/podcast. I will link to that in the show notes, and I invite you to sign up for our bilingual monthly newsletter where you can find previous and new episodes, as well as tips and resources for your creative business. Now, let’s explore the creative mind of Marc Scott. Marc, welcome to La Pizarra. I am so glad that you are joining us today.

Marc Scott: I’m excited to be here, but I’m telling you right now, my Spanish is awful.

Nicky: [laughs] Luckily, a lot of my audience is bilingual so they’ll be very happy to listen to you in English as well.

Marc: Excellent.

Nicky: No worries about that. No worries. You know what, I consider you one of the godparents of this podcast because if it wasn’t for you telling me to put boot to butt, I would have never started this podcast in 2020 when I did.

Marc: I don’t know if I’ve ever been referred to as a godfather of a podcast, but I like that, actually. I feel like I need to get that on a T-shirt.

Nicky: Yes, you are.

Marc: I think it’s awesome and I’m glad that you actually did decide to do it because it’s– you’ve had the opportunity to interview a lot of amazing people and I’m sure that’s been not only a huge benefit to your audience, but an incredible education opportunity just for you alone. I learn something every time I get to interview somebody on my podcast.

Nicky: Right. It’s amazing and I get so excited with everything that my guest is sharing. I just want to blast it to the world and like, “Did you listen to what they said? Pay attention.” Definitely. I want to hear some of your beginnings because you’ve talked a lot about the way you started, that you were in radio, jumped into voiceover, but I think I’ve missed the way you actually started. What got you interested in radio in the first place?

Marc: Casey Kasem. When I was a kid, I spend every weekend like many my age listening to Casey’s countdown, American Top 40, or whatever, and that was like one of the go-to things and I legitimately thought this dude has the greatest job in the history of life. He literally works four hours a week. Right now I didn’t know what goes on behind the scenes at that point. I just knew he was on my radio for four hours a week, and then when I discovered that he was the voice of some of the characters on Scooby-Doo, which was my favorite cartoon at the time-

Nicky: He was? I did not know that. Oh, wow.

Marc: Yes, he was Shaggy and did bit characters and stuff like that on the Scooby-Doo cartoons back in the day and so I was like, “Okay, that’s it. I want to be Casey Kasem when I grow up.” The goal was to end up with my own syndicated countdown show and only have to work four hours a week and I thought that was going to be my dream life. I can say that I have had the opportunity to do several syndicated countdown shows now in radio and in television, but not a single one of them afforded me the ability to only work four hours a week.

Nicky: Yes. I would imagine that. Yes, that’s not the reality, sadly, but it’s not. You’re one of the faster talkers that I’ve ever heard with such eloquence and such diction. How did you master that?

Marc: I have no idea. I just make it up most of the time. I’ve gotten really good at just making it up. You know what, I think one of the things that I am grateful for is when I started in radio, this is going to make me sound really old now, I’m going to have a complex over that, but when I started in radio, my first station it was live 24/7. Where does that happen anymore, right? Everything in radio now is practically recorded outside of morning shows, and so I think that was probably really good for me being on the air, being live, in the moment, interacting with callers. You’ve got to be quick on your feet in order to be able to do that.

Doing morning radio, I did morning drive, I did afternoon drive, and so there’s a lot going on in a live show that makes you be quick on your feet, quick to think, quick to act, quick to respond. I’m sure that was definitely a big part of it, and then I read everything constantly, and so now my head is just filled with useless knowledge. Now, if you take two decades of live radio experience and then couple that with all of the useless knowledge floating around in my head, it just makes it really easy for me to just talk a lot about whatever.

Nicky: Come on, not whatever. You’re one of the more practical persons that I ever know. You hear somebody talking to you in your coaching sessions and you’re able to put two and two together, and then just see a sequence of things that we’re not seeing, and so you’ve helped a lot of people that way. That’s great. Going back to radio, I think a lot of people that I’ve heard that started in radio that now have their voiceover business, they just say that it’s the best school that you can have for voiceover to get started and to really do a lot of that, and I think a lot of it has to do with what you’re saying.

Marc: Yes. I think for me, honestly, I hear some people– I’ve heard and talked to voice actors who’ve been like, “Yes, the background in broadcasting was amazing.” For me, it felt like a curse because radio announcer– show me one voiceover that wants an announcer anymore. Even the specs that call for announcer don’t actually want an announcer. The challenge that I had was, and I still struggle with, I haven’t been on the air– I did my last radio show in 2011, I think.

I haven’t been on the air in decade plus and I still struggle sometimes with that 20 years of announcing and trying to get that out of my system. That certainly been a challenge for me to try to overcome and try to get away from that side of it and get more into the acting side of it, which is a huge struggle for me.

Nicky: Yes. I see what you’re saying. It helps you in a lot of other ways and to be eloquent, and all that, but yes, just changing that little chip in your head.

Marc: The delivery.

Nicky: The delivery.

Marc: Changing the delivery to what they want now. I had the background for the production side of things, and the editing, and all of that sort of stuff, which was amazing. I didn’t have to learn any of that sort of stuff, but I definitely struggled more on the transition from the announcer to the actor, or whatever you want to call that transition.

Nicky: Yet, you found a very nice groove in e-learning, explainer videos, and all of that. That comes very naturally to you.

Marc: That’s been part of it. It’s just identifying my strengths and being able to just dive into that. You’re not going to hear me on video games, or doing animations, or characters, or anything like that because I know it’s not my sweet spot. I know it’s not where my money’s going to come from, and so I was able to figure out– Fortunately I was able to figure out early on where I was a fit and just double down efforts on those different genres, like you said, e-learning, explainers, things of that nature. It’s not the sexy national commercial, Super Bowl ads, or whatever, but I’m making good money and paying my bills and having fun doing it.

Nicky: Exactly, and learning a lot. Like you say, you learn from every job that you have and it’s just amazing. Now, we’re going to start talking a little bit about developing that business mindset. When did that happen for you that made it’s a point, the switch.

Marc: I’ve been motivated by money for a very, very long time, right or wrong. I remember as a little kid, I had a baseball card business, I had a bicycle repair business, I had all these different things that I was doing because I was very, very motivated by money. Back when I was a kid, nobody had a video game system at home. You just didn’t have that. You rented a video game system for the weekend and rented a couple of games with it.

For me, I was driven by my ability to rent a video game system and get a large pizza and a two liter bottle of Dr. Pepper every weekend, and so you got to have money to make those things happen. Since I was probably 10 years old, I’ve had different jobs and stuff like that, and I’ve always worked and I’ve always had that drive, and then I guess overtime, I’ve been able to channel that and harness that a little bit more productively.

I’ve had to work to learn the entrepreneurial side. It’s one thing to have jobs, work, make money, earn, and all that sort of stuff. It’s a very different ball game when you’re running the while entire business or whatever, but being motivated by money to, I want to pay my mortgage, I want to take care of my kids, I don’t want to say no to my wife when she wants to do something. I want to be able to have the earning to back that up, which means I got to have the business to back that up, so then how do I build the business to back that up? My brain never stops.

I’d be laying in bed at two or three o’clock in the morning thinking up the next idea, or the next big thing I want to try, or whatever. That comes partially too, I guess, from being a voracious reader and just constantly looking to absorb the knowledge.

Nicky: You certainly have, and you’ve developed a great course which is the Voice Over Marketing Playbook. When did you first come up with the whole thing, the concept for the course?

Marc: The first course that I ever created would have been the Blueprint to Voice Over Success, which would have been the– that was the precursor to Playbook. That was probably around 2015. When I first went full-time in voice over, I was trying to figure out what I was doing. I remember reading Crush It! by Gary Vaynerchuk, and one of the things that Gary said in that book was, “You should write a blog.” I was like, “All right. I’m going to write a blog, but what the heck do I blog about? I don’t know what to blog about.”

I started blogging about everything that I was learning as I was trying to grow my voiceover business, because I was making a lot of mistakes, doing a lot of dumb things, trying to figure out how to correct those mistakes, and whatever. I was blogging five days a week for three years or more. Really to me, it was documenting the journey from idiot voice actor that knows nothing, to voice actor who’s starting to build a business for himself. That’s what it felt like to me. To my audience, it felt like here’s a guy who’s made all the mistakes, and now he’s teaching me how to not make those same mistakes.

After a few years of that, I get to a point where people are reaching out and asking me, “Can you help me with this? Can you coach me with this? Can you teach me that,” or whatever? Take that, I guess the market is calling for it at that point, couple that with the entrepreneurial side of me, trying to find a different income stream side of me, and then thinking like, “Yes, you know what, actually, if I pull all of the knowledge that I have from all of the dumb things that I’ve done and all of the lessons that I’ve learned along the way, maybe I can package that into a course, and I can genuinely help people,” because that was a big part of it for me too.

Anybody that’s worked in radio that hasn’t worked in radio in New York or LA or Chicago, the money is not great in radio. They didn’t tell me that when I applied to– when I said I wanted to do radio in high school, they never told me that I was not going to make any money. Getting into voiceover and being able to grow a business and really take the limits off of my earning potential, because it wasn’t just a boss telling me what my salary was going to be, that was life-changing for me. Massively life-changing.

I just thought, “If I can help another voice actor figure out how to do that for them and their family, I’m going to do that all day long,” and so that was where the first course came from. As the demand grew for that course, I was like, “What else do I know? What else can I teach? What else can I share?” That evolved into Playbook, and it evolved into some of the other classes that I’ve done, and the coaching that I still do to this day. It’s all driven by a desire to help voice actors experience the success that I’ve experienced and be able to know that life-changing success, and the positive impact it can have on your family and your future.

Nicky: I think I can speak for a lot of us that are thankful that you do have that drive, and that you do want to help a lot of people because you have, not only through Playbook, you have your Free Advice Friday, which is amazing. For people that are just starting out and that don’t have– or that are already investing in equipment and other things and to have that resource on Fridays where they can ask you questions, then they can listen to your podcast. I think it’s a great resource and a great place to learn and grow, and of course, that’s very much appreciated, so much as your 12 Gifts of Christmas. [laughs] That’s so enjoyable.

Marc: I guess the one thing I get asked all the time is, “Are you not worried about creating competition for yourself?” I never really thought about it that way because I’ve always thought about it as if I can help voice actors to run their businesses better, to me, that’s better for the industry as a whole. If you’ve got voice actors that are being more professional, that are conducting themselves in a more professional way, that are handling their business in a more entrepreneurial way in the way that they approach rates, or quotes, or customer service, or all of these different things, to me, that just makes the industry better as a whole, which is ultimately better for all of us. I know it sounds really altruistic and let’s all hold hands and sing kumbaya, but I genuinely feel that way, and that is genuinely what motivates me.

Nicky: Definitely. I think another thing that is true is that there is so much work out there. There’s no way that you teaching other people to be successful is going to create a lot of competition for you. No. There are a lot of businesses that need voiceover in many different genres. There’s new ways where people can need voices now for their business. There is a lot of work out there, but I think that you doing it in a way that you’re helping people to do it the right way and be professional, know what to charge, know how to put the best audio out there, and just raise the bar for everything, everyone together, I think that is a really wonderful thing because it’s very much needed.

Marc: If I started my first coaching class in 2015, it’s 2023 now, and I haven’t put myself out of business yet from a voiceover standpoint.

Nicky: There you go.

Marc: I’ve trained a lot of voice actors. I’ve had the privilege of working with and coaching, whether it’s that they’ve taken one of my classes, or they’ve done private coaching with me or whatever, and I’m still here, and I’m still working. I guess I haven’t created enough competition to put myself out of the industry yet.

Nicky: Oh, no, no. Absolutely, not. Absolutely, not.

[music]

Nicky: Before we go on with the interview, I want to tell you about SquadCast, the platform that I’m using to record most of the episodes of La Pizarra. Besides having excellent sound quality, your guests can join the session from a computer or their mobile device from anywhere in the world. All they need is a stable connection. SquadCast has now joined forces with Descript, the editing platform that generates a transcript while you’re editing. Now you can open the script directly from SquadCast, and start editing video and audio right away.

Check out all the details at squadcast.fm/?ref=lapizarra. This super-long link is in the show notes. Once you click on it, you can try SquadCast for free for seven days, and you can decide which plan best fits your needs. SquadCast has other advantages like the possibility of having up to nine people in a recording session, or in a virtual meeting. You can download your mixed and mastered audio files with Dolby sound quality. Try it out with the link in the show notes.

[music]

Nicky: I’ve seen Playbook, how you developed it, and you keep doing updates, which is wonderful. One of the things that you’ve updated is regarding social media. You used to say in the beginning, when a lot of things were going out there, Instagram and Twitter, and whatever, you’re like, “Pick one, and really be proficient at that one.” You weren’t using Instagram that much, and you really didn’t see that much of an interest in it, but you’ve evolved with it. You’ve seen it, grow and change, and now, my goodness, you’ve done a lot of wonderful things with your Instagram account. You’re there, and you showed great videos. How do you think that has evolved? What other ways are you evolving your business as a whole?

Marc: I don’t think you should ever get complacent. I don’t think you should ever get comfortable. I think there are so many different tools that are out there that are available to any voice actor. I try to give every one of them at least the benefit of the doubt. I signed up for TikTok, and I played around with TikTok a little bit. Ultimately, I decided, maybe this isn’t for me. Maybe I want to devote my efforts somewhere else, but I wanted to try it.

I didn’t want to just say, “No.” I want to try it, I want to play with it. I’ve played with Instagram Reels, I’ve played with YouTube Shorts, I spend time on LinkedIn, I spend time on Twitter, I do Facebook, I run my Facebook page, I run my Facebook ads, I run my Facebook group. I do all of these things partly so that I can teach it, partly so that I can learn it, partly so that I can find advantages where there’s advantages, connect with people, connect with audiences.

I still stand by my advice that if you’re feeling overwhelmed by social media, you don’t have to do all the social media. I still think that the best approach is to find that platform, or maybe those two platforms that you really resonate with, and that those who work really well with you, but I also think that for some people, I’m one of them, I got to play around with that platform a little bit to know. I don’t want to just make a decision and potentially miss the boat on something, I got to play around with it. I got to try it out and see, yes, this works for me, or I think I can make this work for me, or I understand where this might be an advantage.

At the end of the day, I’m a LinkedIn guy. I’m a LinkedIn guy all the way, but I still use Twitter every day, I try to use Instagram every day, I’m still doing content on YouTube regularly. I’m still popping up on Facebook. Each platform I’ve found a place for it to fit into my business and a purpose for it to serve in my business.

Nicky: Absolutely. I think it’s great that you do that you test it out and then you can teach it and you could talk about it with firsthand knowledge. That’s all that we need. I want to talk about a few points that I learned from your courses and I think it’s going to be good for my bilingual audience that maybe haven’t heard it before and just telling them, “Okay, these are a few things that you probably need to take into account.” One of the things that really helped me is about going after late payments with clients. You talk about how people it’s not that they don’t want to pay you, sometimes you have to make it easy for them to pay you. Can you talk a little bit about that?

Marc: Yes, I think we have to be really careful about how we approach payment issues in general because money is a very personal thing and everybody’s got a very personal relationship with money, and every one of those personal relationships with money is probably slightly a little bit different. For some people, if somebody is not paying you for a service that you’ve provided, your default instinct may be to get angry or to get protectionist or you’re taking food from my family, or whatever.

When you come at it from that angle, it can sometimes just make the situation worse because there’s a thousand reasons why somebody hasn’t paid you, but only one of the reasons is that they’re trying to screw you. The other 999 is that there’s legitimately something going on there. I do think that it’s really important, and this is where studying entrepreneurship, understanding business, I think that comes into play. Not approaching it from the acting brain because the acting brain tends to be a little bit more of the emotional brain and maybe you need to get into the business brain and a little bit more of a logic brain, I guess, would be the way to say it.

Nicky: Definitely.

Marc: I definitely think that some of the things that we can do upfront– First and foremost, the more ways that you have to get paid, the easier it is to get paid. I understand voice actors who say, “I don’t want to take credit cards because there’s a fee.” You got to pay your 1.9% plus your 30 cents, or “I don’t want to use PayPal because you got to pay your, whatever it is, 2.9%, 30 cents.” All these sorts of things. “If you want to pay me, you got to pay me by check,” or “You can only pay me by deposit,” or whatever. If you only offer one or two options, it’s going to be a lot harder for you to get paid.

I don’t care how the clients give me the money, just give me the money. If it’s credit card, fine. If it’s PayPal, fine. If it’s bank transfer, fine. If it’s check, fine. If it’s Western Union, fine. Whatever, it doesn’t matter to me because I just want to make it easy. I definitely found one of the smartest things that I ever did for my business was starting to accept credit cards. Now, do I lose a portion on every one of those payments? Yes, I do. It’s the cost of doing business.

I provide a voiceover service and expect to be paid. Well, the credit card company provides a service, don’t they deserve to get paid if they’re making it easier for you to get your money? When I started accepting credit cards, my average payment on invoice dropped by almost 10 days. It was crazy how much fast because it’s just convenient. Everybody has got a credit card, most people have points credit cards now. It just made it really easy for them to make those payments. I think that’s a big part of it, is just making it easy to get the money. I think that’s the first and foremost.

I do think that it’s absolutely important how you communicate is really important. If you have net 30 days on your invoice, you want your payment 30 days. On day 31, stop threatening to sue or call collections. Relax, there’s a legitimate reason for why that payment hasn’t come. Again, it’s not necessarily that they’re trying to screw you, it’s just whatever, they forgot, it slipped through the cracks, they passed the invoice onto somebody and that person went on vacation. Like I said, a thousand different reasons. I think that’s a really important part of the equation too, is just being able to take a breath, be human, be patient, solve a problem.

Nicky: Exactly. Just a gentle reminder or friendly reminders here and there, and then, yes, don’t think, “Oh my God, they don’t want to pay of course. Now I’m going to have to be chasing them.” Since I understood that, I started to relax a lot more whenever a client was not on time with their payment, and then I just would send an invoice or a follow-up email and just say, “Hey, do you need more time? We did this a month ago, or.”

Marc: “Did this slip through the cracks? Maybe you missed this one,” or whatever.

Nicky: Yes.

Marc: Think about how you respond. If somebody comes at you aggressively, how do you respond? You get aggressive. You get defensive, your back goes up. If you’re coming at a client from a payment standpoint that way where you’re getting aggressive, you’re threatening collections, blah, blah, blah, blah, blah, first of all, you’re probably never going to work for that client again. Second of all, it’s just going to take you that much longer to actually get the money. If I send him an invoice and be like, “Hey, I noticed that this one’s we’re at 40 days, payment was supposed to be on such and such a day, I figured you probably just– it slipped through the cracks or maybe you just forgot about it or whatever, no big deal. Just wanted to pass the invoice along again.”

Now, they feel guilty. They’re like, “Oh man, why didn’t I pay this guy?” Then they flip me a check. That’s so much better than coming and being like, “You’re 10 days late and I’m going to start charging late fees. I’m talking to my lawyer and collections is coming up. You don’t have rights to my voiceover anymore.” I see voice actors who handle it that way. That I think comes back to our relationship with money, which that’s something that every one of us has to work on.

Nicky: Definitely. One of the other things that I wanted to talk about was just developing that mindset or getting rid of the fear, I would say, of writing marketing emails. A lot of us have that artist mind that you were talking about and we don’t like to brag. We don’t want to be bugging people. You have a great resource for that where you have templates for email marketing. You give a lot of great ideas, but what is one thing that you can say that can get people to lose that fear of writing those marketing emails?

Marc: The biggest mindset shift and not just with marketing emails, just with marketing your voiceover business, period, is to remind yourself that you have a valuable service that is going to make somebody’s life easier or better. When I am reaching out to a production company who I know is creating e-learning content and I know they use narrators on their e-learning content, me reaching out to offer them e-learning narration for their content, that makes sense.

I’m not trying to sell them, I don’t know, popsicles which they may or may not use. I know that I have a valuable service that I can offer that is going to be beneficial to their business and to their clients, and so why wouldn’t I be excited about introducing them to that service and giving them the opportunity to take advantage of it? I think so much of our belief around sales comes back to sleazy used car salesman shyster type people, and when you mention the word sales or you mention the word marketing, those are the images that we conjure up. Is it any wonder that we don’t want to do it at that point?

That’s not what you are doing. If I go out and I try to sell my voiceover services to just 1,000 random people on the street, well, that’s icky because 995 of them probably don’t need my services. If I’m intentionally and strategically targeting companies that I know use people just like me day in and day out, what do I have to feel bad about if I’m going to make their life easier, their job easier? I’m easy to work with. I’m fun to work with. I’m fast. I deliver a great product. I have nothing to be ashamed of in the service that I offer, so I have no problem reaching out and telling people about it.

Nicky: Exactly, that’s the first thing or one of the main things that we need to think about, just lose the fear and think about all of what we offer and just think, “Okay, yes, well, they don’t need another voice artist reaching out to them.” Well, yes they do because it’s you. You have a unique voice, a style-

Marc: Maybe you’re the exact voice that they’ve been looking for, you don’t know.

Nicky: Exactly, yes.

Marc: I think the other part of that then too becomes every voice actor, if you do enough marketing, it is inevitable that you are going to reach out to the exact wrong person on the exact wrong day, and you are going to get a nasty reply back, and we let that derail us, and then we let that form a narrative about marketing in general, that I shouldn’t be doing this anymore.

What you don’t know is last night that person was in the hospital all night with their grandma who was dying, and you’re the first email that they saw in the morning and they snapped. You don’t know what the story is. You don’t know why they responded that way.

We have to learn to be able to just brush that off, be professional, always, but recognize that, I’ve sent tens of thousands of marketing emails, and I’ve had, I don’t even know, three responses, three angry responses in all of that time. Am I really going to let those three angry responses keep me from ever sending another marketing email ever again and letting my business fail because one person got upset? There’s a confidence that comes along with this, I think a confidence in what you have to offer, but a recognition that, yes, sometimes it doesn’t work, and that’s okay too.

Every time you walk into a retail outlet, you get approached by a sales member. Do you buy every single time one of the sales staff comes up to you and tries to sell you something? No. Do you stop going back to the store ever again because they came up and tried to sell you something? No. You still go back because you might need something eventually, or you do need something eventually. I think we just have to have that same approach.

Eventually, you’re going to find the person that they’re going to be so thrilled that you reached out, and they’re going to hire you, and you’re going to have an incredible relationship. You’re going to be like, “Why didn’t I do more of this?” Yes, why don’t you do more of this?

Nicky: Sometimes that person that has said no the first time, if you don’t get fearful that, “Oh my goodness, oh no, they don’t like me.” No, it just wasn’t the right time, but you follow up two, three months later and whatever. If you notice that they still open your emails and maybe they won’t for the next six months or the next year, but then, all of a sudden, “Hey. Yes, I received your demo like a year ago. I think your voice is good for this.” Crazy things like that have happened to me, I think to you as well.

Marc: I think every voice actor that’s done email marketing has had that happen at some point. That’s one of my favorite things about Playbook, because I’ve been doing Playbook for so long now, I get people that reach out to me and say, “I sent an email to this person in 2018 and never heard anything back, and now, today, they just hired me for a job,” or whatever. You just you don’t know. You don’t know. You put yourself out there with confidence because you’re great at what you do, and you know that what you do is going to make somebody else’s life, job, project better, easier, more fun.

Nicky: Exactly. Let’s talk about now how your podcast has been evolving, because you started, I think, in 2019 or 2018, I believe.

Marc: Geez, good question. Yes, probably around there. [chuckles]

Nicky: Yes, something like that.

Marc: I don’t know, 200-and-some odd episodes in at this point.

[laughter]

Nicky: It has been evolving, because first you started you were the sole narrator, and I think it was a little bit of an extension of Playbook, I speak for a living, of course, where you’re talking about the most important things, things that are super helpful, that help people with all different areas of their business, and then you started to do interviews, which was really interesting.

I was lucky enough to be in one of those. I’ll link to that in the show notes. A lot of people have said that they’ve liked that, so thank you for that. You do the summer series, which I think it’s great. You do shorter versions. I just see it constantly evolving in different ways, which are really, really nice. How do you see your podcast going, or growing now, or changing in the coming year for 2024?

Marc: The summer series episodes, I’m not going to lie, the summer series episodes are completely selfish. You do a podcast. You know how much work a podcast is. You know how much time goes into creating a podcast.

Nicky: Yes.

Marc: With the summer series, I started doing that, this may be the third or fourth summer, I guess maybe the third summer, I’m not sure, that I’ve been doing the summer series episodes. The whole entire purpose of those was give me quick episodes, quick hit episodes that I can get in, get out, get done. I can batch a bunch of them. I can get them done. I can get four, or six, or eight weeks ahead, and give myself a little bit of a break. They’re completely selfish.

What I did do differently this year for the summer series, in the past, they’ve just been me talking about a particular subject, I grab a question that somebody shared on social media or whatever, what I decided to do this year for the 2023 summer series was to invite people onto the show, and basically it’s like a mini-coaching session. You get to come on the show, you get to ask me one question, I give you one answer, and chances are if you are thinking about that question, there are other voice actors that are out there thinking about it too.

I was opposed to interviews for so long because I was afraid of how much work it was going to be. That’s the God’s honest truth. I just was like, “I only have so much capacity. I only have so much time. If I got to start editing interviews, and dealing with other people’s audio quality, and just the editing that goes along with all that sort of stuff,” I was like, “It scares me.” One of my favorite podcasts to listen to, and I don’t get to listen to it as often as I would like, is The Tim Ferriss Show. I need more long drives in my life so that I can listen to Tim Ferriss because some of his episodes are like three hours long. I don’t normally have three hours to just sit down and listen to a podcast.

Nicky: It’s crazy, yes.

Marc: One of the things that I like, and he talks– like the whole purpose of his show is deconstructing successful people and trying to understand what it is that makes them think the way they think, or work the way they work, or do what they do, or whatever. I really bought into that concept. Another podcast that I listen to, I heard the host talk about how every time he brought a guest on, he felt like he was getting a masterclass.

When I’m thinking about that, I’m thinking like, “Look, there’s only so much talking about marketing that I can do. People have heard it all,” or, “They don’t want to hear it anymore,” or whatever, but there are a lot of other people out there that have expertise in a lot of other different areas, and maybe if they were given access to the platform, they’ve got things to share and teach, because not everybody has access to a platform or a big audience, or whatever.

I started looking at, “Okay, who can I bring on the show that can teach something?” I stay true to the premise of the show, which is all about the business and marketing side of voiceover and actionable, actionable, practical advice, that’s my whole thing, but I open up the floor to some other people. I try really hard to not just bring on the usual guests. There are certain people that just– they’re the most respected coaches, producers, mentors, et cetera, in the industry, and they do all the conferences, and they do all the podcasts, and they do all the shows and whatever.

That’s fine because they’ve got a ton of value to add, but there are a lot of other people out there, I think, who have expertise, even if it’s just in one subject or one area, who never get a chance to talk because they’re not one of those recognized coaches, producers, whatever. If the show is The Everyday VOpreneur, can I find these everyday VOpreneurs, give them a platform, and learn something?

That’s what finally started it, was that desire to evolve the show, not just have it be all about me, still be able to provide massive value. I said, “I want to help people succeed.” There’s people that have come on my podcast and they’ve been able to leverage being on my podcast into getting a speaking slot at VO Atlanta, or One Voice, where they previously couldn’t get it, or they’ve been able to leverage that into getting in with another organization, getting on with like a Gravy for the Brain and getting a chance to teach a class.

Several of them have ultimately created their own class and the podcast was maybe a launching platform or a starting place for them. It really is my heart to just help people grow their businesses. I think that that’s where it evolved into that. Come fall, September rolls around, summer series is over, and I hope to just go right back to finding a bunch of cool people that can share their story and talk about what they know, or what they’re great at, or what they have to offer. We just keep helping people. That’s the goal.

Nicky: I think that’s amazing. I think that that type of interview really has a lot of value, helps a lot of people. I think it’s just wonderful. I’m really looking forward to you just continuing that sort of interview going on, because as you say, there’s a lot of people that you know that are not the typical famous coaches or producers but yes, that have some things and some sort of insight that hasn’t been tapped into before.

Yes, it’s a gem. I think that’s wonderful that you continue with that. Before we close, I wanted to also ask you if you could share one of the biggest obstacles that you’ve had to overcome in your career.

Marc: Oh, biggest obstacle that I’ve had to overcome in my career. I just needed to learn how to run a business. I really think that probably sounds like an easy answer, but that’s what I really had to figure out. I have been through transitions in this voiceover industry because I’ve been in it a while, and I’ve seen it go from an agent commercial demo model to– I was there for the rise of online casting, and that shifted focus away from agents to a degree. I like to believe that I was one of the, we’re talking godfathers, I would like to believe that I was one of the godfathers of the marketing movement for voice actors.

I recognized when I started seeing online casting start to slide a little bit, late 2009, ’10, somewhere in there, when I was going full-time and started doing my own marketing. That’s another transition that we’ve gone through and what’s going to happen with AI now and how is that going to impact us? What disruption does that bring? I don’t know. The reason why I’ve been able to make it through all of these transitions is because I never just saw myself as a voice actor.

I did, initially, but overcoming that and just seeing myself as a business owner, I think was a huge part of that, in helping me to learn some of the lessons that I’ve learned, helping me to see things differently. I watched, I call them the glory days of online casting, that period, we’ll say pre-2012, I watched as some of the sites changed and voice actors who were six-figure voice actors on some of those platforms all of a sudden saw their incomes drop to next to nothing because of the way that the platform’s changed and they’re stuck because they don’t know any other way to do it. Now what?

I saw that coming and had started marketing at that point so that when my casting site income started dropping off, I had figured out ways to bring in other income from other clients in order to make up the difference and then ultimately massively exceed it. If I hadn’t adapted that mentality, I wouldn’t be here on the show right now. I’d be, “We’re going to drive through a McDonald’s or something.”

Nicky: For sure.

Marc: I don’t know if it’s necessarily an obstacle, but it was an eye-opener. It was an eye-opener and I think that made the difference between me making some money in voiceover or maybe being a mediocre voice-actor, or whatever, to being able to run a legitimate and successful voiceover business.

Nicky: Yes, I think that’s one thing that a lot of us have been discovering. On my part, I can say I’m not on online casting sites as much. I’m only on one right now, but that used to be a big part of my business before that, and I’m one of the people that suffered a lot from that, and it cost me a lot to get out of that and start to develop that business mindset and everything.

Also, what helped me hugely, I think for me, a very big turning point was when I started the Mastermind group that you led, I was one of the people in there. I think that helped me a lot in just realizing all of the things that I could do. One of the biggest things there was setting goals but putting dates to those goals, which is something that we-

Marc: Deadlines.

Nicky: Yes, deadlines, hard deadlines, because if we don’t do that, we just never do it. We’re like, “Yes, one of these days I need to do a broadcast narration demo and-“

Marc: Kicking the can down the road. Yes.

Nicky: Yes. I think that if people can start doing that, people that might be hearing us and saying, “Okay, you know what, yes, I need to make that shift. I need to see myself as a business now.” Yes, we wear all sorts of hats. We do our admin, we do our marketing. We, of course, need to do the artistic side and evolve as voice actors. Network as well, if we’re super shy, but we know that sometimes going to conferences, and not only voiceover conferences, but of the creators, the people that hire us, that’s also something very important that we need to do.

You talk about all of that, and I think that’s amazing. What is one of the things that you would like to see change in the industry? You’ve seen all sides of it. What is one thing that we’re not doing enough of that would help us?

Marc: I think we’re still trying to do things the old-fashioned way. I still see coaches that teach you get your commercial demo, get your narration demo, get an agent. Yes, that’s how it worked 20 years ago, 25 years ago, not necessarily how it works today, not how it has to work today. I’ve got people that I’ve been working with personally for three, four, five years who are still in the same position that they were in three or four or five years ago because they know what they have to do, but they’re constantly finding an excuse to not do it.

Look, marketing is hard. Online casting is easy. Marketing is hard. Sitting back and waiting for auditions from your agent is easy. Okay, great. How is that working out for you five years later when you’re not making any more money and you’re still struggling to survive? I think that this industry is going to change whether you keep up with it or not. I think that there’s already a segment of people who have gotten left behind because they’re still trying to do everything the way that it’s always been done, or trying to do it the old fashioned way, or trying to do it the easy way.

I think that doesn’t just apply to voiceover, this is just life and business, period. The people sitting back trying to do it the easy and comfortable way are not the people that are disrupting industries. They’re not the people that are making money. They’re not the people that are finding success. They’re not the people that are getting the credits or whatever. I just see– I don’t know if complacency is the right word.

To a degree, I think there’s a lot of complacency, but I think that there’s a lot of people that have an unrealistic expectation about what it takes to succeed still. Partly because they’re being taught that by outdated methods, maybe. The Internet has given everybody a platform, even people who maybe shouldn’t have a platform. You can find somebody who will tell you what you want to hear.

You can find a coach or a YouTube channel or whatever that will tell you what you want to hear that you think is how the industry works, but that doesn’t necessarily make it true just because somebody says it in a YouTube video or sells it to you in an online course, or promises you instant fame and riches and glory, or just do this and you’re going to make 100,000. Do you know how many people got told they can make six figures a year if they just signed up for a Fiverr account and how many of those people are actually making six figures a year? Because they’re looking for the easy way, they’re looking for the quick way.

I just still see so much of that. I guess the frustration for me is, as a coach, as somebody who’s built a business, built a successful business, and who just desperately tries to point people in the right direction, yes, I sell classes. Yes, I sell coaching, but I give a lot away.

Nicky: You do.

Marc: You could learn how to build a successful business just by going back to my YouTube channel and old podcast episodes. You could get enough information from there. It’s like, “I’m here and I’m giving it to you, and I’m trying to show you the way and you’re spinning your wheels doing all of these other things that don’t move the needle, and it’s all wasted time.” So many people that could have successful businesses by now if they had just started doing what they should have done a year ago, two years ago, three years ago, whatever. That’s the one thing.

That’s not specifically a voiceover thing, maybe that’s a generational thing. I don’t know. I just wish people would be more willing to just hustle and tap into their own potential. Maybe that’s what it is.

Nicky: Yes, I think so, too. I think a lot of people make a bunch of excuses or for some reason, they just don’t take the plunge into just doing-

Marc: Just do the thing.

Nicky: Exactly.

Marc: Just do the thing.

Nicky: Do you have that in one of your T-shirts? I know you sell the-

Marc: I do have a do the thing T-shirt. [laughs]

Nicky: I have to get that. I have to get that one. I love it. Yes, it’s really do the thing. Otherwise, this podcast wouldn’t be up right now if I hadn’t done the thing. [laughs]

Marc: Yes, you go to a conference, you come home fired up. You got 25 pages of notes. You spent four days with the best of the best of the best of the coaches and mentors and producers that the industry has to offer, and then you get home and then you sleep for a day because you didn’t sleep all weekend, and then what do you do? Do you take your notes and do you turn them into action items, or do you just go back to doing whatever you’re comfortable with and whatever is easy? I’m just going to keep submitting some more auditions on online casting. Just do the thing.

Nicky: Yes, exactly. Do the thing. In order for people to do the thing, where can they find you?

Marc: Everything that I do now, for the most part, is on vopreneur.com. That’s a brand that I serendipitously stumbled upon several years ago. At the time I didn’t know what I had other than a cool name and I registered the domain just to make sure, finally trademarked it a couple of years ago. Anything that I have to offer, you can find it all there. You can find my premium classes, you can find my one-on-one coaching and all that sort of stuff, but you’ll also find the podcast. You’ll find Free Advice Friday. You’ll find all the different free resources that I offer, everything now is on vopreneur.com, turning that to the hub.

Nicky: People can sign up for your Facebook page for Free Advice Friday there as well in the-

Marc: Yes, everything is on there.

Nicky: That’s wonderful. People, do the thing. Now you have no excuses. [laughs]

Marc: That’s right.

Nicky: Definitely. Marc, this has been such a pleasure. Thank you so much for coming on the show and it’s a long time coming. I’m so happy that you finally came and talked to us and gave us all your golden nuggets.

Marc: I appreciate it, man. I love being able to do it and you’re a good interview. You should do a podcast. [laughs] You’re really good at this interview thing.

Nicky: Let me think about it. I might need to do the thing. [laughter] Thank you so much, Marc. We’ll stay tuned with The VOpreneur Podcast and your Free Advice Friday and keep evolving our business because that’s the right way to do it.

Marc: Right on. Thank you so much, Nicky. I appreciate it.

Nicky: Thank you.

Speaker 1: Thanks for joining us on La Pizarra. Want to listen to more episodes? Visit lapizarrapodcast.com or nickymondellini.com/lapizarra where you can sign up for our newsletter and get exclusive previews of future episodes, as well as resources for your creative business. Tune in next week for another interesting interview.

 

Filed Under: Episodes

Cristóbal Colón-Cómo Comunicar Efectivamente

November 16, 2023 by Nicky Mondellini

 

Episode Notes

Escucha esta entrevista hasta el final para no perderte el regalo sorpresa que tenemos para tí, y muchísimas herramientas para optimizar tu forma de comunicarte al hablar en público. Nuestro invitado es el mentor en comunicación efectiva Cristóbal Colón.

Esta ha sido una charla fascinante ya que la destreza de comunicar efectivamente es algo fundamental para profesionales de todos los ámbitos que deban dar presentaciones o charlas de algún tipo y Cristobal nos hace preguntarnos qué tenemos para aportar, a quién le puede interesar lo que tenemos que decir, y cómo aprender a utilizar el storytelling, para poder conectar con otros, e incluso por qué perder el miedo no debe ser tu objetivo principal.

Cristobal nos comenta cómo se atrevió a lanzar su propio podcast ¡Nos Cambiaron los Muñequitos!, ganador del premio Latin Podcast Award al mejor podcast en la categoría de Mejoramiento Personal en los años 2020 y 2021, con entrevistas a invitados muy diversos.

En 2022 además lanzó otro podcast llamado La Palabra Precisa, donde comparte lecciones y secretos de comunicación efectiva para aquellos que sueñan tener el don de la palabra, de la elocuencia, soltura y fluidez al hablar, también ganador en los Latin Podcast Awards, en las categorías Revelación Internacional y Revelación Educación.

Cristóbal además comparte su proceso de transformación y aprendizaje para hablar en público y dominar las habilidades de oratoria que hoy ha puesto a prueba y que ha convertido en un método propio, que aquí conocerás: K.E.Y.

Escucha el episodio en que Nicky participó de Nos Cambiaron los Muñequitos aquí: www.cristobalcolon.net/nclm211 

Además en los siguientes links podrás acceder a los especiales regalos de Cristóbal Colón a todos nuestros oyentes: https://www.cristobalcolon.net/nicky/  

Las primeras 10 personas pueden coordinar una consulta de 1 hora con Cristóbal, libre de costo y compromisos.

https://www.cristobalcolon.net/webinar/

Webinar gratis “Hablemos de Podcasting” (dos partes, dos sesiones). Se discutirá cómo beneficiarse del podcasting, aún sin tener un podcast. Tecnología, equipos, destrezas de comunicación y conversación, contacto e interacción para conseguir entrevistas, etc.

**Visita www.nickymondellini.com/podcast  y descarga gratis el ebook “Aprende a Manejar los NO de la industria”, mis secretos para convertir los rechazos en oportunidades de trabajo, y suscríbete para recibir el boletín mensual de La Pizarra con noticias de los nuevos episodios y varios recursos para el mejor desarrollo de tu carrera artística. 

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Squadcast es la mejor plataforma para grabar tu podcast o reuniones virtuales con hasta nueve invitados con una calidad de sonido profesional. Puedes descargar tus archivos de audio ya masterizados con sonido Dolby, o editarlos en Descript con la integración desde Squadcast.

 Elige tu nivel de membresía luego de probarlo gratis por siete días en: https://squadcast.fm/?ref=lapizarra   

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¡No olvides suscribirte a La Pizarra para tener acceso a todos los episodios, descárgalos y compártelos en redes sociales, tus comentarios son bien recibidos!

** Visita https://www.nickymondellini.com para conocer el trabajo de la actriz, conductora y locutora Nicky Mondellini.

Nicky Mondellini es una artista de talla internacional con más de treinta años de carrera artística, su voz es escuchada en comerciales de televisión, radio y plataformas digitales a nivel mundial. Es la conductora y productora de La Pizarra con Nicky Mondellini desde abril del 2020.

Su trabajo como actriz incluye más de doce telenovelas, varias obras de teatro clásico español y contemporáneo, cortometrajes y largometrajes, y la conducción de programas matutinos en México y Estados Unidos, además de comerciales de imagen y videos publicitarios y corporativos.

Sigue a Nicky en:

Instagram @nickymondellini 

X @nicky3ch_nicky  

Facebook https://www.facebook.com/nickymondellinivoiceover          

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TikTok @nicky_mondellini

Transcript

Interlocutor: Esto es La Pizarra, un espacio para explorar las mentes creativas del mundo del espectáculo en ambos lados de la cámara y el micrófono. Aquí está su anfitriona, Nicky Mondellini.

Nicky: Hola. Bienvenido o bienvenida a La Pizarra, yo soy Nicky Mondellini y me da muchísimo gusto que nos acompañes hoy porque vamos a hablar sobre la importancia de poderse comunicar efectivamente no solo para los que estamos trabajando frente a la cámara o frente al micrófono, sino también para los que se presentan continuamente en conferencias, en congresos, en todo tipo de presentaciones, incluso en charlas TED.

Mi invitado es el mentor en comunicación efectiva, Cristóbal Colón, quien después de luchar con el temor de hablar en público y su personalidad introvertida, muchos nos podemos identificar con eso, decidió iniciar un camino de aprendizaje y desarrollo de sus habilidades de oratoria, de presentación y comunicación efectiva.

Cristóbal ha descubierto y puesto a prueba varias herramientas y recursos que lo han ayudado a transformar su vida al mejorar sus destrezas de comunicación. Para esto ha creado el método KEY, sobre el cual nos estará hablando precisamente hoy.

Tal ha sido su transformación que desde el 2018 se animó a lanzar su propio pódcast, ¡Nos Cambiaron los Muñequitos!, un programa de entrevistas y conversaciones con invitados, el cual ha ganado el premio Latin Podcast Award al mejor pódcast en la categoría de Mejoramiento Personal en los años 2020 y 2021, y estuvo entre los ocho finalistas para el premio al mejor pódcast del año.

No conforme con eso, en 2022 lanzó otro pódcast llamado La Palabra Precisa, donde comparte lecciones y secretos de comunicación efectiva para aquellos que sueñan tener el don de la palabra, de la elocuencia, soltura y fluidez al hablar. La Palabra Precisa también ganó premios en los Latin Podcast Awards al mejor pódcast en las categorías Revelación Internacional y Revelación Educación.

Antes de continuar con la entrevista, te recuerdo que todos los episodios de La Pizarra están disponibles en nickymondellini.com/podcast, donde te invito a suscribirte para recibir nuestro boletín mensual, con avances de las nuevas temporadas y recursos para tu negocio creativo.

También quiero pedirte un favor. Si estás disfrutando de este pódcast, déjanos tu rating y tu reseña en Apple Podcasts, por favor, para que otros puedan encontrar este pódcast y beneficiarse de los consejos y de los tips que aquí comparten nuestros expertos en diferentes áreas del negocio del entretenimiento. Ahora sí, sin más, acompáñenme a explorar la mente creativa de Cristóbal Colón. Cristóbal, ¿cómo estás? Qué gusto me da recibirte aquí en La Pizarra.

Cristóbal: Yo, superhonrrado de tener la oportunidad de conversar contigo. Ya tuve la oportunidad de conocerte y entrevistarte en mi pódcast, y me siento superhonrrado de tener la oportunidad de conversar contigo otra vez.

Nicky: Me da muchísimo gusto platicar contigo, como siempre. También pondré una liga a esa entrevista que me hiciste, que la disfruté mucho. Quiero comenzar con una felicitación por tus nominaciones a los Latin Podcast Awards de este año. Muchísimas felicidades, en serio.

Cristóbal: Igual a ti. Yo sé que tu pódcast realmente es un pódcast muy profesional, de una calidad superior. Yo sé que vas a– No sé cuándo saldrá esto, pero posiblemente cuando salga ya habrá ganado otro premio, pero me imagino que va a ser así.

Nicky: Ojalá. Muchas gracias. Ahora sí que de tu boca a los oídos de Dios, como se dice por ahí, ¿verdad?

Cristóbal: Sí.

Nicky: Cristóbal, hay cosas muy interesantes para platicar contigo. A mí me fascina escuchar cosas que han sido transformadoras para las personas y tú realmente has tenido eso en tu vida. Cuéntame cómo fue para ti ese proceso de cómo iniciaste, porque hacías muchas cosas. Hacías la espeleología, el rescate de personas y después por ahí yoga. Cuéntame un poquito tu trayectoria.

Cristóbal: Primero, todo comienza con que cuando yo tenía 16 años, un orientador de la universidad fue a mi escuela, nos orientó y nos presentó las diferentes opciones de carreras que había. Cuando él dijo el salario de lo que era en aquel entonces ingeniería de computadoras, que era algo que estaba empezando, yo dije, “Voy a estudiar eso”.

Decidí estudiarlo simplemente por el salario, yo ni sabía lo que era, nunca había visto una computadora hasta ese momento, contrario a estos tiempos. Decido estudiar eso, no era algo que me emocionaba, pero tenía el compromiso de hacerlo bien, y trabajé 25 años como ingeniero de computadoras.

Cuando era estudiante de universidad, en algún momento decidí hacer una audición para una estación de radio porque quería ser locutor, porque yo pensaba que tenía buena voz, y no tuve suerte. Después cuando me gradué y comencé a trabajar, tomé un curso de locución y tampoco hice nada con eso.

Con el paso del tiempo dije, “Bueno, me voy a quedar como ingeniero hasta que finalmente tenga una pensión”, lo que sería un safety blanket, una malla de seguridad para más adelante yo hacer otras cosas. Después de 25 años como ingeniero, decido hacer otras cosas con mi vida. Decido, una semana después entrar a Toastmasters, aprender a comunicarme y a hablar.

Quiero decirte que desde muy joven era muy tímido, muy callado, muy introvertido hasta hace poco. Con mi esposa esto es algo que lo hemos hablado y es que cuando íbamos a un restaurant, a un sitio a comer, yo prefería que mi esposa fuera la que llamara al mesero y que hablara.

Nicky: ¿Tanto así? Guao.

Cristóbal: Sí.

Nicky: Supertímido, sí.

Cristóbal: Cuando empiezo entonces en el 2014 este proceso de aprender a hablar en público, para mí ha sido un proceso de aprendizaje, pero también un proceso de transformación, de descubrir quién soy, qué tengo, qué puedo aportar, qué tengo que decir, a quién le puede interesar lo que tengo que decir. Esto ha sido mi trayectoria.

Después de esto, como te mencioné, entré en Toastmasters, en Toastmasters alcancé la designación de Toastmaster Distinguido, Distinguished Toastmaster, que es la designación más alta. Después dije, “Bueno, yo tengo que hacer un pódcast”. El pódcast ha sido la oportunidad más valiosa para mí de seguir practicando mis destrezas de comunicación, de conocer personas, de definir qué es lo que yo tengo que decir y hasta aquí he llegado.

El pódcast, como te mencioné, me dio la oportunidad de conectar con muchas personas de muchas partes del mundo, de recibir reconocimiento. El pódcast ha ganado dos Latin Podcast Awards, que son pódcast a la calidad del contenido, no a qué tan popular son, es un pódcast.

Nicky: Sí, claro. Al pódcast de mejoramiento, ¿no?

Cristóbal: Sí.

Nicky: Como lo mencioné en la entrada, sí.

Cristóbal: Básicamente el pódcast, como te mencioné, ha sido la culminación de seguir practicando, de seguir entrando a otro– Una persona que no se atrevía a hablar con otras. Yo recuerdo hace algunos años que estuve en Nueva York, estuve sentado en una cafetería y al lado estaba Deepak Chopra.

Nicky: Guao.

Cristóbal: Yo no me atrevía ni siquiera pensar en voltearme, mirarlo y hablarle, pero cuando comencé el pódcast, yo recuerdo que en una ocasión estuve otra vez en Nueva York y cuando estaba en el aeropuerto, en el JFK, caminando por el pasillo me encontré con Simon Sinek, como se pronuncie.

Nicky: Sí, claro.

Cristóbal: Fui donde él, me presenté y lo saludé. Le dije, “Soy un pódcaster de Puerto Rico, soy su fanático y me gustaría al menos tomarme una foto con usted”. Algo tan sencillo para mí fue tan importante porque yo dije, “Guao. Yo pude hablar, acercarme a esta persona a hablarle”.

Nicky: Muy importante.

Cristóbal: Obviamente, tener un pódcast me da la excusa de decir, “Soy pódcaster. Quiero hacerte preguntas”. Fue un gran símbolo para mí, yo tener esa foto que me tomé con esta persona que años atrás no hubiera tenido la oportunidad de atreverme a hablarle.

Nicky: Claro. Qué bonito, porque estás dándole esperanza a todos los hipertímidos de que, si lo quieren trabajar, lo pueden desarrollar. Todo está en ir al sitio correcto y obviamente escuchar los consejos correctos y adecuados que ahorita nos platicarás un poco acerca de ellos.

Cristóbal: Sí.

Nicky: Cuéntanos, vamos a hablar un poquito más acerca del tema de tu pódcast y luego ya entrar más de lleno a lo que es tu KEY Method, ¿qué te parece?

Cristóbal: Sí.

Nicky: Ya dijiste, “Voy a empezar un pódcast”, pero ¿por qué es que se te ocurrió el tema este de cambios transformadores en las personas, en la carrera o en la vida de las personas? Porque a mí me parece fascinante eso. Yo siempre le pregunto a mis invitados, “Oye, ¿cuál ha sido tu obstáculo más grande para vencer?”, y todo eso. Realmente los cambios fuertes, los cambios importantes, es muy interesante escuchar la historia de cada quien.

Cristóbal: Mi pódcast se llama ¡Nos Cambiaron los Muñequitos! y es una expresión muy común en Puerto Rico. Por ejemplo, yo quiero solicitar un préstamo para una hipoteca, una casa o comprar una propiedad, y me dicen luego los gastos de cierre, la tasa de interés es tanto. Cuando voy el día del cierre me cambian los números y yo le digo, “Parce, me cambiaste los muñequitos”. Esa es la frase, cuando me cambian la circunstancia, cuando me cambian la situación alrededor de mí de manera inesperada.

Yo, como te mencioné, había entrado a Toastmasters, quería hacer un pódcast, había gastado cerca de USD$500 en una grabadora y en micrófonos, y los tenía todos allí en una esquina muy bonitos, porque pensaba que con haber comprado el equipo ya había hecho algo y no. Si no das pasos concretos, no tomas acción, no haces nada.

De repente llegó a Puerto Rico el huracán María en el 2017 y nos dejó a todos sin– Mucha gente estuvieron cerca de un año sin electricidad. Yo me considero afortunado y estuve un mes sin electricidad, un mes sin comunicación, sin acceso a Internet, nada. Creo que para mí ese evento fue el gran nivelador, nos puso todos a un mismo nivel, como que nos llevó a todos a la salida para comenzar la carrera, y aproveché esa oportunidad.

Puerto Rico ha tenido una situación fiscal, gubernamental que nos ha tocado por todos lados, y por todos lados yo sentía que teníamos que adaptarnos al cambio, más aún con el huracán María. Yo dije, “No. Yo definitivamente ya tengo que hacer el pódcast”. Saliendo del huracán María, en principios de 2018, comienzo a crear el pódcast ¡Nos Cambiaron los Muñequitos!

Aún no me sentía con la capacidad de yo hablar de algún tema, pero yo dije, “Tengo la curiosidad, el deseo de aprender de otras personas. Voy a tener conversaciones, entrevistas”, y de ahí surge. Empecé a buscar personas con las que tenía historias de cambio, personas que son expertos en manejar el cambio y decidí comenzar a tener conversaciones, y de ahí surge el pódcast, de ese deseo.

Incluso mi vida, yo estaba adaptándome al cambio de, después de 25 años como ingeniero, de repente cancelar mi licencia de ingeniero y hacer algo en lo que yo era cero, no tenía experiencia. Me sentía como estudiante, como novicio, como novato, y para mí eso fue muy importante.

Nicky: Cambiaste radicalmente tu vida, te reinventaste, francamente, ¿no?

Cristóbal: Sí, definitivamente.

Nicky: Perdiste el temor a eso. Mucha gente no se atreve, no se atrevería. Qué más es lo que te hizo decir, “Bueno, ya voy a empezar esto”, ¿tenías una idea a dónde ibas a llegar con este pódcast? ¿Qué iba a salir de todo eso?

Cristóbal: Esto yo lo he descubierto según he caminado, he recorrido el camino. Yo originalmente lo que quería era hacer un pódcast para practicar, para conversar, yo no me sentía seguro, ni conocedor, ni capaz de hablar de temas o decir cosas interesantes para que las personas me escucharan, pero yo sabía que algunas personas que yo trajera al pódcast sí iban a despertar la curiosidad de la audiencia, y eso fue parte del proceso.

Durante el camino descubrí que el que más se beneficia del pódcast soy yo, porque es la oportunidad de aprender, he aprendido de tanta gente. Por ejemplo, hace un momento, antes de esta entrevista estaba editando un episodio donde estoy conversando con un coach que hace terapia asistida con psilocibina, esto es una sustancia que está en los hongos alucinógenos. Yo dije, “¿Cómo yo tendría la oportunidad de conversar con alguien sobre este tema que tengo dudas, curiosidad?”, y el pódcast me ha permitido eso, aprender.

Obviamente, uno aprendiendo uno va progresando, uno va creciendo. Tengo que decirte que realmente me ha transformado. Por ejemplo, la oportunidad de conversar contigo, la primera vez que conversé contigo, yo digo, “¿Quién soy yo? Nicky tiene una trayectoria increíble en la actuación. En México la gente la conoce”. Aparte de que tengo un nombre conocido, yo soy un desconocido.

El pódcast me ha llevado a tener la oportunidad de conocer a personas que de otra manera no hubiera ocurrido. Cada conversación para mí es una reafirmación, un poquito de sentir que voy creciendo y voy progresando, y para mí ha sido extraordinario.

Nicky: También déjame decirte que tú te acercas a la gente de una manera muy profesional, muy respetuosa, que no cualquiera. Yo he recibido invitaciones a diferentes pódcasts, he tenido la fortuna de haber sido invitada a tu pódcast, a otros, pero también a otros que no se ven, que la manera de acercarse a la gente es un poco no tan profesional, diría yo, como que no tienen mucha idea de lo que están haciendo todos.

Yo realmente sí admiro mucho toda tu organización, tu profesionalismo, las preguntas que haces y todo, porque además de las que me hiciste a mí, he escuchado preguntas y episodios que has hecho tú con otras personas. Yo creo que tiene un enorme valor. No por nada has sido galardonado en los Latin Podcast Awards y la gente, a todos los que les preguntas están encantados de decir que sí, de aceptar tu invitación. Así que siga mucho eso.

Cristóbal: Algo muy importante es que uno piense en un pódcast, uno piense en lo técnico y realmente es mucho más allá de eso. Yo he aprendido, por ejemplo, a relacionarme con las personas, a conocer a las personas, a cómo yo acercarme y pedirles ayuda, cómo yo acercarme e invitarles. Estos son simplemente comunicación, relaciones humanas.

También, cuando establezco una conversación en el pódcast, es cómo esta persona que no me conoce, yo voy a conversar, en el menor tiempo posible voy a tratar de conectar con esa persona, que se sienta cómoda, que pueda sentirse en confianza, no sentirse amenazado. El pódcast también es, yo entiendo que el pódcast es libertad. Tú que vienes del mundo de los medios de comunicación tradicionales, televisión y todo eso. Por ejemplo, una entrevista en televisión a veces como que, “Tenemos 15 minutos. Cinco minutos”, y es rápido.

Nicky: Muy rápido, sí.

Cristóbal: En el pódcast tenemos la libertad de hacer preguntas, de profundizar, de conectar. Eso para mí no es solamente lo técnico, no es solamente micrófono, no es solamente conectarse a través del Internet, es relaciones, comunicación, interacciones entre seres humanos que queremos establecer una conexión. Eso es para mí lo verdaderamente maravilloso del pódcasting.

Nicky: Sí. Tienes toda la razón, porque es un ambiente mucho más íntimo, es una conversación mucho más relajada donde puedes tener eso, la oportunidad de estar preguntando más cosas, ahondar en diferentes temas y, como dices, haciendo a la otra persona sentirse cómoda, acabas sacando joyas de sabiduría, consejos muy bonitos que le sirven a las personas.

Por lo menos también eso es lo que yo busco y yo creo que tú lo logras muy bien en tu pódcast. Ahora vamos a hablar un poquito acerca de, ya te graduaste, ya eres Toastmaster, ¿cómo era? No me acuerdo el título que dijiste.

Cristóbal: Distinguido.

Nicky: Distinguido, eso. Ahora, ¿cómo es que tú dices, “Ahora yo voy a crear mi método”? Ahora también haces mentorías y ayudas a otros como tú a ir evolucionando en esa comunicación, en esa elocuencia y todo, gente que a lo mejor tiene que hacer una presentación para una conferencia de negocios, algo así, que aunque tengan todo ese conocimiento muy bien ya establecido, a la hora de pararse enfrente a un grupo de personas de repente, los ojos como venado lampareado y se congelan.

A ver, platícanos cómo es que surge tu método y cómo empiezas a ayudar a una de estas personas que tienen ese problema.

Cristóbal: Yo te diría que, como te mencioné, entré a Toastmasters y uno aprende, uno se educa, uno lee libros y eso es bien intelectual, eso es en la cabeza, pero tiene que ocurrir, yo digo que tiene que haber una transformación dentro de mí para que cuando yo comience a hablar ante una audiencia la gente pueda ver.

Cuando tú comienzas a hablar ante un grupo o ante una persona, tu voz, tu lenguaje corporal, tú puedes creer que tus palabras están diciendo una cosa, pero todo eso, la voz, el lenguaje corporal, no miente y está dando más información, y tú debes buscar ser congruente entre lo que tu cuerpo y tu voz dicen con tus palabras. Por lo tanto, tiene que haber una transformación.

Parte del proceso era como que, “Yo he aprendido a hablar, pero ¿qué yo tengo que decir? ¿Qué yo puedo aportar de valor a las personas que me va a escuchar?”. Yo digo, “¿Quién soy yo? Yo no soy nadie”.

El primer paso fue empezar a entender que yo tenía algo que decir. Yo empecé, por ejemplo, a hablar de, mencionaste rescate, espeleología, rescate en río. Yo empecé a hacer discursos, presentaciones, donde yo hablaba de esas cosas aprendidas, por ejemplo, en rescate en río y buscaba asociarlos con lecciones de vida que yo he aprendido ahí.

Por ejemplo, entender que como la vida, cuando uno cae en un río, uno tiene que aprender a conocer el río, las corrientes y todo eso, porque en algún momento tengo que decir, “Bueno, tengo que dejarme llevar por la corriente para poder salir, y hay veces que tengo que nadar fuertemente para salir”.

La diferencia es, tener el conocimiento de cuándo necesito nadar y cuándo tengo que dejarme llevar, y es una lección de vida. Yo empecé a buscar dentro de mí cosas que había aprendido, y me di cuenta que cuando las presentaba a la gente le gustaba y les ayudaba. El primer paso, descubrí qué yo tengo dentro de mí que es valioso. Si yo siento que eso es valioso, me voy a sentir con la seguridad, la confianza de conversar, de compartirlo con otras personas, y va a ser de valor para ellos.

Eso que yo encuentro de mí es lo que yo he llamado The KEY Method, la K-E-Y, que son las cosas que primero, al yo descubrirlas dentro de mí, me ayudan a sentirme mejor. Cuando descubro eso después, es cómo yo voy a empacar, cómo yo voy a presentar esta llave, esta key que tengo dentro de mí para llevarlo a la audiencia.

La llave, o The KEY, que es la K-E-Y, la K es Knowledge, es conocimiento. Como te mencioné, llevo 25 años como ingeniero de computadoras, algo tengo que haber aprendido, algo tengo que tener ahí. También como rescatista, o como instructor de yoga. Todo ese conocimiento puede ser la base para yo crear un mensaje.

La E es las experiencias. Por ejemplo, estudié en la universidad Ingeniería de Computadoras, tuve un grado, pero después trabajé por 25 años. Esas experiencias vividas personalmente, profesionalmente, me añaden también valor. Finalmente, la Y es Your stories, las historias que tú has vivido, las historias personales, la emoción de esas historias, los momentos tristes, los momentos alegres.

Eso, cuando uno primero descubre esa llave, esos tres elementos, uno dice, “Guau. Sí yo tengo algo que puedo decir. Tal vez no todo el mundo me quiera escuchar, pero algunas personas tal vez me escuchen, lo encuentren interesante y les pueda ayudar”. Después empiezo a llevar ese mensaje y con eso he construido lo que realmente soy, lo que realmente es mi pódcast, es el conocimiento, las experiencias y las historias que he vivido.

Nicky: Antes de seguir con la entrevista, te quiero platicar de SquadCast, la plataforma donde grabamos la mayoría de los episodios de La Pizarra, tanto en audio como en video. Además de que SquadCast tiene una gran calidad de sonido, tus invitados se pueden unir desde su computadora o en su dispositivo móvil desde cualquier parte del mundo con una conexión estable de Internet.

Ahora SquadCast se ha asociado con Descript, una plataforma para editar audio y video que te genera la transcripción del contenido al momento de editar en segundos. Esto es lo más nuevo que ha lanzado SquadCast, lo cual nos hace la vida muchísimo más sencilla a los pódcasters. Entérate de los detalles en squadcast.fm/?ref=lapizarra. Este enlace es muy largo, yo lo sé, pero lo vas a encontrar en las notas del programa para que pruebes SquadCast gratis por siete días y luego eliges el plan que más te convenga.

En SquadCast también tienes otras ventajas, como la posibilidad de tener hasta nueve personas en una sesión, tanto para grabar un pódcast como para realizar una conferencia virtual. Además, puedes descargar tus archivos de audio ya masterizados con sonido Dolby. Pruébalo gratis por siete días con el enlace que encuentras en las notas del programa.

Nicky: Además, yo creo que también es importante saber que mucho de tus experiencias laborales o de tus historias de vida son cosas con las que hay muchas personas que se pueden identificar, ¿no?

Cristóbal: Claro.

Nicky: Eso me parece muy valioso, porque a lo mejor al principio piensas, “¿A quién le va a interesar que yo estuve trabajando en una oficina como ingeniero de computación?”, pero si te pones a buscar un poquito más allá, “¿Qué es lo que yo hacía?”. “Yo resolvía problemas, yo ayudaba a la gente a encontrar esto, el otro”.

Empiezas ahí como a jalar el hilito y empiezas a descubrir que dentro de todas esas experiencias laborales que hiciste repetidamente durante tantos años, es una joya de conocimiento que te va a servir con las que otras personas dicen, “Sí, ¿sabes qué? A mí también me pasó eso”, o, “Yo también viví una experiencia similar”, etcétera.

Después, en lo que dices las historias de vida, obviamente también ahí. Muchas personas pueden tener algo similar o aprender de tus circunstancias, de tu experiencia, de los errores que tú tuviste o de los obstáculos que pudiste vencer. A mí me parece genial. En ese método que tienes tú, lo pones en práctica en las mentorías, pero también no sé si has sacado un libro al respecto o cómo es que la gente puede empezar a conocer esto.

Cristóbal: Como te mencioné, este método surge de la experimentación conmigo mismo, surge de mi crecimiento, que todavía no ha parado, sigue creciendo constantemente y en una constante evolución. El libro, ese libro está en agenda, me he sentado a hacer los borradores y todo, pero obviamente tengo que actuar, tengo que hacer las cosas.

Cuando menciono el conocimiento, las experiencias y las historias, por ejemplo, el conocimiento es importante, pero las historias, y eso lo sabemos, cuando hablamos del storytelling, de la narrativa, de contar historias, eso es la herramienta esencial para poder conectar.

Tenemos que aprender a utilizar nuestras historias para poder conectar, porque personas que tienen el conocimiento y la experiencia, eso lo vemos frecuentemente, personas que se van a una reunión corporativa, presentan algo en Power Point y tienen todos los datos de eso, pero la diferencia real es cómo utilizamos historias para poder conectar.

Tú vienes del mundo de la actuación y tú sabes cómo las personas conectan cuando ven una historia. En tu caso muchas personas te han conocido y te ven como el personaje que interpretaste porque esa historia conectó. Nuevamente, el poder conectar con las historias es lo que hace la diferencia. Tenemos que aprender a lucir vulnerables, tenemos que aprender a utilizar el humor para conectar con las personas.

Yo cuando tengo una conversación con una persona siempre trato de que por lo menos en los primeros minutos nos podamos sonreír juntos y podamos reírnos juntos, aun cuando sea a costa mía, que yo sea el que sea la razón del chiste o de la broma. Por ejemplo, hacer un chiste con mi nombre, Cristóbal Colón. Contar historias me permite utilizar las emociones para conectar con las personas, contar historias, humor y todo eso es lo que hace una diferencia.

Nicky: Sí. Rompe el hielo definitivamente, el humor, yo creo. Eso es lo que hace que los otros bajen las defensas y que ya te aceptan un poquito más relajados, “Está bien simpático. A ver qué nos va a decir”, ¿no?

Cristóbal: Sí. Hace unas semanas, hace ya algunos meses conocí, alguien llegó donde mí y me escribió para conectar conmigo. Esta persona es de apellido Magallanes.

Nicky: Cristóbal Colón conoce a Magallanes, qué maravilla.

Cristóbal: Sí. Empezamos, incluso lo entrevisté en mi pódcast y tuvimos esta oportunidad de conversar, pero eso ya es la parte de reírnos juntos. Resulta que después, cuando descubro, él es mexicano, él se llama Eduardo Magallanes al igual que su padre, y su padre es una eminencia en México en la música popular. Yo no sabía, y me dice que él fue el que firmó el primer contrato con Juan Gabriel. Yo dije, “Guau”. Nuevamente, el humor, la conversación, las emociones abren la puerta para entonces que conectemos.

Nicky: Totalmente. Además, tú te acuerdas mucho más de una persona por la manera cómo te hizo sentir. Eso también es algo que se maneja mucho en el branding. La gente a lo mejor no se acuerda tanto de lo que dices, pero sí se acuerdan de cómo los hiciste sentir, entonces se conectan más contigo y están más abiertos a recibir tu información, ¿no?

Cristóbal: Sí.

Nicky: Qué maravilla. Por ejemplo, ¿tú cómo haces para ayudarle a alguien que va a hacer un TED Talk? Que han sido invitados porque son una eminencia en su tema, puede ser un neurocirujano o una nutrióloga, algo así, que tienen todo ese conocimiento.

Incluso un actor, te voy a decir, porque los actores, dirías, “Se paran enfrente a la cámara, enfrente al escenario, ¿qué van a ser tímidos los actores?”, pero no, realmente sí somos tímidos. Yo sí, yo me considero una persona tímida. Yo sí he tenido que ir venciendo esto. Tú me quitas el libreto y yo me pongo a temblar.

Cristóbal: Sí. Nos pasa que hemos visto entrevistas de actores famosísimos, ganadores de Óscar y, cuando tienen una entrevista, una conversación, las muletillas y las ideas no fluyen. Uno pensaría que por ser actor es un buen comunicador y no es así.

Nicky: No, no necesariamente.

Cristóbal: ¿Cómo yo puedo ayudar a las personas? Primero, algo muy importante es que yo soy un espectador. Yo puedo ser un reflejo, un espejo para esa persona, cosas que la persona no se da cuenta. Yo observo y tengo que dar retroalimentación. Eso es lo más valioso, la retroalimentación.

Yo pienso que muchas personas sin darse cuenta, inconscientemente imitamos a alguien. Hay personas que cuando tú los ves hablando imitan al profesor tal vez de la escuela, de la universidad. Otros, sin darse cuenta están imitando a un político que conocen o que han visto. Hay personas que imitan a un líder religioso.

Mi papel es observar y tratar de presentarle, “Yo he observado esto. Yo pienso que luces así”, y le presento la información para que entonces la persona pueda descubrir. Ese es el primer paso. ¿Estoy imitando a alguien? ¿A quién estoy imitando? Entonces ahora voy a tratar de buscar quién soy yo.

Porque, por ejemplo, en mi trayectoria yo me daba cuenta al principio de que yo estaba imitando a personas. Yo veía a personas que yo consideraba que hablaban muy bien y quería hablar como ellos. De repente me decía, “No, yo no puedo hablar como esa persona. Yo tengo que descubrir quién soy y tratar de ser fiel a quien soy”.

Primero, descubrir a quién estamos imitando es parte, incluso hasta en la voz. Hay personas que quieren hablar como si fueran locutor de radio todo el tiempo y no puede ser así. Tenemos que tratar de ser naturales, auténticos, fluidos, que sea una conversación normal, que la gente se sienta cómodo con nosotros. Empezar a descubrir esas cosas.

También, parte de la segunda etapa es que muchas personas tienen muchas cosas valiosas en su vida, pero ellos ni siquiera las pueden apreciar, porque como han estado toda su vida ahí y, sin embargo, no se dan cuenta lo importante que es.

Por ejemplo, trabajé con un ingeniero electricista, que es muy capaz tecnológicamente y le ha tocado en su trabajo dar presentaciones. Cuando yo empiezo a hablar con él de descubrir qué hay de conocimiento en su vida, cuáles son las experiencias y cuáles son sus historias, parte de las cosas que él me comparte es que en su tiempo libre él participa en competencias de tiro defensivo, por decirlo de alguna manera.

Es como esta situación donde entran a un campo de competencia y hay muchos obstáculos que aparecen u objetos, él tiene que disparar, reconocer qué es una amenaza y qué no es una amenaza. Cuando yo le decía, “Eso para ti es un pasatiempo, pero ¿qué tú estás haciendo en ese pasatiempo? Tú te estás preparando para enfrentar la vida, para reconocer lo que puede ser una amenaza y lo que puede ser positivo para ti y responder”.

“Cuando tú te das cuenta de que eso es lo que tú estás haciendo, cuando tú en algún día, en una presentación o en un discurso tú incluyas esa alegoría, esa imagen de prepararnos para los momentos que definen tu vida, momentos que pueden ser de vida o muerte”. Cuando él ve esa imagen como que, “Guau”.

Él tiene eso en su vida, es algo valioso, pero él no le prestaba atención porque para él era un pasatiempo. Sin embargo, ese pasatiempo ayuda a definir su personalidad, a definir quién es él y cómo él puede proyectarse ante las demás personas.

Nicky: Qué interesante. Sí, es que realmente luego no nos podemos poner a ver que cada cosa que hacemos, tanto hobbies como incluso en nuestra vida diaria, que no le damos esa importancia, pero sí tiene muchísimo que ver en lo que hacemos, en cómo nos presentamos y en cómo consideramos a las personas con las que estamos hablando.

También, por ejemplo, algo que hacemos en la actuación es que nuestra forma de hablar cambia de acuerdo a la persona que tenemos enfrente, en la actuación y en la vida real, pero eso es lo que decimos. Tú hablas de una forma, con confianza y todo, con alguien que te conoce muy bien de toda la vida.

Si tú empleas esa forma de hablar y ese conocimiento a la hora de dar una presentación y consideras que todos los presentes son tus grandes amigos o son parte de tu familia, por ejemplo, y están ahí ávidos de escuchar lo que tú tienes que decir, también a lo mejor eso, corrígeme si estoy mal, pero creo que a lo mejor eso podría ayudar un poquito a quitar el miedo de enfrentarse a un salón lleno de gente o a un auditorio también, ¿no?

Cristóbal: Sí. Algo que tú como actriz debes saber es que a veces estás con un actor, con otro actor y de repente tú sientes que hay algo imperceptible tal vez, pero es como una energía, como una química. Tú dices algo y la persona responde, y tú sientes que estás como que, “Guao. ¿Qué está ocurriendo en este momento?”, ocurre algo más profundo de lo que tú piensas.

Es que hay reconocer que en cada comunicación hay un nivel visible, pero internamente hay algo más profundo. Yo siempre lo que busco con las personas es entender que cada vez que damos una presentación, cada vez que damos un discurso o que damos algún taller, cada vez que hablamos ante un grupo, nosotros no estamos hablando, nosotros no estamos teniendo un monólogo, nosotros tenemos una conversación.

Esa conversación requiere que yo hable, exprese algo, pero después tengo que en algún momento escuchar. ¿Cómo yo escucho? Yo hablo y de repente en algún momento tengo que utilizar pausas o hago preguntas y observo a la audiencia, lo que la audiencia me está proyectando.

Cuando veo a alguien que está muy interesado en lo que estoy diciendo o cuando veo que alguien se rió por el comentario que dije, esa es parte de la conversación y tengo que aprender entonces también a leer, a conectar con mi audiencia y no pensar que, “Es que yo voy a decir todo. Yo soy responsable de lo que voy a decir aquí”, no. La audiencia aporta energía, aporta a esta conversación. Me doy cuenta de que es natural, es como una conversación con mucha gente, pero es básicamente una conversación.

Nicky: Sí, tienes toda la razón. Se crea un campo de energía muy interesante, tanto de la perspectiva, de cómo te reciben, de todo lo que sucede en la mente de las personas que al estar recibiendo tu información se están formulando preguntas. De repente, más adelante esas preguntas se resuelven y entonces ellos reciben esa gratificación de que, “Qué bueno, porque yo iba a preguntar tal cosa”, ¿no?

Cristóbal: Sí.

Nicky: Es algo muy bonito. Por eso yo creo que sí es importante tener la confianza de que lo que estás diciendo o lo que estás planteando es muy importante. Ahora, tú también ayudas a la gente a estructurar un poco esa información que van a decir. Por ejemplo, decías, “Vamos a empezar con un chiste, con humor. Algo así. Una experiencia. Si te pasó algo en el transporte de tu casa a la conferencia, te acaba de pasar tal cosa y se los vas a compartir”.

Empezar con eso es importante, pero ¿qué más es importante hacer dentro de eso? Ayudas a estructurar un poquito, tener eso de que, “Aquí es tu inicio, tu desarrollo y tu desenlace”, ¿no?

Cristóbal: Sí. Nosotros tenemos que, primero, como te mencioné al principio hace un momento, que era descubrir a quién estamos imitando, pero algo que también las personas tienen que descubrir es cosas que yo he aprendido durante toda mi vida y tengo que desaprender.

Hay muchas personas que empiezan a hablar y dicen, “Hola, mi nombre es Cristóbal Colón. Hoy voy a hablarles sobre cómo comunicarse”. De repente yo los veo y yo me transporto a cuando estábamos en la escuela, que teníamos que hacer un informe oral y teníamos que decir– No, tenemos que desaprender todo eso y empezar a ser diferente.

Yo utilizo siempre una imagen que para mí es muy importante y es, te mencioné que un discurso o una presentación no es un monólogo, es una conversación, pero también otra imagen que utilizo es que un discurso, una presentación para mí es como un enamoramiento. Consta de tres partes, que es la introducción, la apertura, el cuerpo y el cierre.

Si lo vemos como un enamoramiento, yo digo, imagina que tú estás en un lugar público, estás en una fiesta o estás en algún lugar, estás en este sitio y observas al otro lado del salón otra persona, una chica o un hombre, a quién sea. De repente tú miras a esta persona y te atrae, se ve elegante, atractiva. De repente se cruzan las miradas y hay una primera sonrisa. Esa primera sonrisa, ¿qué hace? Despierta la curiosidad, despierta el interés. “Mira, esa muchacha se ve muy elegante y bonita. A ver si la puedo conocer”.

Cuando hacemos un discurso, la apertura, cuando hablamos siempre tenemos que pensar que es eso, despertar el interés. Es esa primera mirada, esa primera sonrisa, que yo quiero que las personas se interesen, sientan como que, “¿De qué él va a hablar?”. No podemos comenzar hablando, “Hola, soy fulano de tal y les voy a hablar de– Disculpen que llegué tarde”, no. Vamos a entrar de lleno a buscar despertar el interés de las personas, la curiosidad.

Segundo, el cuerpo, básicamente ahí es cuando decimos la información de lo que vamos a hablar. Ahí damos datos, lo que queramos decir, información. Eso es como cuando nos acercamos a esa persona y empezamos a conversar, “Hola, ¿de dónde eres?”, “¿Tú eres de por aquí? Nunca te había visto”. “Sí”. “¿Estudias y trabajas?”. Ese intercambio de información en esa parte, en el cuerpo del discurso.

Al final, para mí el cierre, y es a lo que debemos aspirar, no siempre se consigue, pero buscamos hacer eso. El cierre de un discurso debe ser como, volviendo al enamoramiento, conociste a esa persona, te despertó el interés, la conociste, y ¿qué tú quisieras finalmente? Que hubiera un primer beso. Tú quieres que ese primer beso sea inolvidable, tú quieres que esa persona, “Yo la voy a besar por primera vez y nunca me va a olvidar”. Eso es lo que pensamos.

El cierre del discurso, la conclusión, debe ser de esa manera, algo memorable. Por lo tanto, la apertura de un discurso o de una presentación debe ser algo impactante, que despierte el interés. El cierre es lo más importante, es algo que sea memorable, que se grabe en la memoria de esa persona, como ese primer beso que uno dice, “Yo quiero que ese sea el primer beso con esta persona y último primer beso de mi vida”, ¿verdad?

Nicky: Claro. Qué interesante, fíjate. Sí, tiene mucho sentido eso. Cuando tú cierras de una manera memorable, sí le estás poniendo un punto final ahí, con una intención, con toda la intención de que la gente reciba bien ese mensaje tuyo, y tiene que ser tan importante para ti que te lo reciban de la misma manera para causar un impacto y un beneficio a fin de cuentas en las personas que te están escuchando, ¿no?

Cristóbal: Sí.

Nicky: Yo creo que tomando en cuenta esas cosas es que uno puede empezar a perder el miedo a pararse a hablar en público, pero se debe practicar. Por ejemplo, ¿cuántos años te tomó a ti ese trayecto cuando estabas en Toastmasters, desde que empezaste a cuando ya empezaste a sentirte cómodo hablando en público y ya que llegaste hasta ese nivel?

Cristóbal: Yo te diría que yo empecé a sentir que estaba progresando, encontrándome o descubriendo lo que tenía que decir después de los tres años. Algo, como te mencioné, con el pódcast el poder conversar con las personas, intercambiar ideas y seguir aprendiendo, me ha ayudado aún mucho más. Como te dije, es un proceso que no para. Es que la mayoría de las personas piensan que hablar en público es cuestión de perder el miedo y yo pienso que no, el miedo no es importante– Bueno, no es lo más importante.

Yo siempre digo el ejemplo de cuando yo antes exploraba cuevas, yo llegaba a un lugar y amarraba una cuerda para descender, si alguien no sentía miedo en ese momento, eso me hablaba mal de esa persona, yo siempre quería tener miedo para hacer las cosas de manera segura. Asimismo, cuando hablamos ante una audiencia, el perder el miedo no debe ser la meta, porque el miedo debe estar ahí todavía para sentir que respetamos el proceso, respetamos a la audiencia y es, verdad, muy importante.

Como te mencioné, al principio perdí el miedo, pero todavía el miedo está por ahí rondando y me ayuda a seguir profundizando y seguir descubriendo cosas que decir, es un proceso. Para mí es un camino de transformación que nunca debe parar, que nunca debe terminar.

Nicky: Claro. Eso es muy importante porque además nosotros seguimos creciendo, seguimos transformándonos, seguimos llenándonos de experiencias y tarde o temprano vamos a conectar con las personas de acuerdo a esas experiencias.

Sí, definitivamente. Yo creo que sí tienes toda la razón. El querer perder el miedo está ahí, pero lo más importante es estar seguros en lo que somos, descubrir qué es lo que queremos decir y por qué. Ya teniendo eso, ya se gana la batalla del poder pararse frente a la gente, pero sí se tiene que practicar, ¿no?

Cristóbal: Sí, definitivamente.

Nicky: Para alguien que a lo mejor no tiene tiempo de meterse a un Toastmasters, pero que sí puede hacer una mentoría contigo, ¿tú tienes más o menos un plan de lecciones? No sé, ¿en 12 lecciones o qué tantas sesiones? Obviamente, puede depender mucho del tipo de persona o de lo que cada quien necesite.

Cristóbal: Primero, es que yo tengo un programa que son para efectos de sesiones virtuales conectados. Son seis sesiones, pero eso no quiere decir que eso es todo el trabajo, porque tú adquieres trabajo fuera de las sesiones, preparar material, preparar un discurso, escribirlo, repasarlo, dar retroalimentación. Fuera de las sesiones se hace videos, se envía y se hace retroalimentación. Te mencioné seis sesiones, pero requiere mucho más.

También muchas personas se acercan con alguna intención en específico. Me ha pasado que personas me dicen, “Yo tengo una presentación en un evento que voy a estar”, y entonces nos estamos dirigiendo a ese evento. Hay personas que se han acercado y dicen, “Yo quisiera hacer un pódcast para desarrollar mis destrezas de comunicación y trabajar con mi marca profesional”, entonces enfocamos a esa persona.

Yo utilizo, hablo del pódcasting, pero yo no hablo de monetización, yo no hablo de descargas, de popularidad. Yo lo utilizo como una herramienta de seguir practicando y desarrollando las destrezas de comunicación. Si en algunas personas el pódcasting es parte de la estrategia, lo trabajamos. Hay, como te mencioné, una gran flexibilidad en lo que trabajamos con las personas.

Nicky: Eso está muy bien. Además, en el segundo pódcast que empezaste, el de La Palabra Precisa, empiezas a dar ese tipo de consejos, ¿sería como un complemento a tu curso, por ejemplo?

Cristóbal: La meta es que sea la apertura, las personas vean el pódcast y ahí puedan aprender. Con esto de public speaking u oratoria, hay muchísimos libros, hay muchos lugares donde uno puede aprender. El conocimiento está, pero si tú lo lees, si tú lo aprendes, pero no lo practicas, no vas a progresar.

Otra cosa es la retroalimentación, que sea útil y valiosa. Esa parte es la que yo ayudo a proveer. Como parte de la estrategia, tenemos que aprender, y eso lo pueden aprender escuchando el pódcast y otras cosas, pero la práctica y la retroalimentación, que es lo que hace la diferencia, eso hay que buscarlo, complementarlo con el conocimiento.

Nicky: ¿De qué maneras puede uno estar practicando además de la retroalimentación, por ejemplo, en la vida diaria? Practicar discursitos así, cosas frente al espejo o tomarse unos videos, ahora que se hacen tantos videos para redes sociales, el forzarse a hacer un video diario para ir también venciendo esa resistencia. ¿Cuáles son algunas cosillas que tú recomiendas?

Cristóbal: Obviamente, con las redes sociales ahora es muy fácil prender una cámara y empezar a hablar, pero aún muchas personas por eso están buscando ayuda, porque no se atreven todavía a hacer eso. Sí, esa es una herramienta. Si tú empiezas a crear contenido y publicarlo en las redes sociales, ya es una herramienta adicional para nosotros evaluar y darte retroalimentación. Eso es muy importante.

Otra cosa que yo recomiendo a las personas, y esta es bien típica mía, para desarrollar la agilidad de yo hablar, yo a veces voy en el coche, en el vehículo, voy en la carretera y empiezo a hablar yo solo, obviamente lo tengo que hacer solo porque me veo muy ridículo, pero yo empiezo a narrar lo que está pasando. “Voy por la carretera tal. Estoy llegando a intersección tal”, y de repente en la esquina veo al señor que está vendiendo verduras y narro. Esto lo hago para yo desarrollar una agilidad de poder hablar e improvisar.

Nicky: Además, ni es tan extraño. Ahora todo mundo puede hablar con su coche en el teléfono, le pones, lo conectas, así como en el Bluetooth y vas viendo gente que está hablando y todo, a mí no se me hace extraño ya hacerlo. Es muy bueno practicar eso realmente. Sí, es una muy buena forma.

Cristóbal: Muy valioso para mí esa herramienta.

Nicky: Alguien ya que tiene eso y empieza contigo a hablar, pero que a la mejor todavía se siente un poquito renuente, dice, “Bueno, es que no–“, como que les falta esa confianza, ese entender que sí tienen algo de valor que dar. Si te encuentras con alguna persona que tiene un poquito más de resistencia, ¿cómo lo trabajas con ellos?

Cristóbal: Como te mencioné, The KEY Method es desde empezar a descubrir quién es esa persona. Comenzamos a hacer una entrevista donde estamos levantando información. “Yo quiero conocer a esa persona”, “Yo quiero que tú me hables sobre tu vida”. Yo desde, como te mencioné, la educación formal e informal, muchas personas han tomado muchos cursos, muchos adiestramientos, han estudiado coaching. Todas esas cosas es parte del conocimiento.

Hablamos sobre tu experiencia, todo eso y tus historias, tus pasatiempos, lo que todo tú haces. Muchas veces es como alguna persona que hace un garage sale, una venta en la calle de artículos viejos, porque esa persona no valora lo que tiene, pero de repente llega alguien y dice, “Mira, está aquí está lámpara que es superpeculiar y supervaliosa”. Mi rol es también ayudar a las personas a descubrir qué es valioso y, cuando uno se los presenta, ellos entienden eso.

Ese es el primer paso. Descubrir que tú tienes valor, que tú tienes algo importante que decir, que tal vez no es para que te escuchen miles de personas, pero tal vez algunas personas, decenas de personas te van a escuchar y te van a seguir. Eso para mí es ese primer paso. “Vamos a descubrir qué es lo que tengo que es valioso, que puedo llevar a otras personas y puedo hacer diferencia en la vida de los demás”.

Nicky: Eso me parece muy bonito. Una muy buena forma de empezar a conocer a alguien y empezar a vencer esas resistencias. Cristóbal, ¿dónde se puede comunicar la gente contigo para las mentorías? Obviamente pondremos ligas a todo, a tus pódcasts y todo.

Cristóbal: Sí. Mira, tengo mi página web, cristobalcolon.net. Yo tengo preparado dos páginas adicionales, dos direcciones para las personas que escuchen la entrevista y les pueda interesar conocer un poco más. Primero, tengo un webinar gratis. Este webinar está enfocado a las personas que quieren conocer más del pódcasting, pero no necesariamente quieren hacer un pódcast, posiblemente personas que quieren escuchar más pódcasts y empezar a buscar pódcasts de otras personas, acercarme, pedir una entrevista y conversar.

“¿Cómo me beneficio del pódcasting aun cuando no tengo un pódcast?”. Yo tengo un webinar gratis que, de acuerdo a cuando salga este episodio, se ajustará la fecha para que las personas puedan registrarse. Eso es en cristobalcolon.net/webinar. Ahí pueden conseguir eso. A las personas que les interese el tema, también tengo la opción de que ahora voy a tener sesiones gratis de una hora con las personas que se puedan registrar. Ese va a ser, la página es cristobalcolon.net/nicky, N-I-C-K-Y.

Nicky: Qué gran regalo. Muchas gracias.

Cristóbal: Sí. Ahí llegan a la página donde van a estar directamente a la agenda y pueden escoger una hora, va a ser por Zoom y vamos a conversar de cuáles son sus necesidades, cuáles son sus aspiraciones, podemos darle consejos que en ese momento le van a ser de gran utilidad y vamos a ver cómo podemos ayudar a otras personas.

Nicky: Ahora sí me has dejado con la boca abierta. Muchísimas gracias por tu generosidad. Eso es un gran recurso. Chicos que nos están escuchando, tomen completa ventaja de esto porque es muy bonito y muy generoso de tu parte. Voy a poner esta liga también en el boletín mensual, obviamente en las notas del programa, para que la gente lo pueda ver y tengan acceso a este maravilloso recurso.

Cristóbal: Súper.

Nicky: Cristóbal, no me queda nada más que agradecerte tu tiempo, tu valiosísima información y tus consejos para todos nuestros escuchas. Es una cosa muy valiosa que espero que sigan de cerca y que escuchen tus pódcasts.

Cristóbal: Yo, Nicky, estoy superagradecido. Primero, la oportunidad de haberte conocido y de haber conversado contigo en el pódcast, conocerte. Como te dije, esta es la gran bendición del pódcasting, conocer personas que para mí admiro muchísimo, respeto, tienen una trayectoria increíble y me permiten a mí aprender de ellos. Para mí esto es valioso y estoy superagradecido, como te mencioné, de poder conversar contigo. Es increíble.

Nicky: Muchísimas gracias de nuevo, y mucho éxito para los Latin Podcasts. También esperaremos ese libro ya cuando lo tengas listo.

Cristóbal: Amén.

[música de fondo]

Interlocutor: Gracias por acompañarnos en La Pizarra. ¿Quieres escuchar más episodios? Visita www.lapizarrapodcast.com o nickymondellini.com/lapizarra, donde podrás suscribirte al boletín mensual y tener acceso a los avances exclusivos de los nuevos episodios, así como recursos para tu negocio creativo. Sintonízate la próxima semana para otra interesante entrevista.

Filed Under: Episodes

Shaun Jacobs- A Songwriter’s Journey

November 9, 2023 by Nicky Mondellini

 

Episode Notes

This week musical guest Shaun Jacobs, the award-winning singer, songwriter, and producer from South Africa takes us through his songwriter’s journey. 

 Shaun has received recognition for his versatile sound and critical acclaim for his chart-topping hits, including a SAMA® (South African Music Award) for Best Adult Contemporary Album for Love Can,  which you’ll be able to enjoy in this episode, as well as nominations for Best Producer and Best Engineer. 

Since his move to the United States Shaun has worked with top songwriters in both LA and Nashville, like “Youngr” that was co-written with Brazilian DJ Bruno Martini and produced by Timbaland with more than 16M streams on Spotify.

Love Can held the #1 spot on the local iTunes chart for 12 weeks consecutively and came in as the 14th most played song in all of Africa against all international music on Simfy for 2013. And that’s not all, Shaun’s music has been featured in campaigns for BMW, Ralph Lauren and Bitmoji, including his single, “Look At Me Now”.

In this interview we talked about the role in society that musicians have of expressing with songs people’s feelings that they don’t necessarily know how to get out. He also shared useful advice for new artists out there, the importance of expressing without fear their pure own sounds and not being influenced by trying to fit somewhere. We also talked in depth about how to constructively deal with rejection, competition and self-demand in the entertainment industry, among many other things!

You can find him on social media as @imshaunjacobs.  

Watch his music video “Say You Will Remember Me” https://youtu.be/kwanNreW78I?si=_DTGF-4YPOYprnpW which we mention in the interview, and also this concert at the Coca Cola Dome in South Africa https://youtu.be/F8FTbeMGTiE?si=tUpWDM95TAd9s7L3 

Here’s the link to one of his music hits “Hurt” https://youtu.be/V_JkQWWqi08?si=eDbIkpFu3UcP1w8B 

**Visit www.nickymondellini.com/podcast and download the ebook “Learn to handle the NOs of the industry” for free, and subscribe to receive La Pizarra’s monthly newsletter with news about new episodes and various resources for the best development of your artistic career

*

Squadcast is the best platform to record your podcast or virtual meetings with up to nine guests with professional sound quality. They have now teamed up with Descript for video and audio editing.

You can download your audio files already mastered with Dolby sound.

Choose your membership level after trying it free for seven days at: https://squadcast.fm/?ref=lapizarra  

*

Subscribe to La Pizarra and get access to all the episodes, download them and share them on social networks, your comments are well received too!

** Visit https://www.nickymondellini.com to learn about the work of actress, host and voiceover artist Nicky Mondellini.

Nicky Mondellini is an internationally known multilingual artist with more than thirty years of artistic career, her voice is heard in commercials on television, radio and digital platforms worldwide. She is the host and producer of La Pizarra since 2020.

Her work as an actress includes more than a dozen telenovelas,  and drama shows, classical and contemporary Spanish plays, short and feature films, and the hosting of morning shows in Mexico and the United States, as well as on camera commercials, and advertising and corporate videos.

Follow Nicky on:

Instagram @nickymondellini

Twitter @nicky3ch_nicky

Facebook https://www.facebook.com/nickymondellinivoiceover     

LinkedIn https://linkedin.com/nickymondellinivoiceover

Transcript

Voiceover: This is La Pizarra, a place where we explore creative minds in the entertainment industry on both sides of the mic and the camera. Here is your host, Nicky Mondellini.

Nicky Mondellini: Hello, everyone, and welcome to another episode of La Pizarra. My name is Nicky Mondellini. I’m your host. I’m super excited because we haven’t had a musical guest in quite a while. Today I’ll be sharing with you the music of Shaun Jacobs. I will tell you right away that I am a huge fan and I know that you will become a fan too once you listen to his music. You can find him on social media as imshaunjacobs.

Shaun is an award-winning singer-songwriter and producer from South Africa where he received critical acclaim for his chart-topping hits, including a SAMA, South African Music Award for Best Adult Contemporary Album for Love Can, as well as nominations for best producer and best engineer. Love Can held the number one spot on the local iTunes chart for 12 weeks consecutively and came in as the 14th most-played song in all of Africa against all international music on Simfy for 2013.

Since moving to the US, Shaun has received recognition for his versatile sound, working with top songwriters in both LA and Nashville. He co-wrote the song Younger with Brazilian DJ Bruno Martini. This hit, which has more than 16 billion streams on Spotify, was produced by Timbaland, which features Shaun on vocals and guitar. That’s not all. Shaun’s music has been featured in campaigns for BMW, Ralph Lauren, and Bitmoji, including his single Look at Me Now. He has also written a holiday album titled All My Christmases, which debuted in December of 2020.

Before we go on with the interview, I want to remind you that all of the episodes of La Pizarra are available on nickymondellini.com/podcast, where you can sign up for the newsletter and get a free download of my e-book, How to Deal with the Nos of the Industry. If you’re enjoying this podcast, the best way you can support it is by giving us a five-star rating and sharing it on social media.

[music]

Nicky: Before we go on with the interview, I want to tell you about SquadCast, the platform that I’m using to record most of the episodes of La Pizarra. Besides having excellent sound quality, your guests can join the session from a computer or their mobile device from anywhere in the world. All they need is a stable connection. Squadcast has now joined forces with Descript, the editing platform that generates a transcript while you are editing. Now you can open Descript directly from Squadcast and start editing video and audio right away. Check out all the details at squadcast.fm/?ref=lapizarra.

This super-long link is in the show notes. Once you click on it, you can try SquadCast for free for seven days and you can decide which plan best fits your needs. Squadcast has other advantages like the possibility of having up to nine people in a recording session or in a virtual meeting. You can download your mixed and mastered audio files with Dolby sound quality. Try it out with a link in the show notes.

[music]

Nicky: Hi, Shaun. How are you doing?

Shaun Jacobs: Hey, Nicky. Good. Thanks for having me.

Nicky: Oh, well, thank you so much for being here and making the time because I want to say, as I said at the beginning, I am your fan. I know we met a few months ago and it was an amazing party there with my cousin Kirstie and Simon, her husband. My son was there and everything. It was just such an amazing experience to hear all of you amazing musicians playing there. It was close to Christmas time. Since then, I’ve been intrigued, and my son, Beau, who has been, playing sports with you and doing other things, he kept saying, “Mom, you got to interview Shaun because his music is just amazing.” I’ve been listening to your music and that’s why I said I just became a fan.

Shaun: You guys are too kind. Thank you. [chuckles]

Nicky: No, we only say we only say the truth. Let’s go back to your story. You have a very musical family, right, your dad?

Shaun: I do. Yes. My dad was a opera singer when I was a kid.

Nicky: Wow.

Shaun: I think at the time I didn’t appreciate how awesome that was and what an accomplishment that was. He used to try and embarrass us in public. When we were at the beach, it was time to go, he would call us by singing an opera song about holiness. The whole beach would turn and look at him and we’d try to hide.

[laughter]

Shaun: My God, go out.

Nicky: Oh, my gosh, how cool is that? I’m an opera geek as well so I would have been fascinated, but I can understand, of course, at your age, it’s, like you say, you don’t appreciate it at that time.

Shaun: [laughs] Fun memories, yes. Full-on tenor soaring across the beach. Yes, right from- all of us kids, I’m the youngest of four, we had music, classical music, I guess, with him. Then my brothers who are older than me started getting into rock music and I was just surrounded by it in the house growing up. I think I started hitting things, banging on whatever I could, couches, or cutlery, tables, and my eldest brother realized that I was doing it in time to the music. I think when I was about four, I started playing the bongo drums just for fun. That was like my first foray into playing music.

Nicky: Wow, the bongo drum. I think that’s like a very natural way for kids to have an intro into music, right? The way you–

Shaun: Yes, the rhythm.

Nicky: Exactly. Exactly. That’s the best, even the most basic or primitive way to follow a rhythm and then it just gets transformed into all of this wonderful experience. Then you start branching out from that, if that’s really in you, which, of course, it was within you. I mean, you went to other musical instruments, right? The way you play guitar is just–

Shaun: I did, yes.

Nicky: Was that your second instrument, the guitar?

Shaun: It was. Again, led by my brothers, they’re both amazing guitarists. They were playing guitar and my brother was like, “You should learn to play guitar.” I was like, “No, no, I play drums.” I was happy on drums. It seemed like too difficult to learn chords and things. [laughs] My brother was like, it’s good to at least know a second instrument, not just to do one thing,” because it always gives you a different understanding. If you play with a group of people and you can understand a little bit of their instruments, it’s very helpful. I started learning guitar and once I learned my first four chords, instinctively started writing songs from that. Definitely, I wasn’t necessarily writing songs on the drums, but playing guitar made me start doing that.

Nicky: That’s amazing. How is it then that- because it doesn’t happen for everyone. Some people, they love the guitar and they play the guitar but to have that transition into where songs, they start coming to you, and, of course, your lyrics are beautiful. They go perfectly well with all of your music. You’re also a poet. I can say that from listening to your songs. How was that for you, that experience of starting to put those two together?

Shaun: I think as an angsty teenager, it’s a way of expressing your depression.

[laughter]

No, I don’t mean to be so dark, but it’s, I guess, I don’t know, I guess it’s just in some people, I guess, you can’t create it if it’s not there. I’m not sure. I don’t know if you can decide to think deeply about something if you don’t or– I never tried to learn how to do it, I guess. It just came out. I feel like, in a way, a songwriter’s role in society is to express things that people can’t express themselves, to put into words things that people are feeling that they don’t necessarily know how to get out.

That’s why we’ll hear a song and we’ll be like, “My word they’ve just said, what I’ve been unable to say, that what I’ve been feeling. That’s when we identify the song. I think that’s a songwriter’s job to do for society in a way. I think it’s in some people and isn’t. I don’t know if you can, make it happen, maybe you can. I don’t know.

Nicky: Yes. No, it’s definitely a talent, a talent to be able to express that, and also it can be such a healing process for you [crosstalk]-

Shaun: Exactly.

Nicky: -going through those things, the dark stages, which we all go through at some point, and some more than others or situations. You also talk a lot about love in your songs and you talk about hope and all that. Is that something that is prevalent in you, it’s something that you wanted to achieve, or have you had a wonderful muse [laughs] [crosstalk]

Shaun: I think, for me, faith is a big part of my life. And I think love and hope are very core aspects of that so I think they come up in the songwriting. I did just want to go back and say, I don’t want to make it sound like, instinctively start writing what you instinctively write is good. Everyone who starts writing songs starts writing very bad songs. Then you [unintelligible 00:09:44] and so craft it from there. I just, yes, wanted to touch on that as well. They were terrible to start with.

Nicky: Of course, you have to start somewhere. You’re not going to produce your masterpiece at the first go. Of course, it’s all a process but it’s a beautiful part of learning and experimenting and having those moments where you’re feeling something and you write it intil you get to where you want to go. You have that vision and have that evolution which has been wonderful.

Shaun: It’s a great feeling when it’s like a catharsis or something has been in you and it just comes out on the page and you can almost look at yourself in that way.

Nicky: Exactly. Do you feel you have several rewrites drafts of your songs or it depends?

Shaun: It depends on the song. I know this with other songwriters as well. I think it feels like the really magic ones are the ones that just happen, but not always. Sometimes the rewrites and really crafting it those become really good as well but often the ones that I think are really special to the artist are the ones that like, “I’ve heard it’s like heaven just opens up and goes, boom, there’s a song. I remember hearing Sarah McLachlan say that about the song The angel. She said that just fell out of her in minutes.

Nicky: Wow.

Shaun: I think, as a songwriter those are often the most special ones because it’s almost like it’s just happened to you more than you’ve had already put the work in. That’s great. That’s when it feels like you really– It’s the most revealing of what’s going on inside you because you haven’t tried to cross. It just happened.

Nicky: It just happens. It’s like the moment is right for that song. It was-

Shaun: Exactly.

Nicky: -the moment that that message had to come through, right?

Shaun: Exactly, yes. There are other songs as well that you have to sit– I mean, I’ve rewritten songs over years before, where I’m just like, “It’s not right. It’s not right,” and I leave it, and come back to revisit it so eventually it starts feeling like it’s right. I’ve heard that with many, many huge hits as well where they’ve written like 23 choruses because it’s so like got the right one.

Nicky: Exactly. Yes, I guess, it’s definitely a work of art, every piece. Some take a lot longer to create and be constructed than others. Let’s talk about your musical influences, of course, besides your dad and your brothers. What types of music would you say are the most influential in your music?

Shaun: I think one of the earliest really strong musical influences I had was right when I started learning to play guitar as well. I remember hearing Zombie by the Cranberries. My brother brought it home and he was playing it. For me, it was a real moment. I was like, “What was that?” I really felt the emotion of music. I was preteen or something, just turning points in my life and that was like a moment for me. The Cranberries became my favorite band for a long time. It made me feel something when I listen to it, especially that album. That was definitely a strong musical influence.

Then, I think I’ve really had a very broad range. I’ve not necessarily been like, “Oh, that’s my–” Well, back in the day, I feel like we used to be like, “That’s my band.” I feel like in today’s world, it’s not so much that anymore. [chuckles] It’s more like, “That’s my song for the moment.” I sort of always a very album-driven person. If I heard an album by an artist that I’d like, I’d really dive into that album and listen to that for a while but really very broad range of music I’ve enjoyed listening to a bit. Starting days was Cranberries.

Nicky: Cranberries, I love that band as well. I’ve also heard, in your songs I hear, we have bluesy tones and you even have like a Celtic influence in there.

Shaun: It’s funny. I haven’t heard that so much. Before coming to America, I’d never listen to blues but- [laughs] they were bluesy undertones which I didn’t know about until I came to America and people were like all right. I was like, okay. The Celtics tone, I don’t know, but I love Riverdance as a kid. My mom loved dancing and so I watched that show. I don’t know, maybe there something about that got stuck in me. I don’t know. Probably, as me trying to do something different and something else and it came out sounding Irishy. I don’t know about Celtic.

Nicky: Yes, it did kind of. I want to introduce now Love Can because it’s, of course, the song that you won with at the SAMA Awards. It’s beautiful. It has all of that. It has that beautiful guitar solo. Let’s listen to it.

[music]

Love can cross borders and love can break walls

Love can unbind us, love can define us

Love can see through what our eyes can’t undo

Love got me thinking love can do anything

Take my hand

It’s not that we’re lost

We’re just plotting a different course than we initially thought

We are free

When we’re on our knees

Put your hand in mine

We’ll make it in time you’ll see

Love can cross borders and love can break walls

Love can unbind us, love can define us

Love can see through what our eyes can’t undo

Love got me thinking love can do anything

Come with me

We’ll find what’s in store

For the heart that is bursting, the soul that is thirsting for more

We are free

Come and see

We’ll make it in time

We’ll find everything we need

Love can cross borders and love can break walls

Love can unbind us, love can define us

Love can see through what our eyes can’t undo

Love got me thinking love can do anything

Anything

Love can unbind us, love can define us

Anything

Love got me thinking love can do anything

Nicky: People can definitely tell now why that song won and the whole album is fantastic. Let me just backtrack a little bit because you also had a very strong interest in horses and you were showjumping as well.

Shaun: That’s correct.

Nicky: Tell me about that.

Shaun: Before, I don’t know, from when I was about nine years old, all through school, I was really into horses and showjumping. My first paying job that I had was actually training people’s horses for them when I was in high school.

Nicky: Wow.

Shaun: It was a lot of fun. I loved it. I used to go after school and take my books and study in the horse paddocks. I have like a portable desk and I just sit there under the tree with the horses in the fields and do my math sums and things on the paper. I just love being out there, being with– My mom was actually an incredibly successful showjumper before I was born.

Nicky: Oh, wow. I did not know that. Oh, okay.

Shaun: Me being born caused her to retire apparently. [laughs]

Nicky: No. It was her choice. Don’t feel bad.

Shaun: Right, yes.

[laughter]

Shaun: She was an incredibly successful showjumper. We moved from quite a farmy kind of town to Johannesburg when I was about eight or nine, actually seven. She just needed to– She missed having the fields and the horses. Suddenly we’re in a city. In order to get out, she took me and my sister to a horse stately yard where you could just basically rent a horse and go for a ride. That was the start of it for me. Loved it and fell in love with it my whole- right through until I came to America basically. That’s something I actually really miss. I wouldn’t want to compete anymore, but I miss riding a lot and having-

Nicky: Of course, yes. Do you–

Shaun: -a horse. It’s a very special connection with horses.

Nicky: They’re beautiful animals. They are.

Shaun: Incredible animals, yes.

Nicky: Just to watch them, it’s amazing. Do you find yourself getting little times here and there where you would go, maybe take your son to have a riding experience?

Shaun: Only once. I’ve only taken him once. We were in Mammoth over the summer, I think last year, and we went for a horseback trail. It made be realize how much I miss it. I’d love to do it probably again.

Nicky: You should do more of that.

Shaun: LA is a very difficult city for it.

Nicky: Yes, I know.

[laughter]

Nicky: It’s not readily available.

Shaun: Not readily available. You got to travel to get to and it’s really expensive. Certainly, one day I would love for him to learn because it was a big part of–

Nicky: Yes, of course. Do you think that he will take up music as well? Do you see him as a musical child?

Shaun: We’ll see. He’s definitely musical for sure. He’s actually written some ridiculously good songs.

Nicky: Wow. Hold on. How old is he now, nine?

Shaun: He’s now nine, yes. Last year in his summer break, one of the things I did with him is I brought him here into the studio, and I was like, “Let’s record one of your songs. I’ll be your hands working the mechanics of it, but you put down your ideas,” and it sounded amazing. [laughs] It was really good. I was super impressed.

Nicky: Like father like son. [laughs]

Shaun: We’ll see. I’m not forcing and pushing him, but when he wants to express it, then, yes, absolutely, I’ll let him do it. He’s got his little lyric book that he writes lyrics in.

Nicky: Oh, wow.

Shaun: He has, honestly, written one song that I wish I had written.

[laughter]

Nicky: Well, there you go.

Shaun: It’s pretty crazy, yes.

Nicky: Oh, my goodness.

Shaun: We’ll see.

Nicky: Another marvel in the making. What instrument is he playing?

Shaun: He’s played a little bit of piano. That’s the only instrument he’s actually played until now. He’s supposed to be learning piano, doing proper lessons, but every time he sat down, he wanted to just play his own thing so we just left him to do that.

Nicky: Do your own thing. Why not? [chuckles]

Shaun: Do your own thing. We’ll see. In school now, they got to choose, they’re going to learn something from next year. I’m hoping he does something like cello. I don’t know. We’ll see.

Nicky: Oh, my goodness. That’s amazing. He is in one of your music videos with my niece, Eloise.

Shaun: He is. [unintelligible 00:22:37]. Have you seen that?

Nicky: Oh, it’s gorgeous.

Shaun: It was so sweet, wasn’t it?

Nicky: I love that. I love that.

Shaun: So sweet.

Nicky: I’m going to link to that in the show notes, as well as all your other things, but I love that. I really love that. What advice would you give to young musicians who just want to make their mark, and then they’re writing and they just can’t seem to find a good way to start. There’s much competition, and then that can be very discouraging sometimes. It could be overwhelming, but that doesn’t mean that they shouldn’t try. What would you recommend?

Shaun: I think, obviously, it can be really overwhelming. I think there’s something special when you’re starting out as a young musician in that I feel like it’s the purest form of your own sound that you have. You haven’t really been influenced by trying to fit into this or that yet. You’re just putting out what’s you. When I look back at some of the stuff that I wrote in my earliest years, there’s something really pure about it in that it’s all me. It hasn’t been me trying to conform to anything yet, or trying to make something that’s going to get onto the radio yet, or anything like that. It’s me expressing me.

I think that’s something that’s a good thing. You don’t get that again, because the further you go, the more experience you have of trying to make certain sounds sound certain ways, you don’t get that kind of purity of just you venturing out into this world. I think if you can capture that sound- don’t be scared of having your own sound. Don’t be scared that it doesn’t sound like everyone else. I once heard John Mayers say every artist finds their own sound by trying to sound like someone else but not quite getting it right. That sounds like that.

[laughter]

Shaun: I think, yes, just feeling the freedom to express what comes out of you and not feeling that it’s wrong if it doesn’t sound like everything else.

Nicky: Yes, absolutely.

Shaun: I think that’s because you might just have something special.

Nicky: Exactly. The world needs you, your authenticity. They don’t need you to be a copy of somebody else that’s-

Shaun: Exactly.

Nicky: -out there. People are just thirsty for new trends, new music, new styles, new everything.

Shaun: I think enjoying that and not putting too much pressure on yourself, just enjoying that process. Obviously, with any art form, perseverance is if you want to do it, don’t expect it to be easy. [laughs]

Nicky: Exactly. Exactly.

Shaun: As a juxtaposition to the first thing that I was saying, I think there is a thing of going with your own sound, but there’s also the thing of being humble enough to do take advice. Don’t be shut off or insulted by help that you might get.

Nicky: Constructive criticism.

Shaun: Constructive criticism is don’t take it as criticism, but see the constructive side of it. I can give you an example. That Love Can song that you just played was- I had sent some songs into radio in South Africa, and they came back saying it doesn’t sound like anything we haven’t heard before. They’re like, “It’s fine, but it’s basically not very fresh. It’s not very interesting.” I went back into the studio with the goal of, “Well, then I’ll give you something that you haven’t heard before,” and that song was made to be that-

Nicky: Wow.

Shaun: -and it worked.

Nicky: It’s great because that then, instead of being discouraged, you thought, “Okay, I will rise to the challenge,” right?

Shaun: That’s exactly it. When I got the feedback, instantly, my first reaction is to be insulted by it and say, “Oh, this DJ doesn’t know what he’s talking about,” or to be like, “Step out of my emotion and let’s see, maybe he has a point. If that’s how he perceived it, maybe let me try and approach it a little differently.”

Nicky: Exactly. Yes.

Shaun: That song was when I’d done it, I didn’t think it was very good because it sounded a little different. When I played it for a couple of people they were like, “No, we think it’s quite good.” Yes, a classic example of doubting yourself. I made something, I listened, said, I thought, “No, it’s not good.”

Nicky: How did you feel when you actually got the news that you had won the music award, the SAMA?

Shaun: That was amazing. I didn’t think that was going to happen, but it just been a great journey up until that point because that song really, it exploded on radio, which was great. Then a few other ones did as well. Then they said they wanted to submit me for the award. I was like, “Okay, whoa.” I didn’t even think that would be a thing. First of all, I got nominated, I was like, that’s a great achievement. Then when I actually won it, that was very surprising, very humbling, so, yes, wonderful.

Nicky: Oh, yes. What a wonderful, wonderful feeling to have that. For you, playing live, because I’ve watched the videos there, the whole audience is just crazy, just adoring every moment, absorbing everything. When was the last time that you performed live? Was it in Nashville or before coming?

Shaun: Probably, in Nashville. Not really- I’ve played a couple times in LA but it hasn’t really been the focus of what I’ve been doing. When was the last time I played live? I don’t know. I remember playing before an LA Kings game at the Staples Center outside that, a pre-match thing. That might have been one of the last things I did. I did do a tour as part of a Cirque du Soleil, kind of thing. It wasn’t a Cirque du Soleil but that kind of thing, then a couple of solos, that a bit. I haven’t done a full-on band show since Nashville probably.

Nicky: You’re a very prolific composer now. You’re writing much for very big brands.

Shaun: That’s what I shifted my focus to doing here in LA. I think another big part of it is going through the doors that open to you. Go with the flow of the river. When I came to Nashville and LA as an artist and started doing some sync composing as a side hustle, and very quickly all the avenues opened into that, so I’m not going to fight the flow.

Nicky: Exactly.

Shaun: Let’s go with where it’s going and I quite enjoy it because I get to be at home. I’m not on the road touring. I get to come to the studio during the day and go home and be with my family in the evening, which I love. Basically, all my efforts over the last couple of years have been into composing for, yes, things like brands, writing songs to briefs where companies be like, “We’re looking for something like this that has these specific words” and/or whatever, and I’ll quickly write something and submit it. Some of them, I get, some of them I don’t. Then been doing a little bit more cinematic composing lately. That’s really what most of my effort has been into.

Nicky: You get to really still use all of your talent for music, using your creativity constantly in that. How do you feel it evolving now from performing live to creating all of these songs from there?

Shaun: It’s been interesting because, in a way, it gives me a more focused direction. If I’m composing for something, for a brand, or it’s a picture, if I’ve given the producers and the director what they wanted, then I know I’ve done my job. Whereas as an artist, it feels like you’re never quite satisfied with what you’ve given. You always feel like, yes, it’s not quite it though. You are always second-guessing yourself.

You make a song and you enjoy it while you make it, and then you release it and people are like, “Oh, we like your song,” or whatever. You’re like, “Yes, it’s not quite what I was wanting to do,” or, “It’s not quite me right now.” [laughs] It’s a constant battle you have. Whereas at least when I’m making things for a picture, or brands, or something, if they say, “Yes, that’s what we wanted,” then I know I’ve hit the mark and that gives a lot of satisfaction.

Nicky: Of course, that’s huge satisfaction.

Shaun: In a way, it’s less frustrating than as an artist feeling like you’ve never quite hit the mark that you set for yourself.

Nicky: Yes, of course. You get that immediate feedback there. It’s still the result from all your time and your effort and your creativity, and it feels great to have that feedback right away and for it to be used for such big brands. What is one of the biggest obstacles that you have overcome in your career? It could be the beginning or any point, but some that was very hard for you, but that once you figured it out, it was a magical moment for you.

Shaun: I would say the biggest obstacle that I don’t know that you ever really figure out is there are a lot of closed doors that you’ll get. You make music for something and for everyone that you get, there’s 50 that you don’t get. That’s a big obstacle to when you made a pitch and you didn’t get the pitch to not get down on yourself about it or to start being really negative about everything, but to just get on the horse and go again. Some of them do come through.

I think just understanding that dynamic of don’t take it personally when things don’t happen for you, that you really wanted this thing and you put all your effort into it and you didn’t get it, out of the blue, you do get one, and so just– I don’t know. It’s weird. You got to hold something really closely, I guess, while you’re doing it. You’ve got to be fully invested in the process, and then once you’ve done it, you’ve got to almost completely detach from it, otherwise, things start to become very painful. I think that’s an obstacle that, as an artist, you’re always having to overcome, it just learning to hold things lightly and accept that you get things and you don’t get things.

Nicky: Yes, as an artist in whichever field of the entertainment industry, it is very hard to do.

Shaun: Exactly. I mean, like in acting, or whatever, you go to the audition, you do a great audition and they don’t choose you because they want someone with different hair color, or whatever. You’ve got to learn, I guess, to learn to hold it lightly but to still care. It’s this weird balance that you’ve got to have of still being fully invested in giving your best, but also not being destroyed if you don’t get it.

Nicky: Yes. It’s a delicate balance as you say, but when you figure it out, when you’re able to mourn the rejection, so to speak, because it happens but it also makes you grow. Like you said, for you, it really propelled you into creating that hit song that got the award at that time, and then you feel, “Okay, some go ahead, and make it, some don’t, but it doesn’t mean I have to stop creating unless you get–” We all get strings of rejections one after the next and that do make us reconsider our choice or career path.

Shaun: [laughs]

Nicky: Has that ever happened to you where you’ve come close to, “Oh, maybe I should move back home to South Africa and start showjumping again,” I don’t know, or just something completely different.

Shaun: Yes. I’ve never hit the point of being like, “I’m going to abandon the city and go back.” For me, in some ways, it’s been simplified because coming to America on my visa, I can only work in music. It only allows me to, so I don’t have the option to be, “Oh, I’m just going to go do another career path.” Maybe if I had another option to, there would’ve been times when I would’ve. I don’t know, [laughs] but it is been simplified, all that I can do-

Nicky: Is music.

Shaun: -is music and so–

Nicky: That’s it. Sorry, you’re stuck. You’re only doing music. That’s it, nothing else.

[laughter]

Nicky: We are so thankful that you do because your music is so enjoyable for sure.

Shaun: Oh, thank you.

Nicky: I’m definitely going to link to all of that. Is there anything else that you would like to share? Something that is a special message for musicians or for any artist out there that you think they might need to hear?

Shaun: I think give yourself as broad a range of a skill set as you can is really important, especially in today’s field. Learn to produce, learn to mix, learn multiple instruments. Don’t be too narrow-minded in, “This is my thing, and this is how it’s going to be.” Just try to equip yourself with as much as you can because you never know where the opportunity’s going to open for you. I think that would be quite a good point of advice.

Nicky: I think so too. I think that’s excellent advice. Then a lot of the things that you do, the more variety, the more you bring into your work as well, you’re a more well-rounded person. I think that’s true not only work-wise but in life, you’re not only a showjumper, but you’re also very good at different sports, and so my son tells me. [laughs]

Shaun: Yes. He’s been a little generous. Tennis is–

Nicky: In skiing and– Come on. Tell me about your sports, for example. [laughs]

Shaun: Well, yes, I was a sporty person. I played football and rugby and did athletics. I did quite well in athletics in school, and I’ve only started playing tennis really since coming to America, that I have taken a few points off your son.

Nicky: There you go. [laughs]

Shaun: That’s all I’ve managed when I think he goes easy on me, but he’s like almost a professional.

[laughter]

Nicky: He does okay.

[laughter]

Shaun: Wow. Yes. That’s part of it. We all have to have a lot of different aspects in our lives, just jamming with the neighborhood people and doing sports and just all of the things that make you be who you are, and life experiences.

Shaun: It’s a big pressure release for sure.

Nicky: Oh, yes. We all need that because we are so hard on ourselves, aren’t we?

Shaun: Yes.

Nicky: Yes. It’s like we put so much of ourselves creatively, that’s the part that you’re talking about, just give yourself some grace and it’s not personal. [laughs] Just keep going, keep at it because there are special things in the making that you never know when they’re going to show up.

Shaun: Exactly. A part of it is we have days where we are not great. I have days where I come into the studio here and just somehow feel like I’m off my game, and to give yourself the grace to have those days, to leave being like, “Yes, I don’t know. For some reason, creatively I was just- it didn’t show up today.” I feel like when you give yourself that grace, there are other days in the week where you’ve more than make up for it.

Nicky: Yes, you’re right. We’re not producing machines, we’re not creative machines-

Shaun: Yes, exactly.

Nicky: -spitting out hits all the time or whatever-

Shaun: Exactly.

Nicky: -amazing auditions or the whole thing. No, no. We have good and bad days and so, yes.

Shaun: Yes. You got to try and not let yourself become acidic if you understand what I’m saying. If you get too negative about yourself and it all becomes acidic and toxic and then it’s not going to do you any good.

Nicky: Exactly. We’re all human and take the good with the bad and allow yourself to have shitty days, as well as amazing days because it’s all part of the process, right?

Shaun: Exactly, yes. [chuckles]

Nicky: Oh, my goodness. Shaun, thank you so much for joining me today. This has been a great talk and thanks for all your wonderful advice. You have a YouTube channel and people can also follow you on Instagram. Well, this has been great and if you ever think about going on tour or doing another album, please let me know because I’ll be more than happy to share those news with my audience.

Shaun: Amazing. Thank you, Nicky. Well, thank you for having me. It’s been great chatting with you.

Voiceover: Thanks for joining us on La Pizarra. Want to listen to more episodes? Visit lapizarrapodcast.com or nickymondellini.com/lapizarra, where you can sign up for our newsletter and get exclusive previews of future episodes, as well as resources for your creative business. Tune in next week for another interesting interview.

 

Filed Under: Episodes

Nailea Norvind – Personajes Controversiales

November 2, 2023 by Nicky Mondellini

 

Episode Notes

En este nuevo episodio exploramos la mente creativa de Nailea Norvind, una actriz que ha hecho todo tipo de personajes desde muy pequeñita hasta convertirse en una de las villanas favoritas de la televisión. 

Hemos platicado de su vasta trayectoria tanto en televisión como en cine y teatro, nos ha contado sobre sus mayores retos, detalles de cómo se prepara para abordar los personajes que le tocan y sus mundos tan diversos, e incluso cómo se las ingenió para seguir trabajando durante la crianza de sus hijas que hoy también forman parte del mundo del espectáculo.

Nailea ha trabajado en telenovelas mexicanas como ‘Amigas y Rivales’, ‘Quinceañera’ y ‘Abrázame muy fuerte’, la serie de Mujeres Asesinas, Capadocia, Como dice el dicho y Mujer, casos de la vida real. En cine, fue parte del elenco de Manto de Gemas, premiada en el festival de Berlín, El Club de los Idealistas, y el cortometraje Reflecciones, entre varias otras.

En esta entrevista también nos acercamos a su faceta como empresaria con el negocio de kefires “Mi Alimento Sagrado”, que comenzó por casualidad y ha ido creciendo. Puedes conocer más sobre estas bebidas probióticas que realiza Nailea y adquirirlas en el siguiente link: www.consumaconciencia.com 

**Visita www.lapizarrapodcast.com y descarga gratis el ebook “Aprende a Manejar los NO de la industria”, mis secretos para convertir los rechazos en oportunidades de trabajo, y suscríbete para recibir el boletín mensual de La Pizarra con noticias de los nuevos episodios y varios recursos para el mejor desarrollo de tu carrera artística. 

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 Elige tu nivel de membresía luego de probarlo gratis por siete días en: https://squadcast.fm/?ref=lapizarra  

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¡No olvides suscribirte a La Pizarra para tener acceso a todos los episodios, descárgalos y compártelos en redes sociales, tus comentarios son bien recibidos!

** Visita https://www.nickymondellini.com para conocer el trabajo de la actriz, conductora y locutora Nicky Mondellini.

Nicky Mondellini es una artista de talla internacional con más de treinta años de carrera artística, su voz es escuchada en comerciales de televisión, radio y plataformas digitales a nivel mundial. Es la conductora y productora de La Pizarra con Nicky Mondellini desde abril del 2020.

Su trabajo como actriz incluye más de doce telenovelas, varias obras de teatro clásico español y contemporáneo, cortometrajes y largometrajes, y la conducción de programas matutinos en México y Estados Unidos, además de comerciales de imagen y videos publicitarios y corporativos.

Sigue a Nicky en:

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Twitter @nicky3ch_nicky  

Facebook https://www.facebook.com/nickymondellinivoiceover         

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Transcript

Interlocutor: Esto es La Pizarra, un espacio para explorar las mentes creativas del mundo del espectáculo en ambos lados de la cámara y el micrófono. Aquí está su anfitriona, Nicky Mondellini.

Nicky: Hola, ¿cómo estás? Bienvenido o bienvenida a un episodio más de La Pizarra. Yo soy Nicky Mondellini y me da muchísimo gusto que estés aquí. Hoy vamos a explorar la mente creativa de una talentosísima actriz que comenzó su carrera creativa desde muy pequeñita. Ya a través de los años, ella se ha convertido en una de las villanas favoritas de la televisión. Su nombre es Nailea Norvind.

Tú la habrás visto seguramente en telenovelas como Quinceañera, como Abrázame muy fuerte, Amigas y rivales, además de muchísimas series como Capadocia, Como dice el dicho, Mujer, casos de la vida real y Mujeres asesinas. Nailea también ha realizado personajes estelares en películas como Manto de gemas, la cual fue premiada en el Festival de Berlín, El club de los idealistas y el cortometraje Reflexiones, entre muchas otras.

Hoy vamos a platicar de su rica trayectoria artística y también hablaremos de su faceta de empresaria, de un negocio que ella comenzó por casualidad y que ahora ya la tiene mucho más ocupada que nunca. Así es que quédate aquí para enterarte de qué se trata.

Antes de comenzar con la entrevista, te recuerdo que todos los episodios de La Pizarra están disponibles, además de en las plataformas digitales, también en mi sitio web nickymondellini.com/podcast, donde además puedes inscribirte a nuestro boletín mensual para recibir los avances de futuras temporadas y también podrás descargar el e-book totalmente gratis que se llama Cómo manejar los no de la industria. Me encantaría que formaras parte de la comunidad de La Pizarra. Comenzamos.

Tú empezaste desde muy pequeña, me parece que tenías, no sé, como seis o siete años, ¿no? ¿Cómo fue para ti ese comienzo? En eso que tú ya habías visto por tu madre, que estaba también en la carrera. Para ti, finalmente estar parada en un escenario a esa edad tan chiquita, ¿cómo fue para ti?

Nailea: Mágico. Se me hace una edad muy hermosa para entrar a este medio. Creo que es jugar, es play en inglés. Es muy bonito, además, que haya sido en el teatro, que haya sido en el escenario, porque creo que tenemos el cine, la pantalla de televisión y el teatro. Para mí nunca habrá algo que asemeje a la experiencia de experimentar el teatro, porque el público está ahí con los actores, las luces te llenan. Era como estar adentro de una cápsula, como viajando en una nave espacial. Para mí fue muy bonito.

La obra era de Ibsen, era Casa de muñecas. Estaba siendo dirigida por un director muy destacado, griego, que vino a pasar tiempo en México, que era [unintelligible 00:03:13]. Fue una entrada muy afortunada. Además, le fue muy bien a la obra de teatro. Por eso, porque le fue muy bien, porque estaba con actores de primera, digo yo, era un papel ahí chiquito, el hijo de Nora, pero estaba trabajando con Claudio Brook, con María Eugenia Ríos, con Ricardo Blume y Ada Carrasco, puro talento. Le fue muy bien a la obra.

Nicky: Palabras mayores, todos unos señorones de la actuación. Qué belleza, qué bonito. Cómo no empezar con el pie derecho así tu carrera, definitivamente es algo precioso, ¿no?

Nailea: Sí.

Nicky: Después, ya seguiste un poco también, ya empezaste a hacer algunas cosas en televisión. ¿Cómo sentiste tú ese cambio del escenario a la televisión?

Nailea: Seguía siendo divertido.

Nicky: Perfecto.

Nailea: A ver, ¿qué cambió? La visita a los foros. Era Chispita, fue mi primera telenovela. Hice algo antes en el canal 13, una serie de Navidad que se llamaba La canica azul, un especial de Navidad. Fue muy divertido. ¿Qué crees que me tocó hacer? Esos efectos que tienen que hacer, que tienen el blue screen. Me pusieron un arnés y tenía que volar así. Eres niño y tienes que volar. Estaban buscando a un niño con quien compartir la historia.

Yo muy precoz porque me había gustado un niño. El primer niño que me gustó, yo tenía siete años y este niño me estaba fascinando en la escuela. Les dije, “Juan Carlos. ¿No le pueden hablar a Juan Carlos?”, y lo contrataron. Yo volando en el blue screen con el niño que me gustaba. Fue todavía mejor, porque yo estaba pudiendo sugerir cosas y me estaban escuchando.

Nicky: Increíble cuando sucede eso. Sobre todo, como niño, realmente ahí nada más te toca aceptar, decir y todo, pero ya uno cuando va siendo más grande, ya con la experiencia es cuando puedes proponer más cosas, ¿no?

Nailea: Quién sabe. Cuando nos vamos haciendo más grandes nos empezamos a complicar un poco más la vida, nos lo empezamos a tomar muy en serio y dejamos a veces de disfrutar. Hay veces que tenemos que reaccionar y decir, “A ver, ¿por qué no lo estoy disfrutando como lo disfrutaba antes?”. La otra forma, ya que tocamos el teatro y la televisión, que me tocó experimentar también a los siete años, fue el cine con una película que se llamó El triángulo diabólico de las Bermudas.

Ahí me tocó ir a filmar a Cozumel y tenía que hacer una niña que era en realidad una muñeca. Eso era bien mágico también porque tomaron el molde de mi cara. Imagínate, me pusieron todas esas cosas, cuando te pasan ahí a efectos especiales para hacer un molde de yeso con los popotitos. Ese molde lo hicieron ya en miniatura y se lo pegaron a una muñeca, pero cuando a la muñeca le tenían que hacer el close up de los ojos y que me sangraba la boca, era una muñeca diabólica, fue divertido también.

Estaba yo en Cozumel y en los ratos libres me metía a nadar con los pescaditos. Me hice amiga con la actriz que estaba en la película también, una niña. Sigue siendo muy divertido. Esta es una de las cosas que más me gusta en mi profesión, cuando me lleva a conocer más, a expandir mi universo. Conocí Cozumel, estuve en la playa, conocí a los actores con los que me tocaba estar, que eran John Huston, Andrés García, otros.

Esa película la dirigió René Cardona. Es una película que pasan siempre en Halloween en la televisión porque es de culto, es como kitsch, pero llama la atención. Mira, qué padre entrada tuve, en cine, en tele y en teatro, y me empezaron a llamar a modelar también. Empecé en modelaje, que hacía pasarelas para las tiendas departamentales y todo eso. Ya ahí me quise quedar.

Nicky: Claro. Sí, para ti era natural, pero fuiste sucumbiendo ante el encanto de las cámaras, al encanto de todo lo que es estar en una locación, de trabajar con otros actores. Te enriqueces, te metes en otros mundos, vives en los zapatos de personajes y haces cosas muy fantasiosas, muy bellas que, claro, quieres más y más de eso.

Nailea: En la película, tenía la niña que estar en un barco viejo en una tormenta y me echaban agua con unas mangueras gigantes. Así es como le hacen en Hollywood, en las películas, que tiene que estar la tormenta. Mangueras gigantes te echan agua y pica, te duele. Era así de, “Oh”.

Nicky: Sí, con fuerza.

Nailea: Tenía aguantarme hasta que hicieron una toma, otra toma y entonces me puse a llorar. El director, “Eso, eso es lo que quería”. Yo, “Oh”. De todas maneras sufre uno, pero de una forma divertida y me encanta. Gracias por la oportunidad de platicarlo, porque lo estoy reviviendo y me estoy acordando. Eso me hace pensar en Cate Blanchett una vez que estaba filmando con su esposo Sam Mendes.

La estaba medio pasando complicado en el set y a veces necesitaba voltear a decirle a su esposo, “¿Por qué estoy aquí? Recuérdame, ¿por qué estoy aquí?”. Otra vez, repito, de repente nos olvidamos de divertirnos, nos olvidamos de cuál era la motivación inicial.

Nicky: ¿Has buscado o te han llamado para personajes complejos? Digamos, villanas, locas y todo, porque son personajes muy ricos. ¿Esos son los que tú prefieres? ¿Siempre buscas algo que te rete?

Nailea: Definitivamente, sí. Me encanta el reto, me encanta que sea complejo. No es que me guste que sean villanos, o sea que antagónicos y todo, sino que sean seres humanos. Si no lo tienen en la escritura, porque a veces están un poquito más estereotipados, los tengo que volver complejos para disfrutarlos y tienen que tener sus virtudes también esos personajes antagónicos.

Nicky: Claro, por supuesto. El malo por ser malo tampoco ya no es creíble. Todos tenemos cosas buenas, cosas malas. Cuando eso ya lo llevas a la televisión, al cine y todo, y ves un ser que de repente puede tener momentos tiernos como momentos diabólicos, un poco de todo, se vuelve un personaje mucho más interesante y hay veces que te dan ganas de que sí logre las cosas aunque sea un asesino, por ejemplo, ¿no?

Nailea: Sí.

Nicky: Esos son los personajes que se disfrutan.

Nailea: Qué loco es, ¿no? Cuando sí le vas al malo.

Nicky: Es que sí, llega a suceder. Depende de cómo te van planteando la historia, si tuvo un inicio.

Nailea: Tiene que ver con el carisma que le entregas a ese personaje, ¿no?

Nicky: Sí.

Nailea: Si el personaje resulta carismático, quieres que gane.

Nicky: Exacto, así es. Vamos a hablar también un poquito, tus hijas siguen tus pasos, además guapísimas las dos, en la carrera artística, viendo a mami desde chiquitas, ¿te las llevabas a las locaciones, a los sets?

Nailea: Sí.

Nicky: De ahí fue para ellas eso.

Nailea: Sí, lo trataba de hacer sin que fuera demasiado abrumador, o sea equilibrio. Tanto yo las llevaba a veces al set, como yo muchas veces me escapaba del set. Yo decía, “No. Ahorita tienen cuatro escenas, no se van a dar cuenta”. Yo les decía que me iba a la cafetería, me escapaba hasta mi casa y me iba a verlas porque yo necesitaba eso también y que no les faltara, pero sí las llevaba muchas veces y se divertían. A veces mis maquillistas y peinadoras las peinaban como mi propio personaje para que se parecieran a su mamá.

Nicky: Qué lindas.

Nailea: Les prestaban la ropa. Cuando estaba en teatro, se traían sus tiendas de campaña y en mi camerino armaban su tienda de campaña, su sleeping bag, traían a su gatito y se volvía muy divertido para ellas.

Nicky: Qué bello, Nailea. Qué bonito, la verdad. Mucha gente piensa después que los actores, las actrices luego no les ponemos tanta atención a los niños, que dejamos que las nanas los cuiden todo el día y nosotros nos vamos al foro o al teatro y todo, pero no es así. Uno tiene, es como dices, la necesidad de verlas, la necesidad de estar con ellos y de convivir. Es muy bonito que también desde muy pequeñitos empiecen a ver y tener el respeto y el conocimiento del trabajo que les está dando de comer, ¿no?

Nailea: Exacto, desde ahí aprenden. Desde ahí yo creo que se volvieron tan responsables como lo son. Por un ejemplo, la manera de educar no es nada más predicar, sino poner un ejemplo. Creo que sí lo tomaron bien, observaron bien. Se volvieron muy profesionales y muy exigentes solitas con ellas mismas. Yo jamás les he tenido que exigir, que presionar, ni nada, más bien yo creo que les fue seduciendo eso mismo que se contagiaba ahí.

Nicky: Claro. Yo creo que se fueron dando cuenta de cómo es al escuchar cómo te daban dirección a ti, cómo era el movimiento detrás de cámaras o detrás de escena, que dices, “Uno aquí tiene que estar a las vivas, estar calladito, poner atención, contribuir y ver de qué manera eres parte de, en lugar de ser alguien que necesita que todo mundo lo ayude, sino ser parte de un equipo”.

Eso es algo muy bonito, una camaradería muy rica que se vive cuando eres parte de un elenco, tanto de teatro, como de cine, como de tele. Es algo bellísimo. Qué bueno que lo hayan vivido así ellas, ¿no?

Nailea: Sí.

Nicky: Volviendo un poquito acerca de los personajes, ¿para ti cuál ha sido el que más ha sido un reto para ti? Que más te ha costado trabajo como realmente decir, “Ah, es por aquí”.

Nailea: Creo que uno de los mejores retos que me pusieron fue cuando me ofrecieron La otra familia, el personaje de la película que tenía que hacer una drogadicta yonqui, de crack. Porque además soy la más fresa, que no me gustaba ni la marihuana ni nada y era como, “Qué interesante que tengo que interpretar, entrar al submundo y hacer que sea creíble”.

Fue un reto encontrar la forma de emular lo mismo, emular cómo se siente un adicto cuando no tiene lo suyo. Para lograrlo también, aparte de que tenía que adelgazar mucho, me inspiré mucho en Christian Bale en The Machinist, así de, “Quería estar a los huesos”.

Entonces ayuné, pero bien asesorada con un nutriólogo, tomaba pura agua y espirulina. Fue todo un viaje integral, fue por eso que lo disfruté mucho, porque a la vez que me estaba yo preparando para lograr un personaje, estaba aprendiendo mucho de mi sistema, estudiando cómo funcionaban los órganos, en qué momento los tenías que proteger, qué elementos tenía yo que darles para irme acercando a esa situación física que se necesitaba.

Luego, la otra, era muy divertido ser tan opuesto. ¿Sabes qué me pasa? Que era un personaje que era cortante. No, no digo cortante. Me gusta cuando son así como muy libres. Te voy a decir algo desde ahorita, puede llegar a ser muy frustrante que porque te ven rubia o algo así, siempre quieran que seas la señora de sociedad. A mí me gustan los locos y me gustan las cosas desfachatadas. No me gusta sentirme contenida, me gusta poder estallar.

Creo que también por eso se da el que me hablen tanto para hacer a personajes que dirían intensas, loca o eso. “¿Loca? Nailea”, y así. Tiene que ver con la libertad que uno refleja y que el personaje te permite.

Nicky: Exacto, así es.

Nailea: La otra familia es el que fue un gran reto para llegar a él. Fuera de eso también, no es que me haya costado trabajo, pero uno de los personajes que más me ha gustado hacer para HBO fue el Sr. Ávila. Era la esposa del señor Ávila, María, porque era María la inmaculada, era super pura, era el único ser que no era un parásito en esa serie. Me gusta ese contraste, que después de que haces a una drogadicta y todo, luego puede ser una mujer inocente, con pureza.

Nicky: Exacto. Fíjate qué interesante cómo en la vida de los actores nos toca siempre tener un baño de limpiar nuestra mentalidad acerca de lo que hicimos en un personaje y ser, como dicen en Estados Unidos, un clean slate y ya de repente empezar a meterte en otro totalmente diferente que no tiene nada que ver.

¿Tú cómo le haces, por ejemplo, para prepararte? Digamos, ya estás en plena preparación, ya estudiando tu guion, memorizando tus líneas, etcétera. ¿Cómo es para ti ese proceso de crear a ese otro personaje? ¿Cuáles son los pasos que para ti son los que más te ayudan?

Nailea: Interesante pregunta, Nicky. Creo que depende del proyecto y depende del personaje, cómo lo puedo abordar, el lujo del tiempo que me van a dar para hacerlo. En La otra familia sabíamos que necesitábamos incluso un mes de preparación, y siempre se agradece cuando tienes mucho tiempo para hacerlo.

Hay veces que te dicen, “Empiezas en una semana”, o al día siguiente. Hay veces que hay que hacer un estudio de la época o, como es muy desconocido, hay que buscar material. Como para el de La otra familia, para el personaje de Nina, yo me metí mucho a YouTube a buscar videos que me indicaran, que viera a gente que había padecido esto y me ilustraron muchísimo, cómo era el comportamiento y así.

Hay veces que nada más confías en tu intuición, en entender lo que le está sucediendo internamente a este personaje, leerlo, ponerte muy en la situación y no planearlo demasiado, no estudiarlo demasiado. A mí me sirve eso, no me gusta tener tanto control. Tengo que tener una dosis de control, pero me gusta a veces dejar a ver qué pasa, a ver qué sucede Sí te tienes que memorizar las líneas porque eso es importante, pero aquí es donde te decía, “Nicky, qué chistosa e interesante pregunta”, porque he trabajado muchas veces con el papá de tus hijos, con Hernán Mendoza.

Nicky: Con el papá de Mario, sí.

Nailea: Es uno de los actores– De tu hijo más bien, ¿verdad? Tienen un hijo.

Nicky: Sí.

Nailea: Sabemos, uno de los mejores actores de México y me siento tan afortunada de haber pisado el escenario con él tantas veces y también en el cine, etcétera. A él también le he aprendido muchos tips y cosas, lo observo. Ves que a él le gusta el parapente, él es como extremo y el otro día le hicieron–

Acabamos de hacer una obra de teatro que se llamó Carne. Lo entrevistaban para el estreno y le decían, “Qué padre, Hernán, te gusta el parapente, las cosas extremas”, y él decía, “Sí”. “Oye, estás trabajando con Nailea. Eso debe ser bastante extremo también”. Dice, “Sí. No, olvídate el parapente. Extremo, Nailea”. Yo sé por qué lo dice, porque soy un poquito– Yo creo que desde la escuela sí fui un poquito esa estudiante que deja hasta el último momento el día que va a estudiar para el examen, lo confieso.

Mira, yo he visto que Jack Nicholson cuando estuvo haciendo The Shining también era de que se aprendía la escena en el mero momento, así de, “A ver, ¿ahorita cuál es la que va?”, no lo tenía desde un mes atrás. Yo soy un poquito más de esas. Tal vez esa adrenalina de, “Me va a ir mal, no me va a salir”, es lo que me concentra más y llego de otra forma.

Nicky: Puedo ser. Sí, y eres más espontánea.

Nailea: También agradezco de antemano.

Nicky: Sí, con esa espontaneidad de que no es–

Nailea: Agradezco a mis compañeros que han tenido que tolerar eso a veces en mí, porque hay unos que son así de por el libro, superacadémicos y han de decir, “¿Cómo puede ser? Yo vengo con todo aprendido”. Hernán tiene una facilidad de aprenderse todo y yo a veces así de, “A ver, déjame. Si intuitivamente saber qué te iba a responder”, y luego ya se dan las cosas, pero sí hay algo de vértigo ahí que puede espantar muchas veces a mis compañeros, a mis productores.

Sí, en otra ocasión, en otra obra de teatro, el productor ya casi cortándose las venas, “Es que falta una semana y no se sabe sus líneas”. Ya te estoy dando la primicia aquí, no siempre confieso estas cosas.

Nicky: Puedes entrar con un disclaimer, “Muchas gracias por contratarme”. En la primera lectura de mesa puedes decir, “A ver, chicos, aquí estoy. Nada más les aviso, sí me aprendo las líneas no como ustedes, tengo mi proceso, pero no se preocupen que el día del estreno todo mágicamente va a funcionar”.

Nailea: Exacto. Sí, es como, “¿Ya para qué?”. A estas alturas lo sigo haciendo. Creo que es por alguna razón, ya se volvió mi forma.

Interlocutora: Antes de seguir con la entrevista Ahora te quiero platicar de SquadCast, la plataforma donde grabamos la mayoría de los episodios de La Pizarra, tanto en audio como en video. Además de que SquadCast tiene una gran calidad de sonido, tus invitados se pueden unir desde su computadora o en su dispositivo móvil desde cualquier parte del mundo con una conexión estable de Internet.

Ahora SquadCast se ha asociado con Descript, una plataforma para editar audio y video que te genera la transcripción del contenido al momento de editar en segundos. Esto es lo más nuevo que ha avanzado SquadCast, lo cual nos hace la vida muchísimo más sencilla a los podcasters. Entérate de los detalles en SquadCast.fm/?ref=lapizarra. Este enlace es muy largo, yo lo sé, pero lo vas a encontrar en las notas del programa para que pruebes SquadCast gratis por siete días y luego eliges el plan que más te convenga.

En SquadCast también tienes otras ventajas, como la posibilidad de tener hasta nueve personas en una sesión, tanto para grabar un pódcast como para realizar una conferencia virtual. Además, puedes descargar tus archivos de audio ya masterizados con sonido Dolby. Pruébalo gratis por siete días con el enlace que encuentras en las notas del programa.

Nicky: Sí, es tu proceso.

Nailea: No quiere decir que sea huevona, porque unos dirían. No, es que estás llegando desde otro ángulo muchas veces. No puedes presionarlo.

Nicky: Exacto.

Nailea: Odio cuando me presionan, odio cuando quieren, “Ya, ya, ya”, correr. No, tienes que gatear, luego caminar y luego ya correr.

Nicky: Exacto. Para la televisión, ¿cómo haces? Porque ahí ya no se usa el apuntador, entonces ahí en un día te pueden tocar 10 escenas y ¿entonces?

Nailea: 40, ¿cuál 10?

Nicky: ¿40?

Nailea: 40 escenas a veces nos tocan, imagínate. Desarrollas mucho la agilidad. Me las aprendo en el momento, así como Jack Nicholson. Agarro el libreto así, digo, “A ver. Sí”. El secreto es entender muy bien de qué va la escena, qué es lo que tu personaje necesita conseguir, qué es lo que el otro personaje está tratando de convencerte y tú no te vas a dejar y eso.

Si lo tienes muy claro, ya las palabras– Afortunadamente, no son tan estrictos de que tienes que decir la palabra tal cual textual, sino que puedes dar el sentido de lo que se quiere decir. Esa libertad la agradezco.

Nicky: Claro.

Nailea: Sí. Lo logras, pero una por una. Necesito unos segunditos, unos minutos, la pimponeo y va.

Nicky: No es tan fácil, obviamente. Digo, todo mundo igual, eso tiene su proceso, pero cuando tienes que preparar 40 días para el día siguiente, pues bueno. ¿Las lees por lo menos?

Nailea: Ni modo que en la noche anterior me aprendiera las 40 escenas, ¿no?

Nicky: Claro.

Nailea: Más bien, la noche anterior definitivamente lo leo todo. Ya tienes un panorama de, “Esto es a lo que le vamos a tirar mañana”. ¿Te digo qué? Hay veces que hasta eso es mejor ni saberlo, porque eso mismo te tensiona, te presiona, anticipas. Otra, si queremos regresar a ese inicio de cuando éramos niños, de, “A ver, ¿a qué vamos a jugar ahorita? Estas son las reglas del juego para esto”. Aunque yo disfruto mucho más si se va tomando uno por uno en ese presente, te obliga a estar presente. Si no, estás anticipando.

Nicky: Totalmente, te obliga a estar presente de una manera plena y absoluta, porque ahí sí, si no pones toda tu atención en eso, obviamente no lo sacas adelante, pero como dices, teniendo una idea bien clara de lo que es la estructura, de qué está sucediendo, qué es lo que tú quieres del otro personaje, cómo lo vas a lograr y cuáles son los obstáculos por los que tienes que pasar para lograr lo que quieres, entonces ya realmente sí es mucho más fácil aprenderte en ese momento la escena, ¿no?

Nailea: Así es. ¿Te digo otra cosa que me estoy dando cuenta que también me ayuda muchísimo? Yo trabajo mucho con mi parte física, en el sentido que me gusta mucho usar lo corporal, pero no iba hacia allá todavía, sino que muchas veces yo no uso el coche, me voy en patines al trabajo, me voy en patines al foro o al teatro.

Ese estar patinando en la calle, viendo los carros que vienen, los semáforos parándome, me obliga ya a empezar a concentrarme. Como esos ejercicios de actuación que hacen a veces los estudiantes que quieren ser actores, que se avientan la pelota porque tienes que empezar a estar bien alerta, eso empieza a tenerte muy despierto. Ya cuando entro al set, ya está enfocado, o sea es más fácil esto.

Nicky: A ver. Yo nada más estoy tratando de imaginarte a ti en la Ciudad de México con el caos vial en patines, ¿cómo le haces para no perder la vida? Estoy impresionada.

Nailea: Sí. Muchas veces me preguntan, “¿No te da miedo?”, o, “Te va a pasar algo”. Afortunadamente, ya se adaptaron las calles hace unos años, ni eso. Ya tenemos carriles para los ciclistas y los patinadores, pero luego soy bien mal portada y me voy entre los coches de todas maneras.

¿Sabes por qué no me sirven los carriles? Porque esos carriles de bicicleta están pegados a la banqueta, en la banqueta hay árboles, esos árboles tiran ramitas y hojitas, y esos se enredan a veces en mis patines y me pueden ocasionar un accidente. Muchas veces sí me sirve más estar entre los coches y ellos, claro, se van enojando conmigo como diciendo, “Tú tienes tu otro espacio”, pero bueno, he ahí mi explicación para cuando me vean patinando entre sus coches.

Nicky: Si estás en la Ciudad de México y ves una patinadora, probablemente sea Nailea, déjala pasar.

Nailea: Sí, gracias a todos los que me han respetado y cuidado. Llego más rápido, es lo que me pasa. Mato varios pájaros de un tiro. Hago mi ejercicio del día, llego más rápido porque me brinco todo el tráfico y me voy poniendo alerta, me voy concentrando mucho. Me conecta con la naturaleza también, me conecta con mi entorno, con mi alrededor y sí. Por último, también yo era patinadora en la adolescencia, por eso para mí es como caminar. Claro, alguien que normalmente solo iba a patinar los fines de semana no es lo mismo que alguien que siempre– Yo trabajaba en una pista de patinaje en Nueva York, para mí es como– Sí.

Nicky: Mira, ¿una pista de patinaje sobre hielo o de patinaje de ruedas?

Nailea: De hielo y de ruedas. Hacía las dos cosas, sí.

Nicky: A ver, ¿qué no has hecho, Nailea? A ver, además eres yogui, además tienes ahora un negocio. Platícame un poquito de eso. Eso que decías de la parte corporal es obviamente porque llevas toda la experiencia en patines, ya me estoy enterando, pero además has practicado yoga mucho tiempo. Eso es algo que también incorporas.

Nailea: Con yoga más de 30 años. Soy maestra certificada de yoga en las técnicas de Ashtanga, de Jivamukti y de Integral Yoga, Hatha Yoga. Sí, es una parte indispensable en mi vida para– Como que digo, “No”. No son reglas y tampoco es una religión, por eso no lo vuelvo tan público ni comercial, aunque también hay un gran negocio en la yoga, pero porque es donde yo conecto con la parte más esencial de mí.

A veces así de sencillo, te hace la vida más fácil, porque hay algo que acomodaste, porque trabajas todos tus sistemas cuando practicas yoga. Agradezco mucho que exista la yoga en mi vida.

Otra de mis pasiones es el tango. Me gusta bailar tango y el baile japonés butō. El día que encontré el butō dije, “Por fin mi ritmo de vida”, porque es muy loco, todos quieren ir bien rápido y a mí me gusta ir lento. Yo quiero ir así como– El butō dije, “Sí, eso es lo que me gusta”. No lo puedo practicar tanto porque solo me gusta hacerlo cuando vienen algunos maestros profesionales japoneses y entonces ya me integro ahí a sus cursos.

Nicky: Ese no lo conocía. El tango obviamente sí, me fascina, amo yo todas las disciplinas, todos los estilos de danza me encantan y he practicado varios, pero voy a investigar ese del butō, me parece muy interesante.

Nailea: El butō nace después de la Segunda Guerra Mundial, después de la bomba de Hiroshima. Se destruye Japón y los japoneses se ven en la necesidad de volver a formar su cultura y su identidad. Se inspiran mucho en el expresionismo alemán, por eso es tan expresionista. Son esos pelones desnudos que andan a veces con lodo o a veces maquillados de blanco y que son huesuditos. Hay de todo, no voy a generalizar.

Kazuo Ōno es uno de los precursores. Sankai Juku es una compañía de danza japonesa, que cuando yo los vi en el escenario me dejaron ver por qué quería vivir. Me encanta cuando veo arte a un nivel que me nutre y por eso estoy convencida de que– Qué rico dedicarme al arte y que yo pueda generar en otros lo que cuando vi a esos danzantes me generó.

Nicky: Qué bonito, caray. Ahora vamos a hablar de tu faceta de empresaria, porque tienes tus bebidas que hace poquito– Por ahí las tienes.

Nailea: Ahí te la enseñé.

Nicky: Para los que estén viendo esto en YouTube, ahí están.

Nailea: Este es Mi Alimento Sagrado.

Nicky: Mi Alimento Sagrado, claro.

Nailea: Además, Mi Alimento Sagrado cuando tú lo tomas se vuelve Tu Alimento Sagrado, como que me gustó el nombre de la marca. Este es el kéfir de agua, son bebidas probióticas.

Durante la pandemia yo vi que había mucha gente que no estaba del todo al 100% en su salud y yo hace muchos años que consumo mis probióticos, pero nunca me ha gustado empujarle nada a nadie y odio cuando me tratan de vender productos milagrosos, pero cuando empiezas a informarte y saber que los probióticos son tan importantes para nuestro sistema digestivo y para que todo funcione–

Me encanta la alegría que hay en las personas que van probando mis productos y me dicen, “No sabes qué bien me sentí. Te quiero pedir cinco más”, o, “Te voy a pedir cada semana”. Ese es del de agua, que tengo muchos sabores, cardamomo, jengibre, cacao, vainilla, etcétera, varios sabores.

Este es el de leche, que se hace con los búlgaros. Este se hace con tibicos, agua y piloncillo. Este se hace con los búlgaros y la leche. La leche pasa por una fermentación y ya no tiene lactosa. Este es azul. Mi marca es Mi Alimento Sagrado, pero este se llama Blå Ku que en noruega, porque mi familia es noruega, Nicky, ya sabes, resulta que esto quiere decir, “La vaca azul”. Al principio mi kéfir era blanco, pero cuando ya le puse la espirulina azul, ahora sí es la vaca azul.

Nicky: Claro. Qué bonito. ¿Dónde puede conseguir la gente tus productos? ¿Sí los completas o qué tanto?

Nailea: Es un negocio muy artesanal, muy privado. No me interesa volverme la Coca-Cola, porque sigo actuando y todo. Estoy en tiendas especializadas en la Ciudad de México. Luego, a veces en otros lugares de la república lo quieren pedir.

Sí hay un lugar en donde pueden pedir mis productos, que se llama ConSuma Conciencia. Ahí ellos se encargan de hacértelo llegar a donde sea, a Monterrey, Tijuana, a donde tú quieras. Lo empacan bien, pero tiene que viajar frío, esa es la cosa. Por eso es un producto que no es tan fácil de decir, “Lo dejo en no sé cuántos lugares y que ahí se venda cuando se pueda”. ConSuma Conciencia se los hace llegar.

Nicky: Voy a ponerlas. Luego me pasas bien las ligas, las voy a poner en las notas del programa para que la gente pueda enterarse de dónde, si viven en la Ciudad de México en qué tiendas pueden estar visitando y conociéndolas. Si no, esto de ConSuma Conciencia.

Nailea: Claro. Sí, eso pensé. Pensé que, a la larga, si algún día tengo un local, es como– Yo muchas veces he viajado al mundo y me voy a esa panadería porque quería el pan de esa panadería y solo lo puedes encontrar en ese lugar. Nos hemos vuelto muy comodinos en el sentido de que todo te llega a tu casa, todo lo pedimos en Amazon y todo, pero también hay una magia de viajar y aprovechar ese viaje para conocer lo que no puede llegar hasta allá donde tú estás.

Nicky: Como que hasta te sabe diferente cuando vas allá y lo pruebas en un pueblito, en un lugar, no sé. Pruebas un helado que no has probado en ninguna otra parte y es la magia y el encanto.

Nailea: Claro. Qué tal cuando vamos a Oaxaca y te comes tu helado de leche quemada en la placita, solo allá, ¿no?

Nicky: Solo allá. Hablando de Oaxaca, una vez en Puerto Ángel yo me comí una langosta deliciosa y estaba baratísima, no había nadie ahí. Yo creo que es la langosta más deliciosa que he comido en mi vida, riquísima, y en un restaurancito que nunca pensarías. Son esas cosas que vas descubriendo. Muy rico.

Nailea: Sí, y que hay que preservar, hay que asegurarse, ¿no crees, Nicky? Que siga habiendo negocios pequeños, locales, artesanales, que no perdamos a nuestros artesanos. Olvídate de mis alimentos, sino de los que hacen bordados y de los que hacen talladas de madera, hay que valorar ese trabajo. Yo odiaría que todo empiece a ser hecho en China, hecho en serie y que todo esté en tiendas departamentales.

Nicky: Industrializado en masa. Sí, totalmente, porque las cosas que se hacen con tanto cuidado y que tienen hasta un poquito defectitos y todo, que tú dices, “Alguien se sentó, hizo esto con cuidado, le puso su paciencia, sus ganas y su sabiduría para hacer eso”, entonces lo gozas de una manera diferente, ¿no?

Nailea: Sí.

Nicky: Nailea, vamos ahorita a hablar, ya para concluir porque sé que tienes otra junta ahora después de esto. ¿Qué te falta por hacer?

Nailea: Hablando de Fidel, ¿qué crees que es? Tiene que ver con un– Justo me buscaron unas personas de Monterrey que quieren crecer mi marca, quieren proponerme un nuevo producto para mi marca, porque ellos se dedican a cultivar un chorro de hierbas, de plantas medicinales y todo. Estamos en un país rico en plantas medicinales, a ver qué me van a proponer.

Nicky: Seguramente va a ser muy interesante. Ahorita te digo para concluir, ya volviendo un poquito a lo de la carrera, y por cierto, te deseo que siga creciendo tu negocio y la próxima vez que yo vaya a México nos vamos a ver para que me des a probar de tus kéfires.

Nailea: Obvio, te voy a regalar.

Nicky: Definitivo. Gracias.

Nailea: ¿Cuándo vienes?

Nicky: En julio. Estamos grabando ahorita en mayo. Este episodio va a salir en la octava temporada que va a empezar ya a finales de septiembre, principios de octubre. Te lo digo así como entrada, sí. Ya te avisaré para que nos veamos.

Volviendo a tu carrera, ¿qué es lo que te falta ahorita por hacer? Que tú dices, “He hecho este tipo de personajes y todo”, pero uno que digas, “Como que se me antoja esto”, o no sé si estás en producir, dirigir. ¿Cuál es un proyecto que sería algo muy mágico, del que tendrías muchas ganas de meterte de lleno? Por más que sea algo difícil y todo, porque ya vemos que te encantan los retos. ¿Cuál sería?

Nailea: Hay muchas obras de teatro que me gustaría hacer, pero sabes que me apasiona el tono de Beckett. No estoy segura si esto se va a dar o si lo voy a tener que yo empezar a hacer para que se dé lo que a mí me gustaría. Es que cuando interpreté a Beckett hace ya unos años, Beckett es un autor muy particular, muy minimalista y muy unitonal.

Es muy curioso que en un país donde todos queremos mucho colorido, mucha exageración y mucho todo, me interesó ese abordaje que requieren las obras de Beckett. Las obras concretamente que yo había hecho en esa ocasión, dirigida por tres diferentes directores en el teatro Santa Catarina, fueron Play, Catástrofe y Footfalls.

Me enamoré de ese– Otra vez, es parecido al tempo del butō, es algo contemplativo, es algo repetitivo, es algo que a estas alturas de mi vida yo quiero estar haciendo algo más en mi ritmo. No sé, me gustaría el reto, a ver si sí, de ir buscando a los directores adecuados y haber hecho, así como hay algunos directores que dicen, “Voy a hacer todas las obras de Shakespeare”, yo quiero hacer todas las obras de Beckett.

Me fascinaría ese reto en teatro. En cine, me gustaría muchísimo seguir haciendo cine como el de la última película que hice que ganó en Berlín el Oso de Plata.

Nicky: ¿Manto de Gemas?

Nailea: Manto de Gemas. En esa línea. No me interesa hacer el cine comercial, porque ya la parte comercial la tengo cubierta cuando hago televisión. ¿Qué te digo? A mí me gusta poder estar entre las tres cosas, porque gracias a una puedes hacer la otra muchas veces. La televisión también, como vimos, agiliza mucho también la mente y el resultado.

Seguir haciendo por esta línea que ya estoy tocando, pero sí, definitivamente ya veo la necesidad de levantar mis proyectos. Tengo un guion, pero no quiero estar quemando la idea de que– Ahorita ya entré a la etapa donde voy a tener que buscar la preproducción. Ya la tengo, el guion lo he trabajado, trabajado y así. Entra ahí este miedito de, “Bueno”, pero ya lo tengo que hacer, ya tengo que hacer mis propias pastorelas.

Nicky: Exacto. Es lo que te queda, porque como dices, ya a esa altura de tu carrera, con la experiencia que has tenido con los personajes que has hecho, sabes lo que quieres, sabes lo que quieres buscar, sabes lo que te llenaría más y tienes un conocimiento y un entendimiento muy bueno de la trayectoria de cómo debe ser construida una obra de teatro, un programa, una película.

Eres alguien que trabaja muy bien en la colaboración. Todo está en rodearse del equipo que te apoye, que se una a tu idea y llevarlo a cabo. Son cosas que sí toman tiempo, pero las cosas que valen la pena son las que toman más tiempo en madurar y, cuando se dan, es como parir de nuevo.

Nailea: Sí. Viene una etapa así, muy fea. No hay que entrar con miedo, igual y te van diciendo, “No, esto es casi imposible”. Dices, “No me resultó tan difícil”. No hay que predisponerse, sé que ya le he trabajado lo suficiente hasta llegar ahí. También pasa porque no te están llegando esos personajes que tú quisieras hacer o que podrían inventar y dices, “Entonces yo me lo voy a encontrar”.

Porque sí pasa, pasa en todo el mundo, pasa en Estados Unidos, en donde llegas a cierta edad y te quieren poner ya nada más de la mamá de la nueva generación y no resulta nada estimulante, de decirle, “Mijito, qué bueno que te vas a la escuela”, y ya. No, uno quiere actuar de a de veras.

Nicky: Exacto. Definitivamente uno tiene que armar sus propios proyectos si es que pasan los años y ves que no hay tantos personajes complejos, bonitos para mujeres después de los 50. Nos toca inventarlos. Eso es lo que tenemos que hacer, sí. Nailea, muchísimas gracias. Ya se nos está acabando el tiempo. De veras, para mí ha sido un enorme placer platicar contigo hoy. Ha sido linda y rica esta plática. Te deseo muchísimo éxito con el negocio, con tus próximos proyectos en teatro, en cine, en tele. Me dará mucho gusto verte pronto.

Interlocutor: Gracias por acompañarnos en La Pizarra. ¿Quieres escuchar más episodios? Visita www.lapizarrapodcast.com o nickymondellini.com/lapizarra, donde podrás suscribirte al boletín mensual y tener acceso a los avances exclusivos de los nuevos episodios, así como recursos para tu negocio creativo. Sintonízate la próxima semana para otra interesante entrevista.

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